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Entries in Anne Hathaway (95)

Saturday
Apr082017

Review: Anne Hathaway is "Colossal"

by Jorge Molina

As much as her career seems to have been engraved by "light" and "fluffy" material like The Princess Diaries or The Devil Wears Prada, and despite the bubbly and eager-to-please persona that she has become infamous for, Anne Hathaway is no stranger to playing characters plagued by demons: recovering addict, martyrized mother, troubled wife, woman with degenerative disease. She’s always had the outstanding capacity to portray a complex darkness within.

Colossal brings this into the light like no movie she’s done before...

Click to read more ...

Tuesday
Apr042017

And the Link Goes To...

Daily Mail Ewan McGregor and Nicole Kidman reunite... but for an interview series, not a film
The Muse Rich Juzwiak talks to Anne Hathaway about Colossal and the very tired subject of 'Hathahaters'... as I've always said: their loss, she's awesome.
Deadline omg Toni Collette has a lead role again (opposite Thomas Haden Church)
Criterion Director Amy Heckerling (Clueless) visits the Criterion Closet. She loves Federico Fellini, the story of Billy Wilder and Tokyo Story


Coming Soon Director Sam Mendes is considering a movie based on the graphic novel My Favorite Thing is Monsters  about a little girl trying to solve her neighbors murder
Towleroad there's a new documentary about Heath Ledger
This is Not Porn and speaking of... polaroids from the set of Brokeback Mountain
Hollywood Reporter 4 Japanese actresses discuss Ghost in the Shell. This is a fun conversation but I wish they'd engaged more with the central twist of the Scarlett Johansson character because that's something I would love to hear people discuss apart from the white-washing issue. It is a separate thorny issue actually and not entirely unlike Get Out's existential horror about race relations and bodies at odds with souls... or "ghosts" in this film's parlance.

Oscar Dates 
I'm not sure why the internet treated the news that the next Oscars would be held on March 4th, 2018 as "news" today but they did. The Academy announced the date two or three years ago (they normally announce multiple dates at once). For example: in the latest press release they've added the next four Oscar ceremony dates. It's the other dates (nominations, luncheon, etcetera) that we never know until we're in the film year

Next Four Oscar Nights

  • 90th Academy Awards - March 4th, 2018 (nominations on January 23rd)
  • 91st Academy Awards - February 24th, 2019
  • 92nd Academy Awards - February 23rd, 2020
  • 93rd Academy Awards - February 28th, 2021  

Off Cinema
MNPP on the subtle importance of Zachary Quinto's public romances
Variety the Lucille Lortel nominations (Off Broadway)
Theater Mania I've been so bored that NYC's free summer theater tradition Shakespeare in the Park has been strictly Shakespeare for a few years now. Despite the name they used to mix in non-Shakespeare stuff which made it less basic. But they get good casts. This summer: A Midsummer Night's Dream with two of Broadway's very best performers (Danny Burstein & Annaleigh Ashford) and Julius Caesar with Corey Stoll, Nikki M James, Elizabeth Marvel and more
Vox interesting piece on Sanrio's most popular character since Hello Kitty
Mic new study suggests cats like humans more than food. Great article punchline.
EW Lots of online furor when Marvel VP suggests that their recent diversity push has hurt comics sales. Oh Marvel. That is not the problem. You have so many of them but that ain't it. 

Tuesday
Mar072017

Beauty Break: Stars on the Phone

A key "on this day" we forgot this morning. March 7th was the date, way back in 1876, when Alexander Graham Bell got his patent for the telephone. So let's gawk at sexy photos of movie stars with telephones. It's really the only appropriate way to celebrate because who talks on the telephone anymore? Movie stars don't employ them much in photoshoots anymore either. 

Click to read more ...

Tuesday
Jan312017

8 Things To Do While We W8 for Ocean's 8

Chris here, with more of Ocean's Eight (or Ocho? Which is it?). 

After poring vociferously over every single set photo we come across, the studio has finally given us an official first look. With the horribleness going on in the world, this shot of the assembled gang makes us yearn for its sweet relief nownownow. But the wait will be longer than your early morning train ride - can you believe we still have to wait until June 2018 to actually see this thing? Here are eight things to do while we wait for Ocean's Eight...

Click to read more ...

Saturday
Nov192016

Celebrity Mischief: Anne, Lin, or Mae?

• Anne Hathaway stealing a centerpiece from Dior
or
• Lin-Manuel Miranda copping a feel from Oscar
or
• Mae Whitman reading her former co-star's new book? 

Your choice after the jump! 

Click to read more ...

