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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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"I loved Clarke's scenes with Edgerton in The Great Gatsby. I thought, oh now I'm watching men not boys, and now I'm watching actors not movie stars.-Adri

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Entries in Michelle Pfeiffer (79)

Monday
Nov242014

Beauty vs Beast: Guests Gotten, Hosts Humped

Howdy folks, it's Jason from MNPP here with a brand new round of "Beauty Vs Beast" and a brand new chance to pit the sorta-good against the sorta-bad, or the sorta in-between, and for us to choose our side with due diligence (at least with enough enough energy to click one way or the opposite). It was a slow creep realization when Mike Nichols died last week, what we'd lost - I'm not a Broadway person and as of late that's what I'd associated him with, so it was only once I started skimming back through his filmography, and once I read wonderful tributes like Nat's here, that my brain clicked into place that "Why yes, Jason, you've loved and been affected by a ton of this man's work for your entire life, duh." And so I've found myself going back and re-watching things I hadn't seen in many years - Working Girl (Sigourney MVP!) and Silkwood (probably my favorite Nichols film) and then today's piping hot dish of husband-wife combat for the ages...

 

 

If you're here in the US you'll probably spend sometime this week giving thanks to the turkey and stuffing for all the good stuff in your life, and I wouldn't blame anybody who placed these two performances on their Good Stuff Lists. Personally I'm Team George because 1) I've never been much of a Burton fan but I think he's phenomonal in this movie, and 2) I see way too much of myself in Martha, and that's the sort of thing you reflexively snap your eyes away from. You have one week to vote!

PREVIOUSLY Checking back in on the gorgeous ladies of 1870s society, last week's Age-of-Innocence Off ultimately sided with the poor unfortunate soul Countess Olenska (Michelle Pfieffer) over wily Winona's little Miss May; we do love a wounded bird. Said Murtada:

"Countess Olenska was way ahead of her time, a pioneer against vicious social mores. And she endured a false life despite getting a glimpse of a real one. Hasn't she suffered enough? She gets my vote."

Monday
Nov172014

Beauty vs Beast: I'm Not That Innocence

Howdy folks, Jason from MNPP here with Monday's weekly dose of "Beauty vs Beast" -- you might be forgiven for having mistaken this series for an episode of G.L.O.W. as of late (please tell me that some of y'all are my age and know and love that reference) - it seems like it's been a lot of lady match-ups, I mean. So when I saw that today is Martin Scorsese's 72nd birthday, at first I was all, "Finally I can inject some testosterone in here! Pesci! De Niro! Guns and phalluses and junk!"

But then I looked at Marty's filmography I saw the first thing I always regrettably see these days - namely his last movie, The Wolf of Wall Street. And I haaaaaaated WoWS. And my stomach tumbled. And so in my indignation I turned against the testoterone, and where did that leave me? Lady fight!

 

I know aksing The Film Experience community to even consider a vote against Michelle Pfeiffer is akin to blasphemy, but know this: my vote is for May, May all the way, May got her man and didn't slink away without a fight. All the prime years of Daniel Day-Lewis were hers; nyah nyah nyah Countess Loser.

PREVIOUSLY And speaking of hauling ass to the ladies, last week we trained our eyes on the cutthroat world of high school girls, which also involves a lot of whispers in hallways and note-passing - in the battle for the Queen of Clueless, it's Cher Horowitz who gets the seat at the center of the lunch table. Said Ben:

"Have to go with Cher, due to our shared love of Beavis & Butthead and Snickers. And can you believe they still haven't put R.S.V.P. on the Statue of Liberty? As if!"

Saturday
Nov152014

Important Dates. Beautiful Shoes.

There's nothing duller than a post consisting of dates culled from press releases so, as you read, please to enjoy this brand new photo of Michelle Pfeiffer.

Her fingernails won't match anything once she takes the shoes off!

She's one of many celebrities involved in the fifth annual Celebrity Shoe Auction. Proceeds go to the Small Steps Project. Since this very very recent photo is proof that she lives, we must again beg her to take another job. Geez, lady. Your kids must've just left for college. Get back to work!)

