Oscar Volley: Can the world's biggest movie star win the Best Actor race? Surely not!

The Oscar Volleys are back! Tonight, it's time for Eric Blume and Nathaniel Rogers to discuss the Best Actor race...

Leonardo DiCaprio in ONE BATTLE AFTER ANOTHER | © Warner Bros.

ERIC: Nathaniel, I feel so lucky getting you all to myself to discuss this year's Best Actor race. There are probably several candidates we have yet to see this season, but let's dive in.  

It seems to me that the one actor most guaranteed a nomination also has zero chance of actually winning: Leonardo DiCaprio for One Battle After Another. The film will have a big nomination haul, and because his performance seems to be universally beloved (as opposed to his work in Killers of the Flower Moon, where he was may be objectively bad?), I think he's in. But there's no way he's winning. Too many other candidates with overdue narratives or even flashier parts…

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Emmy Analysis: Lead Actor in a Comedy Series

By Abe Friedtanzer

Lukita Maxwell and Jason Segel in "Shrinking," now streaming on Apple TV+.

Isn’t this supposed to be a comedy category? Yes, two of the shows with a questionable genre distinction -- Barry and The Bear – are represented here, but all five men chose relatively serious fare as their episode submissions. Before we dig in, let’s start with a mention of the three eligible nominees from last year who didn’t make the cut this time around. Donald Glover, a past winner of this category, had his last shot for Atlanta, and Steve Martin missed out on a repeat bid for season two of Only Murders in the Building. Most lamentably, Nicholas Hoult was somehow not selected for The Great. How that’s possible is beyond me, but fortunately the five men who did make the cut are all worthwhile…

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Sundance: ‘Fremont’ is an endearing immigrant journey

By Abe Friedtanzer

 

There are many stories about the immigrant experience and people struggling to fit into a new life. Fremont, which makes its debut in the NEXT category spotlighting innovative cinema at Sundance, comes as a refreshing spin on that familiar genre. It manages to be both funny and worthwhile as it empowers its protagonist to express herself and attempt to take charge of her situation when she’s not set up to be able to do so. 

Anaita Wali Zada makes her film debut as Donya, a Kabul native who, after working as a translator for the U.S. Army, flees Afghanistan to settle in Fremont, California. In Fremont she works at a fortune cookie company...

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Best of the 80th Golden Globes. Plus: Complete Winners List

by Nathaniel R

Colman Domingo presenting "Best DIrector" to Steven Spielberg

An awards shows on a Tuesday night? Chaos. But we kinda liked it. As the 80th Golden Globes evening began on the red carpet we learned (among other things) that red was the color of the moment, Jenna Ortega choreographed her own (viral) dance for Wednesday, Letitia Wright's favourite movie is I Tonya (of all things!) and Margot Robbie can cry on cue as precisely as Nelly does in Babylon. The night that followed was hit and miss. The hits were familiar: the palpable joy that so many stars expressed at being back in rooms together, the sight of very enthusiastic and possibly drunk tables (Abbott Elementary, Banshees of Inisherin, The Fabelmans and Everything Everywhere All At Once showcased most prominently), and as ever moving speeches, and even a few stellar presenter “bits”.

There were misses, too, including at least four absent winners (Zendaya, Costner, Seyfried, Blanchett) which always brings the mood down...

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Emmy FYC: Best Supporting Actor (Drama) - Jeremy Allen White in Shameless

Emmy nomination voting begins Monday. For the next week we'll be sharing FYCs of some kind. Here's Kieran...

William H. Macy and Joan Cusack aside, “Shameless" has been criminally overlooked by the Television Academy for six years. No nominations for Emmy Rossum (praises sung here) who has been giving the best performance of her career. Nothing for Cameron Monaghan, who has given us one of the most raw and unvarnished portrayals of queer adolescence ever seen on television. Nothing for the series itself, whose balance of drama and comedy and depiction of what American poverty really looks like remain unmatched. In an age where it seems difficult to tell stories about family without a larger, high-concept twist, “Shameless” remains overlooked and underestimated, despite its aforementioned merits.

This past season, Jeremy Allen White’s portrayal of Lip, the genius eldest son of the Gallagher clan took a huge leap forward in what had already been five years of impressive work. Even amidst somewhat ridiculous plot points (Lip’s been evicted and must serve as a bartender/rentboy at a sorority house on his college campus. What’s a young, strapping cishet male to do?!) White managed to eke out his best work on the series to date as Lip’s arc slowly revealed itself in the latter half of the season. He manages to strike the perfect balance between wry and vulnerable as the character evolves and sees his brave face and defense mechanisms crashing around him...

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