An Early Look at the Best Director Oscar Race

by Eric Blume

Will THE BRUTALIST's "big bold vision" secure Brady Corbet his first Oscar nomination?

While The Film Experience writers gear up for their own Oscar predictions, I (probably like you) spend my time on several other industry sites to see what the current predictions are.  

This is a super fun time of the year, because nobody is out with citations or nominations, so it's not yet thuddeningly predictable.  Which makes it all the more surprising is that everywhere I read, almost ALL the forecasters seem to have the same five names listed as our nominees for the Best Director Oscar...

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(Pt 2) Everything you wanted to know about the International Feature race: Stars & Auteurs

by Nathaniel R

Michael Fassbender co-stars in Ireland's KNEECAP

In part one of our breakdown of the Best International Feature Film Oscar race, we looked at recurring themes, LGBTQ appeal, and running time. But there is still a lot to discuss in the collection of 85 films competing first for 15 "finalist" spots (December 17th) and then for the coveted nomination (January 17th, 2025). Let's look at the famous actors and directors who are back again hoping for some gold dust on their films...

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French & Italian Finalists for Oscar Submissions

by Nathaniel R

The selection of France and Italy's contenders in Oscar's Best International Feature Film race are always a big deal; the two countries thoroughly dominated the category in the 20th century and they're still the all-time stat leaders 24 years into the new century. France announced an official finalist list of four films. We also know which films Italy is choosing between though there are no "finalists" per se since they skip that step and go straight to voting. Let's look at the possibilities after the jump...

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TIFF '24: Contrarian takes on "Anora" and "Emilia Perez"

by Cláudio Alves

Sometimes, you find yourself going with the flow, becoming another among a million other voices with the same stated opinion. Such fate can be frustrating, but so can the reverse. When consensus consolidates, being on the other side looking in is just as irritating as picturing oneself as the metaphorical sheep following the flock. Contrarianism isn't fun in and of itself, especially when it manifests as a hostile take against a barrage of love. This TIFF, I've found myself in the minority regarding two Cannes prize-winners already praised to high heaven by our beloved Elisa Giudici. Indeed, one of them is so adored it's already considered a contender for the festival's Audience Award cum Oscar barometer. It's time to explain why neither Anora nor Emilia Pérez convinced me of their merits…

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Cannes Diary: Jacques Audiard's stunning 'Emilia Perez'

by Elisa Giudici

How does Jacques Audiard do it? Emilia Pérez would be an extraordinary film if it were directed by a 35-year-old filmmaker who had just matured and created a groundbreaking movie destined to consecrate his career. Yet Audiard is 72 years old, already has a Palme d'Or at home, and a portfolio of excellent films. He doesn't need to reinvent himself or take many risks, having reached an age and fame where some simply coast along, continuing to indulge their existing obsessions.

Instead, Audiard delivers a film that, on paper, should be disastrous and unworkable...

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