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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 

 

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Silence of the Lambs Retrospective

"Don't help the man with the broken arm! Don't get in his van! Too late... She does it every time. Which is why this is such a good movie: it really makes us care, and even when we know what's going to happen, we hope it won't."- Edward

"Such a great BP winner. I remember seeing it when I was a teenager and even then I noticed the eyelines being so close to the camera, and the way Clarice was framed in a male-dominated world as though she was being watched and judged." - MSD

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Entries in Michael Fassbender (97)

Monday
Jan182016

London Calling. Kate wants Leo to win his Oscar

The London Film Critics Circle Awards were held last night across the Atlantic as something of a calmer arthouse alternative to the multiplex-lusting Critics Choice Awards here in the States, though they did share one winner: George Miller took Best Director for Mad Max Fury Road. We're trying not to think of him as the frontrunner here at TFE because it would be the most anomalous Best Director win of our lifetimes and too satisfying. Could it actually happen?

Judging on photos of the event, Kate Winslet was the main attraction of the night.

The Winners 

  • FILM: Mad Max: Fury Road
  • BRITISH/IRISH FILM: 45 Years
  • DIRECTOR: George Miller, Mad Max: Fury Road
  • ACTRESS: Charlotte Rampling, 45 Years
  • ACTOR: Tom Courtenay, 45 Years
  • BRITISH/IRISH ACTRESS: Saoirse Ronan, Brooklyn
  • SUPPORTING ACTRESS: Kate Winslet, Steve Jobs
  • SUPPORTING ACTOR: Mark Rylance, Bridge of Spies
  • YOUNG BRITISH/IRISH PERFORMER: Maisie Williams, The Falling (supposedly this girls boarding school drama headlined by the Game of Thrones star will be released in the USA by Cinedigm)
  • BRITISH/IRISH ACTOR: Tom Hardy (for multiple roles: Legend, London Road, Mad Max: Fury Road, and The Revenant)
  • SCREENWRITER: Tom McCarthy and Josh Singer, Spotlight
  • TECHNICAL ACHIEVEMENT: Ed Lachman, for the Cinematography of Carol
  • FOREIGN LANGUAGE FILM: The Look of Silence (nominated for the Doc Oscar)
  • DOCUMENTARY: Amy (also nominated for the Oscar)
  • BRITISH/IRISH SHORT: Stutterer, Benjamin Cleary (it's also nominated for the Oscar)
  • BREAKTHROUGH BRITISH/IRISH FILMMAKER (The Philip French Award): John Maclean, Slow West

A Fun Titanic Takeaway
Kate Winslet, who can add the London prize to her Golden Globe this year, doesn't seem to be thinking about her own Oscar run for Steve Jobs. Perhaps she doesn't care about a second statue (and Alicia Vikander could be tough to beat -- the advantage of being a leading lady in a supporting category... *sigh*).

With the cameras shoved in her face (seriously back off reporters) Kate is just loving on Leonardo DiCaprio in The Revenant (it's clear where her Oscar vote is going). There are also props to her current co-star Michael Fassbender in Steve Jobs as well.

Sunday
Dec202015

Link Brunch

Now with unlimited mimosas

Towleroad a Russian distributor is planning some law-defying cinephilia -- they're going to release Carol despite Russia's absurdly homophobic "anti-propaganda" law 
Marvel 2016 is Captain America's 75th anniversary so they'll be the new film Captain America: Civil War as well as a 2 hour TV special "75 Heroic Years" to air on ABC on January 19th
Pajiba clears up what the word "spoiler" means since the internet is always confused about it
MNPP Save the date - new Michael Fassbender picture on Oct 13th, 2017
Comics Alliance forget what we said earlier about Nicole Kidman co-starring in Wonder Woman. Apparently they coudln't work out schedules. The'll presumably be looking for another iconic star in Kidman's age range for the Queen of the Amazons  

List-Mania
Associate Press and Rolling Stone have best albums lists for 2015. Adele's "25" and Madonna's "Rebel Heart" make both of the top 10s
i09 best comics and graphic novels of the year
Film Comment picks the 20 best undistributed films of the year. I haven't seen even one of them which is strange given multiple festivals this year
THR the Women Film Critics Circle goes all in for Suffragette with 7 (!!!) awards. This is a group I'd love to sing praises to except so often their ideas about gender seem reductive / surface level. I like Suffragette just fine but in no way does its topic (women's voting rights) make it a better film about women than say Carol or Brooklyn or even less high profile pictures like Grandma or I'll See You In My Dreams or Mustang you know? They also say super strange things like this:

The Invisible Woman Award (performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored): Alicia Vikander, The Danish Girl

How, exactly, has a performance with that much Oscar buzz from a new star the media is fawning all over having a wildly successful ubiquitous breakout year count as "invisible"?

a long time ago in a galaxy far far away...
Vogue a grown Star Wars fan remembers her adolescent obsession with the series and debates whether or not to go to the new film
Vanity Fair looks at the origins of Star Wars - an indie film no studio wanted to make
Movie City News the 5 things David Poland hated about Episode 7 (SPOILERIFFIC obviously). Agree completely on #1 (oy!) and sort of on #2 and #3. Don't understand #4 or especially #5 as I loved the Darth Vader obsession -- a great dark mirror to our own Star Wars fixations only embedded organically into the actual narrative.
The Incredible Suit 'froths at the cock' (sorry) for Star Wars: The Force Awakens. Funny review  

Sunday
Dec062015

Cotillard + Fassbender = Scorching Hot

Murtada here. Are you ready for some sexy stuff at the movies? Now playing in limited release is the latest big screen version of Macbeth from director Justin Kurzel. Reviews have been mixed but there’s no denying the heat created by the performances of Michael Fassbender and Marion Cotillard in the titular parts. The screen almost combusts whenever they are together; they make Shakespeare sexy. And not just because of their considerable beauty, but rather because of what they bring out in each other. Fassbender raises Cotillard’s intensity and she is so tenderly natural that he can’t help but match her.

