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Entries in Anne Hathaway (90)


Red Carpet: TIFF Finally Does Couture

Jose here. Color me impressed with all the couture at Toronto this year! Congrats to stylists for bringing it, and when there are so many great looks to discuss, let's get to it. Amy Adams is the epitome of "if it ain't broke", she has rarely looked sexier than she does in this simple Tom Ford design. Her Rita Hayworth-esque locks and the perfect earrings might just make this her best look in years. No one can pull off as many shades of yellow as Emma Stone as proved by this textured Chanel minidress, which sees her at her most playful. Rooney Mara wearing color warms my heart, especially when it's such bold pieces as this Aouadi bolero dress, knowing the unique design was more than enough, her makeup and accessories are minimal, love that the strappy sandals make it look as if she's floating. Lupita Nyong'o in Carolina Herrera is the thing fashion photographers dream about, gotta love her red lipstick too. Can she do any wrong? The answer is no.

More looks after the jump. 

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TIFF Quickies: A Monster Calls, Colossal, Santa & Andrés

Nathaniel R reporting from the Toronto Film Festival 

A Monster Calls (JA Bayona, USA/Spain)
This fable about grief and growing up will surely be someone's favorite movie. Alas, it isn't mine. A Monster Calls is a simple fantasy about a boy named Connor (Lewis MacDougall) whose mother (Felicity Jones) is dying of cancer. His grandmother (Sigourney Weaver) and father (Toby Kebell) attempt to console him but the only solace Connor can find is in visitations from a giant tree monster (voiced by Aslan... excuse me, Liam Neeson) who promises to tell the boy three stories in exchange for the boy's own. The film is somewhat moving and fantastically visual in its three animated stories within the movie; they're sensory overload mashups of computer generated imagery, watercolor fluidity, and bold color choices. In both its earthbound and magical moments, though, A Monster Calls is relentlessly gilding the lily. It's so concerned with putting its parables over that its' constantly explaining them and telling us how to feel about grief and loss. Still, Bayona's movie is always coming from a place of compassion and humanity which can be a godsend in the soulless landscape of CGI heavy movies. While the tech elements are strong, particularly sound and visual effects (though why does the creature look so much like Groot?),  it all comes down to the boy and his mother if you want the tears. MacDougall & Jones are beautifully cast as they both look and feel like mother & son. MacDougall, who made his debut as a Lost Boy in Pan last year, impressively carries the movie with something like ease while filling up all the unspoken spaces with heartbreak and fury about his impending loss. Felicity Jones half-gone feeling in her final scenes provides generous Oscar clipping. If only the movie had given the emotions more room to breathe and to speak for themselves. If trees can walk and talk, and demand that we listen, feelings deserve the same respect. Less CGI and scripted preaching, more intuitvie tears, please. [Animated Stories Within the Movie: B+ /Movie: C+ ]

Colossal (Dir. Nacho Vigalondo, Canada)
Finally a movie that Hathaway fans (*raises hand high and shamelessly*) and the "Hathahaters" can enjoy together. This oddball movie from Spanish director Nacho Vigalondo places Anne Hathaway at the center of a kaiju movie. Nope, she's not a scientist or a hero - believe it or not she's the kaiju. Yes, she's Colossal's rampaging beast destroying Seoul ... not figuratively but actually! She's also "Gloria" a drunk who gets thrown out of her boyfriend's apartment (Dan Stevens) and ends up returning to her hometown where she takes a job with a former friend (Jason Sudeikis) who still harbors a crush. When Gloria realizes she's unknowingly wreaking havoc all the way around the world she's even more freaked out by her self destruction and drunken blackouts. If that all sounds like it might work better as a midnight madness short, you could be right. Colossal starts brilliantly with a priceless perfectly-pitched prologue in South Korea with a little girl and her dolly. Though it's numerous twists have a kind of welcome insanity, the length of the thing, and particularly its deadly over-investment in the Jason Sudeikis character (to the detriment of Gloria's own emotional arc) undoes it. Lop off an entire half hour of this film's running time and it might just work as a delightfully weird and funny cult oddity but as it is Colossal is something of its own kaiju, an lumberingly awkward, self-destructive beast which keeps crushing the precious little movie its building. [Anne Hathaway's Willingness to Do This Project: A / Movie: C+]

Santa & Andrés (Dir. Carlos Lechuga, Cuba/Colombia)
Havana born director Carlos Lechuga takes aim at the disconnection of idealogies amongst Cubans in this 80s set drama about a homosexual writer deemed a dissident and the woman assigned to monitor him to keep him from contacting international press and delegates at a local political event. Initially this drama's slow burn doesn't seem to be paying off with a dull first half hour and lots of shots of Santa & Andrés warily staring at each other and barely speaking. But their eventual emotional, if not political, understanding is wonderfully portrayed by the actors and smartly delineated in the screenplay. What the patient filmmaking lacks in verve it makes up for in insight, with each painfully tentative kindness between them feeling like a precious miracle in a climate of hopelessness. B


Tweetweek at the ballet with a wacky neighbor and frosted pop tarts

Two Tweets that are consuming most parts of my brain at the moment...  


Babs getting verklempt over Hathaway is too camp for even me.

