NOW PLAYING

latest reviews  

Captain America: The Winter Soldier (2014) B+/A-
Nymphomaniac (2014) B-
Divergent (2014) C
Enemy (2014) B/B+

review index

HOT TOPICS


Welcome

The Film Experience™ was created by Nathaniel R. "Like it" on facebook!

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Comment Fun

COMMENT(s) DU JOUR
FOXCATCHER & GONE GIRL teasers...

Foxcatcher: Carrell's fake schnoz and affected speaking voice could be VERY problematic over the course of a feature film, but this is a terrific teaser and Tatum in a singlet assuages many other concerns. This is a big yes too.❞ - Roark

 I love that the Gone Girl trailer purposely keeps Amy a mysterious figure throughout -- we just get glimpses. Casting someone like Rosamund was really genius because the character is supposed to feel unfamiliar.❞ -Bia

 


Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

What'cha Looking For?
Twitter Feed
Subscribe

Entries in Leonardo DiCaprio (50)

Wednesday
Apr162014

DiCaprio + Iñárritu = ???

I am not, in any way according to the Internet, a Leonardo DiCaprio fan. Never mind that I saw him first and was proselytizing about his gift for at least ten years after seeing the double whammy of This Boy's Life and What's Eating Gilbert Grape in 1993. Alas, I have no proof of this fact as I was not writing for the internet at the time. But, it is true that I began to sour on him starting with Gangs of New York (2002) the first obvious sign that he was quite fallible indeed and that maybe he needed to be, you know, directed, rather than coddled by the auteurs he blesses with his unusually foolproof bankability. I may be the only person alive who thinks his relationship with Martin Scorsese, The Departed aside, has not been good for developing his once prodigious talent. But at the risk of angering his devout legion again, I feel confident in proposing that he is now in the exact place that his Titanic partner Kate Winslet was in the mid to late Aughts wherein she simply refused to do anything other than try to win statues; prestige piece after prestige piece after prestige piece. Movie stars need more variety than that in their filmography to stay sharp, if you ask me. She won, as many stars of her magnitude did, and so will Leo. And yet, as surely as Kate's fanbase turned on her for "wanting it too badly" and winning for a "lesser" performance, so will they turn on Leo whenever he wins which will undoubtedly be for a lesser performance because that's how 'overdue' Oscars work.

In the meantime he'll just keep trying to win one.

I've been saying for a long time that a light and breezy comedy (something like Catch Me If You Can) would go a long way towards relaxing him on the screen again and revitalizing his heavy and repetitive acting. And maybe it's churlish of me to assume that The Wolf of Wall Street which wasn't quite his best but was certainly his loosest performance since Catch Me... won't be the trigger for the same kind of rejuvenation. But a newly announced project is killing the dream that it might.

Honest question that isn't meant as snark: Is there any director currently working with a heavier hand than Alejandro González Iñárritu? His best film is Powder Keg (2001) and that's precisely because it's so freaking short at 8 minutes that it only has enough time to be sobering and impressive and exciting without overstaying its welcome and smothering the viewer dead in misery as Amores Perros, Babel, Biutiful and 21 Grams did. Otherwise his films are the epitome of the kind of portentously thematic "prestige" mediocrities that are jerry-rigged to be wildly overpraised by virtue of their importance. His next film, which Leo will lead, is The Revenant and it'sbased on Michael Punke's "The Revenant: A Novel of Revenge" which is about a fur-trapping frontiersman left for dead after a bear attack in 19th century Northern America. It's not the bear he wants revenge on but the party that abandoned him.

Maybe DiCaprio's natural tendency toward furrowed brow depression and Iñarritu's natural tendency towards furrowing our brows with depression will cancel each other out and they'll surprise us with a range of feeling in this grisly period drama? One can dream.

Sunday
Apr062014

April Showers: "Shutter Island"

We're going to be in for some weather...

Click to read more ...

Thursday
Mar132014

Under the Link

Playbill a Broadway musical of Pretty Woman? They're determined to make every 90s movie hit into a musical
The Gayest of All Time The Many Tears of Leonardo DiCaprio
Vanity Fair tries to get Matthew Weiner to talk the final season of Mad Men but wisely settles for more fertile ground since you know he won't do that! 