Sometimes one wonders how actors arrive at on-screen chemistry? Maybe it’s about surprising each other. That’s what Fassbender told the National Board of review about one of their scenes together:

 I don’t like to talk too much, with either director or actor, before doing the scene. [ ] She just picks up the ball and she runs with it, like that scene—the scorpion scene. I put my hand underneath her dress; I didn’t tell her I was going to do that, and she took it and she went with it and then she kisses me and then pulls away. She’s got this sort of repulsion, and then she reengages, and she’s like, “I love this man, I feel him, he’s sick.” All these things are happening on her face. That’s when you realize you’re in the presence of somebody great.

Here’s part of that scene, however for the exact part Fassbender is talking about you'll have to go to the movies.

It looks like Cotillard, Fassbender and Kurzel had a good time creatively; they are reuniting for Assassin’s Creed which is currently shooting.

Wednesday
Dec022015

Links

Yahoo longtime TV star Holland Taylor (The Practice, Two and a Half Men, Bosom Buddies) and TFE stage/film/tv obsession Sarah Paulson are dating! Taylor, who is 72, said she never came out to the media before "because I live out"
Hateful Eight
track listing for the soundtrack
Playbill two new Broadway musical productions are from all female teams. One is Waitress, based on the indie film
Variety Disney sees 2500 actors for Young Han Solo
Variety Sundance competition lineup announced
Youtube Scowl at the moon! It's the new Batman v Superman v Joy teaser
Awards Daily Listen up - Star Wars was never just "a boy's thing"
This is Not Porn Chris Pratt on the set of his very first movie. Thin body. Big hair.
Vulture Jane Fonda talks about her dance parties. Wait, what?
Pajiba Channing Tatum doesn't like Alex Pettyfer. Pettyfer says why
Screen Daily Michael Fassbender will play two roles in Alien: Covenant - makes sense that there would be multiple David8 androids.
New Yorker looks back at Patricia Highsmith  and the creation of her novel "The Price of Salt" aka the "Carol" we're obsessing over

Year End List Mania
DuJour
does a 'hollywood issue' style 'performances of the year' gallery piece. Youth gets the best placement leading with the first three slides going to Michael Caine, Harvey Keitel and Rachel Weisz. But Steve Jobs, Carol, Son of Saul and other films also featured.
IW 20 Breakthrough Performances of the year
Rolling Stone top 50 albums of the year: Kendrick Lamar tops the list but the Hamilton Original Cast Recording, Adele's 25, Joanna Newsom's Divers and Madonna's Rebel Heart (yaaas) all make the list too

Bless Her
Annie Liebovitz shot a bunch of powerful women for Pirelli's 2016 calendar. Amy Schumer posted her photo with no retouching. Love the body you're in!

 

 

Sunday
Oct252015

Review: Macbeth

Andrew here to talk about a Shakespeare adaptation

There’s a moment in the recent adaptation of Macbeth that’s legitimately surprising for audience, even those who have read the play. Towards the end of the film Marion Cotillard appears on screen for Lady Macbeth’s moment of reckoning – that iconic “Out damned spot!” speech. The scene unfolds, naturally, in a different fashion than it does in the play. The monologue, though, becomes especially striking when the camera draws back to reveal “who” she is speaking to. I won’t spoil it for those who haven’t seen it, but a few of the persons in the row behind me gasped at the cutaway. It’s meant to be a jolting moment in the film, and it is, although it’s also a baffling one. The moment has stuck with me since I’ve seen the film as I’ve tried to make sense of it within the film’s framework. And, the more I think on it, the more it emerges as emblematic of this adaptation.

Let it not be said that Justin Kurzel’s adaptation of Shakespeare’s Macbeth is not without ambition and energy. This Macbeth is transposed to the cinema in language that’s distinctly visual. This is a Macbeth about movement and space and contact, and then the ensuing loss of that same contact. The language of the film is restlessness and mournful agitation from its first shot and the entire fair is slick and confident, but I go back and forth on how effective it is.

Click to read more ...

Tuesday
Oct132015

8 Best Things About "Steve Jobs" (First Impressions)

True confession: When I read Jason's breathless rave for Steve Jobs from my sick bed last week I was like "calm down, man,  it can't be that good" Cut to one week later me sitting in the theater, as the end credits rolled: "I gotta read that rave again and nod my head vigorously this time!" While I suspect I don't love it quite as much as Jason, it is inarguably one of 2015's must-see picture and we shan't be annoyed at all when it racks up Oscar nominations in January.

The film goes wide on Friday and trust that you'll want to be there. Here are my 8 favorite things about it at first glance... 

Click to read more ...