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The Film Experience™ was created by Nathaniel R

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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❝I don't want to be presumptuous, but could this (UNDER THE SKIN) be the best collection of visuals from this series?❞ -Andrew E.

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Entries in Emily Blunt (10)

Tuesday
Jul152014

Tues Top Twenty: Halfway Hotties (Best of 2014)

The power of list compels me! Yes, yes, I need to move on from halfway mark madness (we've previously covered best visuals, best acting, best sounds, and best movies) since they're already out of date and it's been so busy what with chart updates (in progress), Emmy nominations, Smackdown panel announcements, Dawn of the Planet and Apes, Boyhood. We need to be back in THE NOW. But I'm dragging my feet mostly because I really like what 2014's been giving. I'm crushing on it hard and thinking about asking it to go steady. 

This is the final halfway mark list. A shorter version of it was published in my column at Towleroad which happens to be "a site with homosexual tendencies" but I've significantly altered it for you because you are all movie mad and the best moviegoers are polysexual when it comes to lusting after big screen beauty.

Why aren't old favorites in this list?
This list is dedicated to Steve Rogers' impossibly broad shoulders and Natasha Romanoff's awesome cleavage (it was generous of Scarlett to unzip for that helicopter scene, don't you think?) but here's the thing. Doing the same shtick over and over again is not sexy. It's like choosing between missionary style and horizontal with man on top. So I've determined that people are totally ineligible if we've seen them do their character multiple times so no franchise babes that aren't newbies or signifantly altered.

Why isn't Marion Cotillard's Immigrant on this list?
Because we'd feel guilty if we lusted after beautiful Polish immigrants who are tricked into becoming sad whores to provide for their sickly sister.

20 HOTTEST ACTOR/CHARACTERS OF 2014 

 

20 Tom Hiddleston as “The Great Escapo” in Muppets Most Wanted
Boyfriend Material?: Great sense of humor. Into light bondage to spice things up. Looks fiiiiine in a pair of longjohns. Is, to date, the only performance in the Muppets 35 year franchise that’s likely to cause pervy crotch-focused gifs on the internet.
Dealbreaker: Probably in a Russian gulag for a reason

 

19 Nick Thurston as “Blue Eyes” in Dawn of the Planet of the Apes 
Boyfriend Material?: "Blue Eyes" is right... so soulful. This one's for the plushies... but not the bears. Blue Eyes hates the bears. Easily manipulated (a plus for you control freaks). Plus scars can make you strong / give you character. 
Dealbreaker: Limited conversationalist. Daddy issues.

18 more AFTER THE JUMP...

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Monday
Jun092014

Linkbusters

The Daily Beast the sexual politics of Ghostbusters, 30 years later
The Wire the career of Lorraine Toussaint before Orange is the New Black 
BFI let's kill the buzzword "hybrid" when it comes to documentaries 
/Film there might be a sequel to Neighbors... which wouldn't surprise anyone
Variety Kino-Lorber has picked up one of Sundance's buzziest titles A Girl Walks Home Alone At Night, an Iranian vampire movie, for US distribution (Glenn's review icymi)


In Contention on an new animated contender from GKids, Boy vs. World 
Pajiba celebrates Emily Blunt's greatness as an action star in Edge of Tomorrow
Guardian The director and his muse will try for more Oscars in 2016 with a biopic called Joy about the creator of the Miracle Mop. She was 12 years out of college with 3 children when all this stuff happened. Eventually Jennifer Lawrence will be old enough for the parts David O. Russell keeps casting her in.  
MTV Channing Tatum still super excited about Gambit prospects. Everyone wants their superhero dollars
AV Club rumors abound that it's either Benedict Cumberbatch, Tom Hardy or Jared Leto for Doctor Strange. I worry that Marvel has no clear vision of what they want. What connects any of those actors beyond fame? Very different gifts and styles. (I love Hardy as an actor but he seems like a terrible fit for that character)

Off Cinema
Variety on the explosion of new TV shows in summer now that the game has changed
Cinema Blend Steven Spielberg wants to turn Bryan Cranston's tony winning performance into a tv miniseries
Playbill shares the Tony "In Memoriam" segment that strangely didn't air 
Playbill collects all the Tony performances in one place (seriously, it's like no one even needs to watch live tv anymore) 

And finally I just want to say a big congratulations to Peyton Reed for his new gig.  I've been rooting for him ever since the one-two punch of Bring It On and Down With Love, two stylish, absorbing, joyful, funny movies with a real vision behind them. I was bummed when his proposed retro version of Fantastic Four was cancelled in the Aughts and for what: A low-rent generic lousy f/x heavy version? But it's been so long since he was in the news that I figured his career was over. But now he'll direct Ant-Man. There's been a lot of online sniping calling him a hack, even from sites I otherwise like, but those writers should really think before they type and consider his filmography. There's some "for hire" business yes, but he's a good director. It's an unexpected choice but a good one... even if I'm still deeply suspicious of the project considering Wright's departure and Marvel's current game plans.

Wednesday
Jan292014

We Can't Wait #6: Into the Woods

[Editor's Note: We Can't Wait is a Team Experience series, in which we highlight our top 14 most anticipated films of 2014. Here's abstew on" Into the Woods"]

Into the Woods
Director Rob Marshall tries his (jazz) hand at another movie musical based on the popular Broadway show. The film centers around a Baker and his Wife who have been cursed by a Witch to remain childless. To break the spell, the couple must go "into the woods" to bring back certain objects. Along the way, they encounter classic characters from fairy tales including Little Red Riding Hood, Cinderella, Rapunzel, and Jack (he of the famed Beanstalk).

Cast & Crew
The sprawling cast is a mix of movie stars (Emily Blunt as the Baker's Wife, Meryl Streep as the Witch, Chris Pine as Cinderella's Prince, and Johnny Depp as The Big Bad Wolf), Broadway performers (Tony winner James Corden as the Baker, Lilla Crawford, from Broadway's latest revival of Annie, as Little Red, Tony nominee Billy Magnussen as Rapunzel's Prince), and talented individuals at home in any medium (Christine Baranski as Cinderella's Stepmother, Tracy Ullman as Jack's Mother, and 2014's "It" movie musical star, Oscar and Tony nominee, Anna Kendrick as Cinderella). [more...]

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Tuesday
Sep102013

Top Ten Olivias

Here's a top ten stream of thought quickie for you. Let's just say it's in honor of Olivia Wilde who has been bouncing around in my head since that Boogie Nights live read last week and who won the StarMeter award from the IMDb last night. Congratulations on being so eminently, um, searchable, Livvy.

Olivia Wilde in Rush

I have to admit I don't quite get her appeal but Congratulations! Her career is white-hot right now (Rush is playing at TIFF and winningly surprisingly strong reviews) and she's engaged to Jason Sudeikis. Without further ado, off the top of my head and just for fun... 

The Ten Greatest "Olivia"s

10 Olivia Pope on Scandal
I don't watch Scandal (forgive) and the one episode I did see was atrocious and made me wonder what everyone is smoking when they praise it (blasphemy?) but I've been rooting for Kerry Washington since the very beginning of her film career (Our Song, holla!) and don't really wish to jump ship despite a few stumbles. Plus, she's up for an Emmy in this year's small screen Best Actress competition for this role, which is really quite historic if you check, television wise. If you love Scandal PLEASE explain why in the comments. [TFE's Interview]

09 Olivia Hussey
Romeo & Juliet need, desperately need, to be played by very young actors to maximize the authenticity and resonance of their tragedy. But it wasn't until Franco Zeffirelli's gorgeous gorgeous gorgeous 1968 adaptation that people finally understood this en masse. I am on record as complaining about the constant revivals of Shakespeare on stage and in the movies. But Romeo & Juliet I especially don't understand any more at least in movie form. [more...]

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Wednesday
May222013

Q&A: Disappointing Actresses, Mixed-Up Hunks, Subtitled Crickets

And now the return of the 'Ask Nathaniel/Q&A' series wherein you asked me questions and I pick two handfuls to answer. 

Disposable project on the line for Emily. Yes, another one.DAVID: Which actresses filmographies are you most disappointed in? I'm thinking in terms of actresses you admire and think are incredibly talented, but, for whatever reason, end up working in subpar films.

NATHANIEL: I think the popular answer here is Rachel McAdams but aside from Mean Girls I've never cared too much. The answer that came immediately to mind was Emily Blunt. It’s not that she’s making terrible films per se, it’s just that given how Oscar worthy she was in that plum comic part in Devil Wears Prada seven long years ago, and then how sexy she was in that blink and you’ll miss her bit in Charlie Wilson’s War soon thereafter, I expected her career to explode in the way, say, Carey Mulligan’s did post An Education or at least for her to be more direct competition for Anne Hathaway. I wonder why Blunt isn’t either in more demand or more interested in challenging herself. Maybe it's just bad luck. She seems to be working exclusively in indies that don't crossover, mainstream films that are quickly forgotten or headlining gigs which don't really work in some crucial way (Young Victoria, Adjustment Bureau). I’d love to see her really challenged either by a role or by an auteur. Will Into the Woods bring a happily ever after to that heat-losing career?

The second choice is Evan Rachel Wood who seemed to chuck what looked like incredible range and promise to the side for a long procession of Very Bad Girls. This was, in no small part thanks to her inarguable electricity in Thirteen (2003) but when you play variations on one theme too often you either become a superstar or people lose interest. I thought she was good in Ides of March (2011) but it isn't what she needed. What she needs is a total about face role.

JOHN T: The last foreign language film to clear $20 million was Pan's Labyrinth, almost seven years ago. What do you think it would take for a foreign language film to catch on in that way again?

Amy Adams, Oscar Tragedies, and a Beefcake Triple after the jump...

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