World of Wonder I subscribe to everything they're saying about the new Flash costume on Arrow. I have tried to watch that show so many times but i just think it's terrible and so personality free 
Screen Crush another look at the costume and in action. It does not look aerodynamic to me -- way looser fit than most superhero costume and shouldn't it be more like a swimmer's outfit to enhance speed? So who knows what Colleen Atwood was thinking
Pajiba on Lena Dunham's keynote address at SXSW
In Contention Guy Lodge reports on how Brad Pitt almost starred in Under the Skin but I can't read this because I'm keeping myself as virginal on the film as possible. I want to be surprised
MNPP continues to spread the joy of Jake Gyllenhaal's return in Enemy
Empire a new motion poster for Noah which trippily takes you through caves and the ark and fields and foes and loops back like the world is round and infinite or something
Vulture interviews True Detective's Glenn Fleshler on how he approached his very very sick character 

Today's Must Read
Jezebel's funny thinkpiece "A Grown Woman's Guide to Responsible Celebrity Worship" which examines the problem of the "It" girl narrative, the recent Oscar media Jennifer vs. Lupita situation, celebrity backlashes (almost always towards women... the men actually have to EARN backlash), and self-identification. It's pretty great. The piece also references this amazing article "Lupita Nyong'o Doesn't Need Your Permission to Be Beautiful" which is also a very good read.

Monday
Mar032014

The Winning Moment & The Loveable Losers

Oscar night is still rich with the thrill of victory but not, I'd argue, with the agony of defeat. At least not anymore. The Oscar race has never been as sports-analogous as some would like but the victory part in the modern awards season maybe. That requires true endurance... months of campaigning and appearance and interviews and people whisking you here and there. The agony of defeat is surely now lessened by way of expectations. There didn't use to be all these signposts along the way that you're never going to win which might account for how polite and calm the losers are in their little live-television grids. Nevertheless we still love to slow-mo the shit out of those moments.

We're doing three and a half categories (Supporting Actress, Director, Actress, and ?)  starting now...

Click to read more ...

Wednesday
Feb262014

4 Days Til Oscar. 4 Time Acting Nominees Leo & Julia

If Oscars were given out for consistent box office performance (there's already a prize for that and it's called "money") Julia Roberts would have won her Oscar in the 1990s when everything she churned out was a $100 million slam dunk and Leonardo DiCaprio would have followed suit right about now for a long run of the same incredible trick. Most of Julia's big triumphs were in the popular thriller or romantic comedy genres but Leo seems to be a special case making practically anything (save the dimly lit dim of wit J. Edgar) into a $100 million grosser whether it's a foul-mouthed 3 hour comedy, a mixed review prestigious literary adaptation, or any other genre really. He might be the only mega star who is worth his full asking price given that his marketability doesn't seem to be tied to anything but his beloved creased-brow face. 

Julia and Leo both, who received their first nominations in 1989 and 1993 respectively, both won their fourth nomination for acting this year (One of Leo's five nods is for producing) though their hits far outnumber their Oscar kudos. Let's share our four most favorite performances by each. For me that's like so:

LEO: 1) Gilbert Grape ...followed by a small gap and the rest bunched together... 2) The Departed 3) The Aviator 4) Romeo + Juliet fuzzy memory now but I remember being impressed... does it hold up? Wolf of  & Catch Me would battle it out for fifth but this is a top four. So that battle will remain a draw.
JULIA: 1) Erin Brockovich 2) My Best Friend's Wedding ....followed by a huge gap, then... 3) Pretty Woman 4) Closer

Yours?

Oscar Isaac and Bruno Delbonnel on the set of "Inside Llewyn Davis"

The other 4 time nominee in their field this year is the cinematographer Bruno Delbonnel nominated for Amelie (2001), A Very Long Engagement (2004), Harry Potter and the Half Blood Prince (2009), and Inside Llewyn Davis (2013). He recently completed work on Tim Burton's Big Eyes (2014) so maybe he'll be back for a fifth next year? 

Are you rooting for any of these three to win?