Split Decision: “Nosferatu”

Split Decision returns to TFE. In this series two of our writers face off on a movie one loves and the other doesn't. - Editor

NICK TAYLOR: Alright gayboy. Enough sucking dicks we gotta suck some BLOOD!

CLÁUDIO ALVES: Why not both? Eggers' Orlok switched from neck to tiddies, so we might as well take things further south. Let's suck dick and blood at the same time, get really kinky with it. Sure, this new Nosferatu is more carnal than its previous iterations, but its sexual neurosis is fittingly contained within a historical context and its particular hang-ups. Queerness is only suggested in sublimated terms. A bit like Bram Stoker's original work and Murnau's copyright-evading spin on it. Though this bat man's origins are rooted in the imaginations of queer men, that dimension seldom comes to the surface, remaining subtext at best. I guess it's appropriate, then, for this latest film to be discussed by two members of the alphabet mafia, such as ourselves...

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Review: "Nosferatu" is the perfect present for the cinephile in your life

by Cláudio Alves

A belated Merry Christmas to you all, and Happy Holidays too. What better way to celebrate than with cinema? After all, the year of 2024 is coming to a close with an array of new releases, as varied as they are curious. For Kidmaniacs, Babygirl is upon us, with the actress's best performance since Birth. The Fire Inside is a crowd-pleasing sports drama of unusual elegance, while A Complete Unknown is essential viewing for those who want to keep up to date with the awards season. Better Man brings some monkey business to the festive box office, while Vermiglio delivers a post-war poem on the changing seasons. 

However, if you're like me, a horror hound at heart, the week's most enticing release must surely be Robert Eggers' Nosferatu, an old-fashioned Gothic romance with a nasty streak a mile wide…

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Review: "The Menu"

Dining with Chef Slowick (Ralph Fiennes) is a dangerous experience in "The Menu."By Christopher James

The subgenre of class warfare comedy is alive and well in 2022. Most recently, movies like Bodies Bodies Bodies and Triangle of Sadness have smeared the 1% with blood and excrement, respectively. Director Mark Mylod (of Succession fame), opts for the former with his all-star comic thriller, The Menu. The film effectively entertains, even if it doesn’t ultimately add much to the conversation.

We meet Margot (Anya Taylor-Joy) and Tyler (Nicholas Hoult) at a dock about to be picked up for an elite dining experience. Right from the beginning, we see a disconnect between the two, as if they were newly dating. Tyler is beyond excited for the dining experience, documenting every moment. On the flip side, Margot couldn’t care less. Tyler and Margot travel alongside nine other illustrious guests to an island restaurant run by celebrity Chef Slowick (Ralph Fiennes)...

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Emmy Category Analysis: Lead Actor in a Comedy Series

By Abe Friedtanzer

Steve Martin and Martin Short in Only Murders in the Building

This category features three past winners and three newcomers, at least as far as this race is concerned. Nicholas Hoult is the only first-time nominee, and both Steve Martin and Martin Short have won Emmys before, but not for acting. The only returning nominee from last year is defending champion Ted Lasso himself Jason Sudeikis. He'll have to fend off competition from Bill Hader, who won the second of two back-to-back prizes the last time he was eligible, and Donald Glover, who won the year before that. It’s also distinctly possible that, if they don’t cancel each other out, either Martin or Short could win. I’d personally love to see Hoult crowned, but that seems unlikely.

Emmy analysis follows (if you want spoiler filled reviews click on the episode titles)... 

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Showbiz History: Bill Murray on David Letterman, Janet Jackson at the Superbowl

6 random things that happend on this day, February 1st, in showbiz history

1929 One of the earliest movie musicals Broadway Melody premieres in Los Angeles. The following year it would win Best Picture at the 2nd annual Oscars, the first sound film to do so...

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