AFI Fest: “Hard Truths” Tackles Modern Social Anxiety in One of the Year’s Best Films

by Eurocheese

Mike Leigh is a filmmaker who has always evoked strong opinions, with your typical cinephile having their own takes on which films are strongest among his catalog. Certainly one of the highlights of his career has been Secrets & Lies, with the memorable pairing of Brenda Blethyn and his leading lady from this film, Marianne Jean-Baptiste. Her subtle work in that film, clashing against her brash co-stars, is often cited as one of the best performances from any Leigh film, earning her only Oscar nomination to date. Seeing her back in one of his leading roles, fans of the director and actress will be pleased to hear that their reunion brings us one of the best performances and films of the year.

Jean-Baptiste’s Pansy introduces herself to the audience by waking up screaming, and her intensity doesn’t dial down from there...

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Bernard Hill (1944-2024)

by Cláudio Alves

THE LORD OF THE RINGS: THE RETURN OF THE KING (2003) Peter Jackson

Today, sad news comes from England. Actor Bernard Hill has passed away at the age of 79, comforted by his family to the end. 

Among Oscar obsessives, Hill is best known for his appearances in Titanic and the Lord of the Rings trilogy. For James Cameron, he played the stalwart captain of the doomed ship, while Peter Jackson saw him embody Théoden, King of Rohan. Both roles share a touch of quiet authority, power laced with the deep sorrow of someone responsible for countless other lives. Hill's very presence seemed to project these qualities, making him a dream character actor, able to shape a movie's tonalities with little more than a glance, a shift of posture, a sigh. To this day, he's the only actor to star in two of the Academy's all-time champions, pictures with eleven Oscars each…

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April Foolish Predictions: Setting the Table for "Best Picture"

by Nathaniel R

Is it anticlimactic to start our annual blindfold guessing with Best Picture? Of course! Does it make sense? That, too! You all know the drill. If a film has Best Picture heat they have a leg up in every single category, whether or not they deserve it in that particular category. Best Picture heat means that people end up aware of and actually screening your movie. If you think about it, that’s half the battle. So as we stumble foolishly into April prophecies in all categories, roughly ten months before Oscar nominations will even roll around (January 17 next year), we have to set the major playing field first. 

We call these April Foolish Predictions because who can possibly know a thing in April?!? Last year at this time nobody would have seen Anatomy of a Fall and The Zone of Interest emerging as major Oscar titles. They were already tipped for Cannes, of course, but Cannes and Oscars are very different contests, despite what ended up happening last season. The increasing globalization of the Oscar race makes predicting even harder (we love a challenge!) because who can possibly know which of the hundreds of non-English language titles vying for global attention at festivals will catch the English-language audience’s fancy in a big way? It stands to reason that a non-English language picture will factor into the race again but we’ll have to wait for festival buzz on that front to narrow it down from hundreds of options to a few.

Anyway here are 15 pictures we think could enter the awards conversation...

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Oscar Night Winners: "Oppenheimer" and "Poor Things" Reigned

by Nathaniel R

Emma Thomas (Oppenheimer producer) hugs Emily Blunt after winning Best Picture. Screenshot from ABC

Another Oscar season has come and gone and we'll dig into the ceremony in a bit which for the first time in known history came in under its alloted air time.  Moving it an hour earlier was a good move! But for now the winners list. Oppenheimer emerged as the night's champ as everyone on the planet predicted but it proved less than a giant sweeper. Sweeps just aren't popular at the 21st century where spreading the wealth is the semi-norm for wins, if not nomination tallies. Still, since the first year of the "Expanded Era" (2009) when we saw an expansion of the Best Picture field and new voting rules, its seven wins place it in a tie for most Oscars with 2013's Gravity (which did not win Best Picture) and 2022's Everything Everywhere All At Once. 

The only other films to win multiple Oscars last night were Poor Things with 4 statues includly a tough race in Best Actress and The Zone of Interest with 2 statues including a not totally surprising (on account of how often the work was discussed) but still highly unusual win in the Best Sound category. More to come!

COMPLETE LIST OF WINNERS IN ALL 23 CATEGORIES

Picture Oppenheimer
Director Christopher Nolan, Oppenheimer
Actress Emma Stone, Poor Things
Actor Cillian Murphy, Oppenheimer
Supporting Actress, Da'Vine Joy Randolph, The Holdovers
Supporting Actor Robert Downey Jr, Oppenheimer
Original Screenplay Anatomy of a Fall
Adapted Screenplay American Fiction
Cinematography Oppenheimer
Costume Design Poor Things
Production Design Poor Things
Film Editing Oppenheimer
Visual Effects Godzilla Minus One
Makeup and Hair Poor Things
Original Score Oppenheimer
Sound The Zone of Interest
Original Song "What Was I Made For?" Barbie
International Feature The Zone of Interest 
Live Action Short The Wonderful World of Henry Sugar
Animated Feature The Boy and the Heron
Animated Short War is Over!
Documentary Feature 20 Days in Mariupol
Documentary Short The Last Repair Shop

Best Picture in Black-and-White: 2023 Edition

by Cláudio Alves

Re-releasing films in black-and-white, whether in theaters or through physical media, has become something of a trend. This year, Godzilla Minus One prompted a new edit with color stripped away, revealing a new way to consider its post-war twist on the kaiju mythos. I understand why audiences and filmmakers get carried away by these experiments. After all, for the past few seasons, it's a The Film Experience tradition to re-think the year's Best Picture Oscar nominees in silvery monochrome, pondering what each flick would look like transformed.

This is an exercise that can reveal qualities in composition and lighting, as well as provide a reference for the role of color in visual storytelling. Sometimes, its absence makes no difference. In other cases, a movie can't work in grayscale… 

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