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Comment(s) Du Jour
Spirit Nominations
Call Me By Your Name leads with 6

"I think Good Time is going to do better this award season then people realize. It's slowly developing a cult following similar to Drive. " - Mike

"Really happy to see Harris Dickinson in male lead. That's a great category." - Joseph

Ugh Armie Hammer in Call Me By Your Name reeks of Rooney Mara in Carol all over again. LGBTQ film with two obvious co-leads where one is relegated to supporting and pushes out a fantastic, legit supporting player (Sarah Paulson/Michael Stuhlbarg)." - Aaron

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Entries in Jason Sudeikis (4)

Monday
Aug142017

The Furniture: Breaking House in Colossal

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Colossal is a movie built upon one very, very big metaphor. Gloria (Anne Hathaway) and Oscar (Jason Sudeikis) are highly destructive people, each at a different stage of addiction and personal crisis. They also have kaiju-sized avatars that tromp across Seoul every time they drunkenly stumble through a playground at 8:05am, the result of a bizarre electro-magical accident. It’s quite the premise.

But it works because director Nacho Vigalondo doesn’t rely exclusively on CGI monsters to get his point across. After all, they are only exaggerated versions of Gloria and Oscar, stomping through their lives. It matters not whether their feet land on a playground or through the first floor of an office building.

  

Or, as the case may be, their homes...

Click to read more ...

Saturday
Apr082017

Review: Anne Hathaway is "Colossal"

by Jorge Molina

As much as her career seems to have been engraved by "light" and "fluffy" material like The Princess Diaries or The Devil Wears Prada, and despite the bubbly and eager-to-please persona that she has become infamous for, Anne Hathaway is no stranger to playing characters plagued by demons: recovering addict, martyrized mother, troubled wife, woman with degenerative disease. She’s always had the outstanding capacity to portray a complex darkness within.

Colossal brings this into the light like no movie she’s done before...

Click to read more ...

Monday
Nov212016

Stage Door: "Dead Poet's Society"

Andy Warhol's prescient statement 'in the future, everyone will be famous for 15 minutes' has been requoted to death. If he had been even more specific in his prophesies he could have added '...and every movie made in the 80s and 90s movie will become a stage play.' The latest film to make the jump is Peter Weir's boy's school drama Dead Poet's Society which was a big hit with the public and Oscar in 1989. For those who've never seen it (I'm sure you're out there somewhere) Robin Williams plays an unconventional teacher who convinces high school boys to "carpe diem / seize the day!" but this inspirational message has unintended tragic consequences when one boy's dream (Robert Sean Leonard) clashes with his reality in the form of a disapproving father. In the new play film actors Jason Sudeikis and Thomas Mann (Me and Earl and the Dying Girl, The Stanford Prison Experiment) get those two marquee roles...

Click to read more ...

Sunday
Apr262015

Tribeca: "Sleeping With Other People"

Tribeca ends tonight but we'll have a few more reviews for you as the team finishes up. Here's Joe Reid...

After the phenomenal success of Bachelorette (creatively if not commercially; I'm still fuming that it never got the promotional push it deserved), I expected Leslye Headland's follow-up film to have that same dark-heart-with-teeth approach to the tried and true "can men and women be friends" comedy. Intriguingly, a few things about that statement turned out to be not the case. The humor in Sleeping with Other People is still incredibly sharp, but where Bachelorette was as hard as nails when it came to female singlehood in a wedding-drenched world, Sleeping with Other People puts its beating heart on display.

Which isn't to say Headland has gone soft. [More...]

Click to read more ...