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Entries in Anne Hathaway (131)

Wednesday
Apr292026

Review: "The Devil Wears Prada 2" is a legacy sequel about how legacy is meaningless nowadays

by Cláudio Alves

Ideally, trailers and other promo are meant to sell a movie to their prospective audience, enticing and seducing butts into seats. Ideally, they'll build anticipation for a good time. Ideally, they don't make dread pool in the bellies of those who might have been excited about the project before they laid eyes on its ads. And yet, the trailers for The Devil Wears Prada 2 almost dared us to be optimistic in the face of an obvious nostalgia-drunk cash grab like so many others polluting the multiplex. Indeed, looking at the site's comment section was how I realized this predicament might be more generalized than I thought and that it wasn't just me cringing at what this sequel seemed to promise. 

So, there's bad news and good news. Starting with the negatives, there is a lot wrong with our second go-round with Andy Sachs, Miranda Priestley and the rest of the Runway magazine gang. Form-wise, even fashion-wise, the sequel's a total downgrade when it's not being a shoddy photocopy with printing errors galore, an echo on its way to becoming a structural pleonasm. However, some elements surprise, even delight, including stabs at thematic complexity nowhere to be found in the original flick, even some elegiac tones. Oh, also, Meryl Streep is in fine form, but you might have already guessed that. After all, she IS Meryl Streep…

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Wednesday
Feb042026

We Can't Wait: 2026. (Part One: A-F)

by Nathaniel R

Jessie Buckley as "THE BRIDE"

While we aren't done celebrating 2025 yet (more Film Bitch Awards coming soon + Oscar volleys), why not a discussion thread on what's to come in 2026? Here are some titles I'm looking forward to but please add your own in the comments before we start working on those ("April Foolish" Oscar predictions. This is coming to you in three parts due to the volumne, so here is the first batch featuring two Zendayas, two Hathaways, two Blunts, and the one and only Pedro Almodóvar...

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Saturday
Jun282025

Brokeback Mountain @ 20

by Patrick Ball

Brokeback Mountain, I’ll never wish I knew how to quit you. I turned 17 in 2005, the year I came out to my parents, and the quiet revolution that was Brokeback Mountain was the first movie I took them to. We saw it on a misty winter afternoon at The Pruneyard in Campbell, CA. It was the first movie I took them to and said “this is me”.

It’s hard to grapple with the fact that 2005 was 20 years ago. That this film, this miracle of cinematic craftsmanship wrapped around a  soul aching romantic drama, was met with both snickers and scorn upon release. Though critically acclaimed, and championed by those willing to embrace “the love that dare not say its neigh-me”, its immediate legacy was riddled with jokes. “The gay cowboy movie”, “I wish I knew how to quit you”, Michelle Williams’ immortal utterance of “Jack Nasty”...

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Sunday
Feb252024

SAG Awards - a brisk bellwether for Oscar night

by Nathaniel R

Did you watch the SAG Awards last night? Apart from one surprising win on the television side (an inebriated, honest Pedro Pascal for The Last of Us) it was a night of frontrunners, continuing to run so far front that their competitors are all well out of focus. Honestly at this point, all the suspense of Oscar season has entirely dissipated (but we'll get to that soon). Given the lack of interesting narrative curlicues and detours and the same faces delivering the same kinds of speeches, the highlight for yours truly was in the presenters.

The grandest entertainment came in the form of a fashionable reunion for the stars of The Devil Wears Prada...

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Sunday
Jan292023

Sundance: 'Eileen' is the movie 'Carol' couldn't be

by Jason Adams

The blonde woman in expensive clothes explodes into the dowdy brunette’s life like fireworks. She just appears one day, flung out of space, and nothing will ever be the same for the Plain Jane working girl again. Everything is upended in Midcentury America, surprise feelings warming in the brunette's belly she doesn’t even have a name for, inspiring a sudden need to run. And yes you’d be forgiven if you thought I was speaking about Carol, Todd Hayne’s 2015 masterpiece about a love affair between Cate Blanchett and Rooney Mara, who no matter what Harge says were not ugly people. 

No I speak of a different lesbian potboiler that just popped off at Sundance this year, director William “Lady Macbeth” Oldroyd’s Eileen, based on Ottessa Moshfegh’s 2015 novel...

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