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Entries in Michelle Pfeiffer (75)

Tuesday
Aug192014

Tues Top Ten: Hottest Hotties of 1989

Here's abstew to continue our celebration of 1989 as the 'year of the month'. Happy 25th, 1989!

As we look back at 1989 in preparation for the Smackdown, it's important not to forget what the movies have always been about: really attractive people. The Me Decade of the 80's, perhaps the greatest/craziest time in regards to fashion and hairstyles, if they taught us anything at all, it isn't that less is more. Oh, no. More is MORE! More shoulder pads, more eye shadow, more crunchy perms with mall bangs. So let's celebrate the 80's excess with these cinematic hotties of 1989. 

Honorable Mention: Julia Roberts "Blush and Bashful Hottie", Daniel Day-Lewis "Method Actor Hottie", Meg Ryan "I'll Have What She's Having Hottie", Kenneth Branagh "New Shakespearian Hottie", Nicole Kidman "Just An Ozzie Girl On a Boat With Billy Zane Hottie"

10. Sean Connery

You Call This Archeology Hottie

Why Him: The once and eternally forever Bond star proved that even at the age of 59, he could still make the ladies swoon when he played Indiana Jones' father in the number one box office hit of 1989, Indiana Jones and the Last Crusade. Romancing women half his age, and even managing to make a tweed travel suit and bow tie as sexy as one of Bond's tuxes, Connery like a fine aged wine, just got better with age.

Sexiest 1989 Moment: People magazine named the Scot The Sexiest Man Alive for its 1989 cover story. The headline hilariously reads, "Older, balder...and better! Here's one leading man who doesn't need to fake it." No word on exactly what other leading men were faking at the time. And apparently John Goodman was up for the title that year, so...yeah. People magazine - the nation's leading authority of unconventional sex appeal.

9. Rosie Perez
(and 8 more sexpots after the jump)

Click to read more ...

Tuesday
Jul152014

Best Shot: Any Batman Film (1966-2012)

Hit Me With Your Best Shot returns from its June hiatus for a 75th celebration of the masked vigilante with a thing for winged rodents (here's the future schedule - next week is Under the Skin). We asked anyone who wanted to play to pick a theatrically released Batman film (there are 9 of them) and choose its best shot. Here's what the participants saw when they looked at these pictures.

Click on the photos to read the corresponding articles. It's the Same Bat-Time on Same Different Bat Channels. 

BEST SHOTS IN BATMAN FILM FRANCHISE
29 images selected from 9 films by 17 participants

Click to read more ...

Monday
Jul142014

Best Shot: Batman Returns & The Dark Knight

...Or, as I call them: Catwoman (1992) --what? the names not taken since there is no other movie none nuh-uh called this -- and The Joker (2008).

Yes, it's true I intended to watch all 8 Bat Movies before the big event tomorrow night (pick a Bat-Film, any Bat-Film) and select a best shot from each. The idea that I was going to be able to watch eight films, most of them over 2 hours long and write about each of them individually in the space of a week is so ridiculously delusional that maybe I need to be locked up in Arkham Asylum? 

But I knew which shots I would choose from both Batman Returns and The Dark Knight without a rewatch (and that's not common for me). Even while watching the movies the very first time in 1992 and 2008 respectively my amygdalae be all "We likey. This moves us. Never forget!" 

Catwoman (Michelle Pfeiffer shot by Stefan Czapsky)The Joker (Heath Ledger shot by Wally Pfister)

The reasons to love these two shots and pair them are legion. They're twins in every way I can think of and "Holy Split-Zygote!" does the Batman franchise ever love twins.

We're the same, split right down the center.

Two silent images in madhouse conversation.

Both images are solo shots, weird little character-beat reveries within much fussier action punctuated sequences. In fact, in lesser director's and editor's hands it's easy to imagine them left on the cutting room floor altogether as they're more visual grace notes than story beats. Both images are animalistic, the cat doubled playfully and the dog hanging out the car window to feel the breeze, the only thing missing being his tongue. Both images have no dialogue, they're just hypnotic snapshots of two actors at the peak of their gifts lost in their own inspired headspace fully inhabiting fantastical people. Perhaps most impresively, both images happen to reflect their movies and auteurs, too. Tim Burton's Batman films are a mix of pitch-black night, elaborate production design, playful flourishes and cartoonish verve... all accounted for in this image. They don't take place in the real world - notice everything swallowed by darkness behind Catwoman. There is no real world; Gotham is a soundstage. Chris Nolan's Batman films, in contrast, are a mix of late night restlessness, gritty realism, and told with a straight face and dark majesty... all acounted for in this image. The Joker may be otherworldly but he's intruding in ours; Gotham is Chicago, filmed on location.

Finally, and this is no small matter, what Michelle Pfeiffer and Heath Ledger were doing in both of these movies in roles that haven't always inspired actors or even been taken seriously by them is art, pure and simple. These star turns are film-elevating stylized tragicomedy, so highly peculiar that they could have only come from inspired character actors, so mesmerizing that they could have only come from movie stars. This Catwoman and this Joker are filled with such vivid specificity that though these roles which will surely be played by dozens more actors in the next 100 years, they will always belong to Heath and Michelle. 

 

And now... the main event see all the images chosen in the Best Shot party.

Tuesday
Apr292014

Curio: Michelle Pfeiffer Turns 56

Alexa here. Like Nathaniel I adore Michelle Pfeiffer and can't pass up the chance to mention that she is turning 56 today. Oh if only she were as ubiquitous a presence during awards season as Meryl Streep, with all the plum non-ingenue roles going her way!  Whether it be a lack of willingness or opportunity, the sightings are far too infrequent.

Here are some curios to wax nostalgic over her heyday; if only we could conjure her a brilliant third act.

Click to read more ...

Monday
Apr142014

Links: MTV Movie Awards and More...

The Guardian asks a really good question. Had James Dean lived would he have been a Newman or a Brando?
Nerd Approved swapping the genders on Disney characters
Comics Alliance one minute of the opening battle from X-Men Days of Future Past. Looks exciting
The Guardian an interview with the disfigured actor from Under the Skin
Vox 21 Times Stephen Colbert has dropped his satiric character and been himself 
Telegraph an unusually candid confession: Pierce Brosnan doesn't think he was good enough as James Bond
Empire Harrison Ford talks Bladerunner sequel 

MTV Movie Awards
I "forgot" to watch. But the internet provides the highlights anyway. Like Zac Efron getting his shirt ripped off. The masses have now seen his chest approximately in everything but it still excites them (More is more?)

Comics Alliance one minute of the opening battle from X-Men Days of Future Past. Looks exciting
Towleroad Jared Leto's AIDS focused speech. Yes he won another award for Rayon "Best Transformation"
YouTube they aired a commercia lfor A Million Ways to Die in the West. Charlize Theron's look is very Sharon Stone in The Quick and the Dead, right? Only with humor.
In Contention has a best and worst list from the night
Variety has the complete winners list which were awful... Mila Kunis terrible terrible villain in Oz: The Great and Powerful won (there were such better options like my Best Villain Nominees). Yikes. For what it's worth Hunger Games: Catching Fire won Best Movie and both lead actor prizes. Yes, Josh Hutcherson too! Since this is, you know, MTV and Twilight no longer exists.

This Weekend's Miracle
Michelle Pfeiffer left the house!

click to embiggen

We always have to report on it since it's so rare. She was at Coachella in California this weekend with an undetermined friend.

Today's Watch
Awesomely talented Laura Benanti explains the current Broadway season. (I don't understand why a great TV series doesn't snap her up. She was so good on the short-lived Playboy Club and in The Sound of Music: Live and surely she deserves better than a Law & Order franchise. Especially since the bitch can sang.)