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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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Entries in Ryan Gosling (81)

Wednesday
Jun282017

Soundtracking: "Drive"

It's Chris Feil's weekly column on music in the movies! This week is the techno mythmaking of Drive:

So there’s a new musically-infused motorist crime tale on the block? While Baby Driver tries to take space on your headphones, it may still have to take a backseat to something even more moodily effective (if less uplifting): Nicolas Winding Refn’s Drive.

Refn is no stranger to using music (mostly in original scores from frequent collaborator Cliff Martinez) to help build his films’ elusive auras, but he has never been so successful as using this tool as he is here. This film’s musical identity is inextricably linked to the protagonist in ways that inform the audience of his psychosis as much as the subtlety of Ryan Gosling’s performance. Just as Gosling pulls us into the mind of a lovable psychopath, the song choices help make this grim pulp landscape something beautiful.

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Tuesday
Mar212017

Review: Song to Song

By Eric Blume

It’s difficult to review Song to Song, the latest film from Terrence Malick, because based on the standards of cinema (plot, characters, structure, acting, etc.), it’s a pretty terrible movie.  But with this film, Malick continues his journey to discover some sort of new cinematic language and style that has a weird beauty all its own.

The story, such as it is, revolves around three people in the music business (played by Michael Fassbender, Rooney Mara, and Ryan Gosling).  They go in and out of relationships with each other and a few other folks (notably Natalie Portman, Cate Blanchett, and Bond girl Berenice Marlohe).  Malick gives you no real sense of time, so it’s never 100% clear what happens when exactly.  But there are many, many scenes with those five people running their hands over each others’ bodies while voiceover proclaims banalities about sex and connection...   

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Wednesday
Mar012017

13 Favorite Photos from Oscar Night

We wouldn't be The Film Experience if we had an easy time letting go of Oscar night. It'll be time to move on soon but here are random photos to enjoy from parties and backstage and whatnot

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Tuesday
Feb282017

Red Carpet: The 5 Most Handsome Young Men of the Oscars

Kim and Sage from Head Over Feels here, happy to join the Oscar Coverage on The Film Experience!

One of the cornerstones of our website is our Annual Most Handsome Young Man contest, where we celebrate our crushes of the year in a reader-voted poll. So, after we attended Nathaniel’s Oscar viewing party and he asked us to contribute something for the site, naturally we gravitated towards celebrating the beautiful men of the 2017 Oscars. Whose fashion game was next level? Read on to find out!

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Friday
Feb172017

Thoughts I Had... the "Song to Song" Poster

Chris here, with a look at the next Terrence Malick flick. Last his other films of the past decade, this year's Song to Song has been long promised and long in the can, and is suposedly related to last year's Knight of Cups (both of which shot back-to-back). This Austin rock and roll based film is another starry dive we know little about - however this time we'll find out soon when it debuts next month at SXSW Fest and releases in the following weeks. The trailer will be here soon, but we now have a vibrant poster to ruminate over. Some thoughts...

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Monday
Feb062017

The Furniture: Magical Unreality in "La La Land" and "Fantastic Beasts"

"The Furniture" is our weekly series on Production Design. This is the first of two columns discussing this year's Oscar nominees. Here's Daniel Walber...

At a pool party in La La Land, Mia (Emma Stone) is granted the unique misfortune of being introduced to a generic Hollywood screenwriter. “I have a knack for world-building,” he says, instantly conjuring spectres of a Game of Thrones economy. Mia quickly extricates herself, destined for a different man in love with his own talent.

The moment is fleeting, but it peels back the curtain on Damien Chazelle’s own view of world-building and filmmaking. His version of Los Angeles isn’t at all overstated, with the exception of its ever-present automobiles. The characters don’t quite inhabit an identifiable city. Rather, they exist against a backdrop of imagined Hollywood, built from relentlessly colorful skies and busy studio lots...

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