Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Recommend Oscar Volleys: Three still standing for Best Picture. Who wins tonight? (Email)

This action will generate an email recommending this article to the recipient of your choice. Note that your email address and your recipient's email address are not logged by this system.

EmailEmail Article Link

The email sent will contain a link to this article, the article title, and an article excerpt (if available). For security reasons, your IP address will also be included in the sent email.

Article Excerpt:

The penultimate Oscar Volley. This morning, Abe Friedtanzer, Eric Blume, and Nathaniel R discuss the category at the top of the Academy mountain.


NATHANIEL: "BEST PICTURE!" He shouts with horror, as Team Experience reaches the final day of Oscar season with this category not yet volleyed. By now readers have had a chance to see all of our Predictions, and my own multiverse grappling with what might play out tonight  along with most of my own alternate ballot. Best Picture may well be the last award presented on regular Oscar nights, but it's far from the least. In fact, one could argue you should always BEGIN with Best Picture in your discussions since all awards are affected by it. "Trickle down" is a scam in economic turns, but it's very real at the Oscars where voters have historically voted for their favourite in as many 'lesser' categories as they can justify, often with ridiculous results in terms of the nominations and statuettes in  craft categories. Because we have reached the end of the season, apologies to the filmmakers behind Dune Part Two, Nickel Boys, I'm Still Here, WickedA Complete Substance, and even nomination leader Emilia Perez... but I think we can safely say that none of these films have a prayer in hell of taking the top prize.

Consensus, history, and momentum (in various quantities) suggests that only the epic drama The Brutalistpapal thriller Conclave, and raw and reckless indie Anora could win Hollywood's highest prize. BUT preferential balloting always throws a fascinating wrench into the popularity contest that is the Oscar race. Not only do you have to have a lot of votes in the end, but you also have to be ranked highly on ballots you don't win if the race is close. And won't it be? So what say you gentlemen? Who has the advantage and do pundits put too much stock into the "ranking" of preferential ballots.

 

ABE: Nathaniel, I think you meant A Complete Unknown, not A Complete Substance, but I think that speaks to how that those films aren't going to be major players. I think that, prior to Karla's tweets coming up, Emilia Perez could have competed, and both Wicked and The Substance could have been in play too had they done better on nominations day. But it's down to the three you mentioned...


Article Link:
Your Name:
Your Email:
Recipient Email:
Message: