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Entries in Emily Blunt (30)


Yes, No, Maybe So : The Huntsman Winters War

Here's Murtada deconstructing the trailer for the ridiculously titled The Huntsman Winters War.


- The actresses of course. Emily Blunt, Jessica Chastain, Charlize Theron = a formidable trio.
- Chastain as a the Warrior. Yes!
- Blunt and Theron as dueling evil sisters. Yes again! May campiness rule the day.
- The oversize gestures of Blunt and Theron as they wreak havoc. Give me more!
- So it’s obviously all about the actresses. Oh and the possibility of a shirtless Chris Hemsworth.


- From the producer of Maleficent and Alice in Wonderland….. NOOOOOOO.
- Hemsworth gets top billing?? I guess he's The Hunstman.
- The CGI doesn't look very convincing.
- “Men have forgotten what it means to be afraid. We will bring fear”. Hmmm cheesy line. It could be fun if the tone is over the top campy. The trailer is playing it straight so we are dubious.


- Does Blunt’s ice crown look odd above her face? It certainly is not as fierce as Theron’s crown. Is Colleen Atwood showing favorites?
- No enough Shirtless Chris. Will it be just the one scene like in Thor?
- Chastain is almost mute in the trailer. Only one line. More Warrior Jessica!
- Will we get enough of the British supporting cast of Nick Frost, Rob Brydon and Alexandra Roach as supposedly the dwarfs. They are hardly in the trailer.

It's a maybe so despite the fabulous trio of actresses. What’s your verdict?


Box Office: Hit Missions to Mars & Mexico

The Martian is attempting to beat Gravity's October record this weekend. The charts only reflect studio Estimates so we'll see tomorrow for sure. At any rate the all star space adventure (yes, there is much more than Matt Damon therein) is an immediate big hit. Can something this light and fun -- we'll talk about it on the podcast tonight but it doesn't exactly run deep -- make inroads to awards glory? 

In other box office news Sicario continues to perform well surviving its wide expansion with ease. Word of mouth should continue to bolster it because hotdamn it's intense. It's also quite a strange double feature with The Martian (though both are good times at the movies) since  Blunt feels like she's in consistently more danger than Damon even though she's wearing body armor and fully armed and people are rarely firing at her while he's stuck alone on an inhospitable planet without breathable air, lasting supplies, or food.

Finally Grandma, a movie we've been rooting for since January is starting to lose theaters after a totally respectable run. While it never quite crossed over (which is harder and harder to do these days with shorter theatrical windows - see also the similar grossing word of mouth gem I'll See You In My Dreams) it'll end its theatrical run with over $6 million theatrical which is plenty to keep it in play for Best Actress honors (people have been nominated with a lot less) if the campaign is strong and especially if The Globes are there for Lily in Musical or Comedy actress. Do you think they will be?

800+ screens (Oct 2nd-4th)
01 The Martian $55 NEW Matt's foot-in-mouth tour
02 Hotel Transylvania 2 $33 (cum. $90.5)  Tim on the director Genny Tartakovsky
03 Sicario $12 (cum. $15) Podcast, Emily Blunt
04 The Intern $11.6 (cum. $36.5) Review
05 Maze: Runner: The Scorch Trials $7.6 (cum. $63.2)
06 Black Mass $5.9 (cum. $52.5)
07 Everest $5.5 (cum. $33.1)
08 The Visit $3.9 (cum. $57.6)
09 War Room $2.8 (cum. $60.5)
10 The Perfect Guy $2.4 (cum. $52.6) Review

(Oct 2nd-4th)
01 The Walk (448 screens) $1.5 NEW (cum. $1.9) Review
02 Grandma (315 screens) $.4 (cum. $5.8) Poster Blurb, Lily Tomlin's Filmography, Review 
03 Sleeping with Other People (392 screens) $.2 (cum. $.6)  Review
04 Meet the Patels (78 screens) $.1 (cum. $.7) 
05 Talvar (51 screens) $.1 NEW
06 Goodnight Mommy (43 screens) $.4 InterviewOscar Submission
07 Learning To Drive (115 screens) $.1 (cum. $3.1)
08 99 Homes (19 screens) $.1 (cum. $.1) The return of Andrew Garfield
09 Southpaw (303 screens) Re-Release $.07 (cum. $52.2)
10 Un Gallo con Muchose Huevos (112 screens) $.07 (cum. $8.9)


I came down with a brutal cold after waiting in line in the cold for an hour for Steve Jobs (and being turned away roughly 15 people before making it inside) so it looks like I'll be emptying my DVR instead of moviegoing *sniffle* 


Podcast: Sicario & Stonewall

Katey, Joe, Nathaniel and Nick, all returned from TIFF (where the four of us were actually in the same place at the same time for the very first time ever!), return to "Now Playing" cinema to catch shrapnel coming off of Sicario & throw bricks at Stonewall

43 minutes 
00:01 TIFF postscript & Room
03:30 Sicario dark, haunting, superbly crafted, POV politics
21:00 Stonewall (2015) what were they thinking?
33:00 Stonewall (1995), Stonewall Uprising (2010), and other final thoughts 

You can listen to the podcast here at the bottom of the post or download from iTunes. Related reading: Katey on Room, Nathaniel on Stonewall, Nick on Sicario, Noah Tsika's negative reaction to Sicario, Jeffrey Wells's super-weird war on fans of Room.

And in case you missed it, here's the photo of the podcast team at TIFF.

Sicario and Stonewall


Emily Blunt is on a roll

Here's Murtada on a long time TFE favorite...

Blunt earlier this week at Sicario's London premiere

It’s a good week to be Emily Blunt. Her latest movie Sicario opened to strong reviews and scored the year’s best on screen average for a limited release indicating it might become a substantial hit when it goes wide. She’s one of the favorites mentioned for that Mary Poppins sequel. And her next movie The Girl on the Train just got a couple of high profile co-stars; an Oscar winner and Captain America himself.

Jared Leto and Chris Evans are set to join Blunt, Rebecca Ferguson and Haley Bennett in the adaptation of the best selling novel that will be directed by The Help’s Tate Taylor. The book, written by Paula Hawkins, is a publishing sensation, a la Gone Girl, having spent 20 weeks at the top of the hardback fiction charts. The plot is about alcoholic Rachel Watson (Blunt) who still pines for her ex husband (Evans) who is now married to Anna (Ferguson) while concocting a fantasy about the seemingly perfect couple (Bennett & Leto) she watches from the train on her daily commute. The story chronicles Bennett’s character disappearance and its effect on both Rachel and Anna. Though the book was set in London and Blunt will keep her English accent, the movie has been transplanted to the suburbs of New York City.

Clockwise L-R : Bennett, Leto, Ferguson and Evans

It’s exciting to see Blunt mixing it up. It would’ve been easy to be pigeonholed in action roles after her much lauded turn in Edge of Tomorrow. Even Sicario in which she plays an FBI agent is very different than her “full metal bitch” in Edge. Her Kate Macer is aces at her job but also overwhelmed by the grim reality of the drug trade along the US-Mexico border, a more nuanced characterization than the straight action-heroine of Edge. In a recent interview with Indiewire she talks about why only a handful of women are sought for all the action roles :

I think it’s because the list is very short, because we don’t see women in these kind of roles. So I think as soon as you do a role like that, like Charlize did or I did, or Rebecca’s done -- there’s like four of us or something. And Jen Lawrence. So I feel like us four, we get talked about -- and Angie, Angelina. So it’s a list of like, four women who are going to be considered for those kind of roles. So I think that’s why the rumors happen, because they’re like, "who else? Surely not another girl can wield a gun," you know what I mean? "A woman doing push-ups? There’s only one who can do that."

Sicario should take her to the next level, whether or not it brings her that first Oscar nomination. The film succeeds as both a vivid and violent thriller and a brilliant character study. At the center of it is Blunt’s Kate Macer who is by turns ferocious, steely, determined and also vulnerable and uncertain. It’s a great showcase of not only Blunt’s giant talent but Denis Villeneuve’s assured direction. Excellent word of mouth should translate into box office gold soon.

Have you seen Sicario yet? Isn't it funny that the two actresses who stole movies from Tom Cruise are going to be on screen together?


Box Office: Johnny Depp gets Scorched

Tim here with the weekend box office estimates. After an exciting nailbiter last weekend, things got a lot more sedate. Maze Runner: The Scorch Trials took the #1 slot without too much effort, continuing the dominance of YA adaptations about attractive 20something teenagers fighting their way through a post-apocalyptic wilderness. Let's not crack open a bottle of champagne for all those Chosen Ones just yet, though; The Scorch Trials came up just short of the first Maze Runner's debut weekend last September, suggesting that if the franchise isn't necessarily on death's door, it seems to have already hit its theoretical peak.

01 Maze Runner: The Scorch Trials $30.3 new
02 Black Mass $23.4 new
03 The Visit $11.4 (cum. $42.3)
04 The Perfect Guy $9.6 (cum. $41.4) Tim's Review
05 Everest $7.6 new
06 War Room $6.3 (cum. $49.1)
07 A Walk in the Woods $2.7 (cum. $24.8) Reviewed at Sundance
08 Mission: Impossible - Rogue Nation $2.3 (cum. $191.7) Tim's Review
09 Straight Outta Compton $2.0 (cum. $158.9) Podcast
10 Captive $1.4 new

The weekend's other major wide release, Black Mass, opened to a satisfactory number for what it is - a crime drama for adults, which means it's likely to hold on much longer than Scorch Trials - but it's not quite the triumphant return for Johnny Depp that some of us were quietly hoping for. Compared to his last couple of mega-bombs, it's already an unqualified success: by the end of Sunday, it will have already grossed more than three times as much as the notorious Mortdecai from last winter, and its opening weekend is about as much as the entire lifetime domestic gross of Transcendence. Still, aspiring thinkpiece writers can put away their "Depp is a major movie star again!" ledes for right now.

The most impressive performance in the top ten probably belongs to Everest: the star-packed thriller had a smallish platform opening, mostly limited to IMAX and other large format screens, that propelled it up to an impressive $13,872 per-screen average, by far the biggest of any film in the top ten. But even that pales next to the film that I suspect most of the Film Experience faithful want to hear about: Denis Villaneuve's Sicario, starring Emily Blunt, opened to $390,000 on 6 screens. If that doesn't sound like much, try this on for size: the film's $65,000 per-screen average is the highest of any 2015 release so far. Let's keep out fingers crossed that this means great things for the film as it starts to expand over the next two weeks.

How did you spend your moviegoing weekend?


Say What? Charlize & Emily 

Amuse us. Add a caption or dialogue to this image of Emily Blunt and Charlize Theron on the set of The Huntsman. (No Snow White this time. It opens in April 2016) 


Yes No Maybe So: Sicario

Manuel here to talk about Sicario, the latest Denis Villeneuve film starring Emily Blunt, Benicio del Toro and Josh Brolin. It already earned strong reviews at Cannes but last week’s trailer was our first extended look at this drug cartel film where Blunt plays an FBI agent enlisted to help in the war against drugs in the US/Mexican border.

I wanted to make a full YES/NO/MAYBE SO for this trailer but realized as soon as we got to this shot...

Click to read more ...