I mean. Between those two tweets who can we think of anything else now? Okay we'll try after the jump with tweets on tv feminism, Sully anticipation, Sally Field's range, and finding Mr Darcy...

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Beautiful Dolores, Princess Anne, Merylish Mamie, and Olympic Jesse

on this day in history as it relates to the movies...

Dolores Del Río auditioning for Catwoman. No wait that's not right. Dolores Del Rio in Journey Into Fear (1943)1885 Carlo Montuori, famed cinematographer of Italian neorealism is born. He went on to lens the essential Bicycle Thief (1948)
1904 Dolores del Río, one of the first three Mexican actors to become movie stars in Hollywood (the others being her cousin Ramon Novarro and Lupe Vélez - they all started in silent films and moved into talkies), after which she used her fame and beauty as part of Mexican cinema's Golden Age with the occasional Hollywood film thrown in. Credits include: Bird of Paradise (1932), Flying Down To Rio (1933), Journey Into Fear (1943), Cheyenne Autumn (1964) and multiple Best Actress winning films in Mexico:  Las Abandonadas (1944), El Niño y la Niebla (1953), and Doña Perfecta (1951).
1906 Alexandre Trauner, Oscar winning production designer. His credits include The Nun's Story (1959), The Apartment (1960, Oscar win) and The Man Who Would Be King (1975, Oscar nomination), Subway (1985), and 'Round Midnight (1986) 
1923 Jean Hagen. I "caaaaiiiiinnnnt stan' it" that she didn't win the Oscar for Singin in the Rain (1952)
1926 Fifties beefcake Gordon Scott is born in Oregon. Later stars in five Tarzan movies (including one of the best of the franchise, Tarzan's Greatest Adventure) and sword and sandal flicks

More after the jump including The Princess Diaries, Unforgiven, Mamie Gummer's debut, and the Summer Olympics...

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I know I promised no political talk on the blog until September so I'll let others do the talking as it was such a big political week that it's hard to avoid. That's reflected in our roundup of amusing tweets this week. But first let us begin with this giddy tweet from Patches who claims he had had a few drinks when he wrote it but to us it's the perfectly clear minded truth.

More after the jump of course...

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If Actresses Were Superheroes... 

I know what you're saying. "If???"

Obviously actresses are superheroes, so after going the traditional route today (National Superhero Day apparently, yes it's news to me too) by celebrating superheroes I loved to draw as a kid and those that made me quiver under my bodice, I couldn't stop tweeting. It was time to celebrate the greatest superhero team of them all: The Legion of Best Actresses.

We'll start with Tilda but there are more super-actresses after the jump...


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Casting Nancy Kerrigan

Kieran, here. It was announced earlier this week that Margot Robbie would be playing figure skater turned tabloid fodder Tonya Harding in a biopic titled I, Tonya. On a personal note, I distinctly remember my mother voicing her distaste about Harding being on the cover of nearly a dozen tabloid magazines in my pediatrician’s office when I was a kid. It was everywhere and given how ubiquitous the story became, it’s kind of surprising that it’s taken this long for it to get the cinematic treatment. Well…the earnest, theatrical cinematic treatment. There was a hastily assembled television movie which aired in April of 1994 (the Harding scandal was at the 1994 Winter Olympics). It features Heather Langenkamp (yes, Nancy from A Nightmare on Elm Street) as Nancy Kerrigan, just in case you were wondering.

A director has yet to be attached to the project or even named to be in consideration, but Patty Jenkins (Monster) immediately feels like a great choice. Other than the forthcoming Wonder Woman movie, Jenkins hasn’t directed a feature film since her 2003 debut which netted Charlize Theron a Best Actress Oscar. In Monster, Jenkins showed a real knack for empathy without absolution while dealing with a troubled protagonist. As sensationalized and as much the butt of jokes Tonya Harding became, her story is ultimately one of abject poverty, fleeting triumph and tragic failure. One would hope that it doesn’t descend entirely into an exercise in camp and Jenkins could provide a sure yet sensitive hand at the helm.

One can hardly embark upon telling the tale of Tonya Harding without talking about Nancy Kerrigan. No actress has signed on for the part, so its presumably still up for grabs. When considering who would play the oft mocked silver-medal winner who became America’s sweetheart for a short time, many names came up.

Chris Feil, fellow Team Experience member shrewdly suggested Daisy Ridley, fresh off Star Wars: The Force Awakens for the role, complete with photographic evidence. Ridley would be a good choice and more importantly it would be an opportunity for the young rising star to show her range beyond blockbusters. Word is that Ridley is currently courting the Lara Croft role in a Tomb Raider reboot.

A few people online have named Anne Hathaway as a good choice. There are certainly parallels. It seems that both Hathaway and Kerrigan got dinged for a certain...wholesomeness that seems to enrage people for reasons that are completely alien to me. The Hathaway hatred is absolutely baffling and it feels almost certain she'd be inexplicably pilloried even further if she took a role that requires her to cry earnestly on screen yet again.


Though both are interesting choices, the actress who I’d be most curious to see step into the role of Kerrigan is Alicia Vikander. It seems that she’s made her mark in films that are either period (or more period than 1994) or heavy on stylization. I’d be curious to see how Vikander, fresh off her Oscar win, performs in the absence of either.

Are you excited for the project? Who would you like to see in the role of Nancy Kerrigan?