Wednesday
Sep142016

Red Carpet: TIFF Finally Does Couture

Jose here. Color me impressed with all the couture at Toronto this year! Congrats to stylists for bringing it, and when there are so many great looks to discuss, let's get to it. Amy Adams is the epitome of "if it ain't broke", she has rarely looked sexier than she does in this simple Tom Ford design. Her Rita Hayworth-esque locks and the perfect earrings might just make this her best look in years. No one can pull off as many shades of yellow as Emma Stone as proved by this textured Chanel minidress, which sees her at her most playful. Rooney Mara wearing color warms my heart, especially when it's such bold pieces as this Aouadi bolero dress, knowing the unique design was more than enough, her makeup and accessories are minimal, love that the strappy sandals make it look as if she's floating. Lupita Nyong'o in Carolina Herrera is the thing fashion photographers dream about, gotta love her red lipstick too. Can she do any wrong? The answer is no.

More looks after the jump. 

Click to read more ...

Monday
Sep122016

TIFF Quickies: A Monster Calls, Colossal, Santa & Andrés

Nathaniel R reporting from the Toronto Film Festival 


A Monster Calls (JA Bayona, USA/Spain)
This fable about grief and growing up will surely be someone's favorite movie. Alas, it isn't mine. A Monster Calls is a simple fantasy about a boy named Connor (Lewis MacDougall) whose mother (Felicity Jones) is dying of cancer. His grandmother (Sigourney Weaver) and father (Toby Kebell) attempt to console him but the only solace Connor can find is in visitations from a giant tree monster (voiced by Aslan... excuse me, Liam Neeson) who promises to tell the boy three stories in exchange for the boy's own. The film is somewhat moving and fantastically visual in its three animated stories within the movie; they're sensory overload mashups of computer generated imagery, watercolor fluidity, and bold color choices. In both its earthbound and magical moments, though, A Monster Calls is relentlessly gilding the lily. It's so concerned with putting its parables over that its' constantly explaining them and telling us how to feel about grief and loss. Still, Bayona's movie is always coming from a place of compassion and humanity which can be a godsend in the soulless landscape of CGI heavy movies. While the tech elements are strong, particularly sound and visual effects (though why does the creature look so much like Groot?),  it all comes down to the boy and his mother if you want the tears. MacDougall & Jones are beautifully cast as they both look and feel like mother & son. MacDougall, who made his debut as a Lost Boy in Pan last year, impressively carries the movie with something like ease while filling up all the unspoken spaces with heartbreak and fury about his impending loss. Felicity Jones half-gone feeling in her final scenes provides generous Oscar clipping. If only the movie had given the emotions more room to breathe and to speak for themselves. If trees can walk and talk, and demand that we listen, feelings deserve the same respect. Less CGI and scripted preaching, more intuitvie tears, please. [Animated Stories Within the Movie: B+ /Movie: C+ ]

Colossal (Dir. Nacho Vigalondo, Canada)
Finally a movie that Hathaway fans (*raises hand high and shamelessly*) and the "Hathahaters" can enjoy together. This oddball movie from Spanish director Nacho Vigalondo places Anne Hathaway at the center of a kaiju movie. Nope, she's not a scientist or a hero - believe it or not she's the kaiju. Yes, she's Colossal's rampaging beast destroying Seoul ... not figuratively but actually! She's also "Gloria" a drunk who gets thrown out of her boyfriend's apartment (Dan Stevens) and ends up returning to her hometown where she takes a job with a former friend (Jason Sudeikis) who still harbors a crush. When Gloria realizes she's unknowingly wreaking havoc all the way around the world she's even more freaked out by her self destruction and drunken blackouts. If that all sounds like it might work better as a midnight madness short, you could be right. Colossal starts brilliantly with a priceless perfectly-pitched prologue in South Korea with a little girl and her dolly. Though it's numerous twists have a kind of welcome insanity, the length of the thing, and particularly its deadly over-investment in the Jason Sudeikis character (to the detriment of Gloria's own emotional arc) undoes it. Lop off an entire half hour of this film's running time and it might just work as a delightfully weird and funny cult oddity but as it is Colossal is something of its own kaiju, an lumberingly awkward, self-destructive beast which keeps crushing the precious little movie its building. [Anne Hathaway's Willingness to Do This Project: A / Movie: C+]

Santa & Andrés (Dir. Carlos Lechuga, Cuba/Colombia)
Havana born director Carlos Lechuga takes aim at the disconnection of idealogies amongst Cubans in this 80s set drama about a homosexual writer deemed a dissident and the woman assigned to monitor him to keep him from contacting international press and delegates at a local political event. Initially this drama's slow burn doesn't seem to be paying off with a dull first half hour and lots of shots of Santa & Andrés warily staring at each other and barely speaking. But their eventual emotional, if not political, understanding is wonderfully portrayed by the actors and smartly delineated in the screenplay. What the patient filmmaking lacks in verve it makes up for in insight, with each painfully tentative kindness between them feeling like a precious miracle in a climate of hopelessness. B

Friday
Sep022016

Tweetweek at the ballet with a wacky neighbor and frosted pop tarts

Two Tweets that are consuming most parts of my brain at the moment...  

 

Babs getting verklempt over Hathaway is too camp for even me.

I mean. Between those two tweets who can we think of anything else now? Okay we'll try after the jump with tweets on tv feminism, Sully anticipation, Sally Field's range, and finding Mr Darcy...

Click to read more ...