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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Back to Back Oscars for Eddie?

""The Molly Ringwald Story"?." -Rick

"I can't help but think there is going to be significantly more backlash here after Dallas Buyers Club. Also, is trans the new Oscar-bait? I don't know how to feel about that." -BD

 

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Entries in Michael Fassbender (77)

Thursday
Jan292015

Sundance: Fassbender Wanders The Frontier In The Unsatisfying "Slow West"

Michael C here reporting from an unseasonably warm Park City

John Maclean's Slow West is an ambitious western that falls short of its lofty aspirations because of its thin execution and its dud of a protagonist. The protagonist is 16-year-old Jay Cavendish played by Kodi Smit-McPhee as a naif spectacularly ill-equipped to deal with the dangers of frontier travel in 1870. The voice over from Michael Fassbender's tough guy bounty hunter opens the film with the observation that it's a miracle Cavendish made it as far he did without getting murdered. We in the audience size him up with his innocent doe eyes and his still-waiting-for-puberty physique and we quite agree. He would surely have been doomed had Fassbender's Silas not taken him under his wing as a travel companion. 

This all would be a fine dynamic for a film, the weathered cowboy dropping a cold dose of reality on the young fool with his romantic ideas about true love and the West. Unfortunately, Slow West tries to push the idea that Jay is some kind of pure soul with poetry in his heart who can impart a lesson to the brutes like Fassbender about aspiring to something higher. Actually I thought the kid came off like a dope...

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Saturday
Jan032015

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Friday
Aug222014

Review: Frank

Michael C. here.  The audience can be forgiven if it assumes that Lenny Abarahamson’s Frank will be another cookie cutter indie quirkfest. The title character certainly seems at first glance like a contrived package of screenwriting conceits. Played by an actor we have to take on faith is Michael Fassbender, Frank is an artist who, despite a recent stay in a mental institution, still wears at all times a beach ball-sized fiberglass head with a smiling Howdy Doody face. Frank is the lead singer of an avant-garde band with an unpronounceable name (the Soronprfbs) and an unlistenable sound. When they perform it looks like five people having a synchronized nervous breakdown. With this shooting gallery of easy targets we sit back and wait for the movie to rain down mockery on its characters, sort of like a Napoleon Dynamite for hipster musicians.

The great surprise of Frank is that it avoids the easy jokes, aiming for something altogether more interesting. Abrahamson accepts these bizarre characters at face value and follows them with thoughtfulness and an open mind, often to funny places, sometimes to bracingly dark ones. It’s a tricky tonal balancing act, but the film rarely steps wrong. In passing up the cheap shots, Frank finds unexpected depth beneath the weirdness. 

We first meet Frank and company through Jon (Domhnall Gleeson) a would-be songwriter who spends his days wandering the streets hoping to find the inspiration to jumpstart his dormant creative engine. [More...]

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Sunday
May252014

X-Men Movie: Shades of Future Franchise Past

[Editor's Navel-Gazing Note: I remind all readers upfront and as apology for this extraordinarily longwinded review that the X-Men are part of Nathaniel's actual soul, having clung to them like actual friends and role models for his entire childhood and adolescence. Other comics were mere 'entertainment'. The X-Men were the loves of his young life. -  Nathaniel]

Daniel Cudmore as Colossus and Fan Bingbing as Blink

The most visually intoxicating character in the latest "When Mutants Collide!" movie is Blink (Fan Bingbing). She has very little dialogue, if any, but linguistic skill is not a mutation ("Hey now...," protests Cypher, who the movies will surely continue to shun). Blink's highly effective signature move involves tossed off pink teleportation portals which she, her teammates, and their enemies jump, run, stumble, fly or are thrown through. Think of it as Nightcrawler's disorientingly rapid teleportation, if it involved all characters in a scene and could be used malevolently against some of them.

In the very exciting opening battle sequence of X-Men Days of Future Past we see this power used frequently and awesomely as she helps her teammates (Warpath, Collosus, Storm, Iceman, Sunspot and more) to surprise, fight back, and evade (for a short time at least) their attackers, an army of mutant-killing robots known as The Sentinels.  But these Sentinels learn quickly, and are very good at their job: killing mutants. The tides turn and a mutant massacre begins... or does it? 

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Monday
Apr282014

Beauty Vs Beast: War of the Plastics

JA from MNPP here, bringing our weekly "Beauty Vs Beast" competition to North Shore High School for Mean Girls Week, The Film Experience's ongoing celebration of the film's 10th anniversary. That's right, it's time to pick a side - will you put on your bathing suit even if you're a lesbian and stand in defiance of Regina George, mean queen of the Plastic machine, or will you side with her, the devil you know, in the face of Cady Heron, that cruel interloper from the carcass-strewn wilds of the home-schooling system? Take a stand (and make sure to get your pink shirt back too)...

 

You've got one week to make your preference known and to scribble down your thoughts in the Burn Book that is the comments, so have at it.

PREVIOUSLY Last week we went mutant-crazy and asked you to choose between Professor Charles Xavier (James McAvoy) and Magneto (Michael Fassbender) and whaddya know, evil has triumphed! It was closer than usual but Fassbender found the metal-core of your affections and yanked it his way, 60%-wise. Kate spoke truth to most everybody's feelings regarding the difficulty of this choice...

"I'd actually call it draw, myself. Xavier and McAvoy are the emotional core/grounding force of the film, while Magneto/Fassbender provides a kind of electric energy that jolts the audience. Their powers mirror their dramatic function in XMFC. Both of them are needed for the film to work."