Important November Dates
19 - SAG Nomination Ballots Sent Out
25 - Spirit Award Nominations 
26 - Golden Globe Nomination Ballots Sent Out, Happy Thanksgiving

Important December Dates
1 - NYFCC Awards
2 - NBR Awards
7 - LAFCA Awards
8 -  OFCS Nominations, Globe & SAG Nomination Ballot Due Date, BFCA Ballots Sent Out
10 - SAG Nominations
11 - Golden Globe Nominations
12 - BFCA Nomination Ballot Due Date
15 - OFCS Winners
16 - Happy Hanukkah for the next week
25 - Merry Christmas, a million movies come out today
29 - Oscar Ballots go out
31 - Happy New Year, Have A Most Violent Year ... er...

I like his signature. Quick all you handwriting analysis experts: GO!

Important January Dates
5 - NYFCC Awards Gala
7 - Last day of Globe Voting, ASC Nominees Announced (Cinematographers)
8 - Oscar Ballot Due Date
9 - BAFTA Nominations
11 - Golden Globe Awards
13 - Last day of BFCA voting and DGA Nominations Announced
15 - Oscar Nomination Morning

15 - BFCA Awards ("Critics Choice")
23 - Last day of SAG voting
24 - PGA Awards (Producers) 
25 - SAG Awards (Actors)
30 - ACE Eddie Awards (Editors)
31 - ADG Awards (Art Directors)

Important February Dates
4 - VES Awards (Visual Effects)
6 - Final Oscar Balloting begins
7 - DGA Awards (Directors)
8 - BAFTA Awards
14 - Happy Valentines Day
15 - ASC Awards (Cinematographers), MPSE Awards (Sound Editors)
17 - CDG Awards (Costume Designers)
21 - Spirit Awards
22 - OSCAR NIGHT !!!!!!!!!!!!!!!

Which dates do you most look forward to each year?

Tuesday
Oct142014

Top Ten Reasons I Should've Bought that "Baker Boys" Photograph When I Had The Chance

Today the new season of TFE begins! We're celebrating with an all top ten list day. Every few hours, a new and highly random top ten list to kick off the Fall Movie Season (our favorite time of year!). Let's start with something that's been haunting me because I forgot to post about the 25th anniversary of The Fabulous Baker Boys yesterday, one of my all time favorite films. A long time ago in a New York City that still felt like a galaxy far far away (I was a recent transplant... 1999/2000?) I attended a Jeff Bridges photography show. He's really a very good photographer and takes photos on the sets of his movies. I stared and stared at this enormous black & white photograph of Michelle Pfeiffer that Bridges had taken. 

This photo is so magnificent in person

My bank account was humiliation in numeric form though I don't remember how much the giant beauty cost.

TOP TEN REASONS I SHOULD'VE BOUGHT THAT FABULOUS BAKER BOYS ON SET PHOTOGRAPH OF MICHELLE PFEIFFER ANYWAY...

10. However $$$, it would have long since paid for itself in number of looks / pleasure derived.

09. Though there were several things that contributed to my cinephilia and actressexuality, many of which have been oft-referenced at The Film Experience (among them: Streep & Turner & Woody in theaters, a neighborhood revival house, Hitchcock on VHS and old Natalie Wood films on the TV, etcetera) Michelle Pfeiffer on the piano top was the final nail in my 'normal person' coffin. I would never again not be obsessive about these things

08. If I (inexplicably) couldn't have a reunion of Bridges & Pfeiffer onscreen, it least it would have been on the wall sandwiching me with Baker Boys mania when the pair were reunited on my television in 2010.

07. The picture would have looked even bigger in my impossibly small training-wheels Manhattan apartment

06. Jail time served from robberies to afford it, would have only brought me closer to the best of her Bad Girls: Elvira Hancock, Lamia, Velma and Catwoman, but especially icy predator convict Ingrid Magnusson (White Oleander, which should have won Pfeiffer her second or third Oscar but who's counting?) 

05. Though the frames edges were sharp and glass is hard, perhaps it would have emotionally cushioned the blow of the recent discovery that Michelle Pfeiffer recently turned down ANOTHER Oscariffic role -- Lisa Genova, the author of Still Alice discusses its journey to film and the handful of A list actresses that turned it down, starting around 5:45 mark. 

Dr. Lisa Genova Part 7 Being Present is the Best Thing You Can Do for Someone with Alzheimer's and Yourself from Bill Slater on Vimeo.

 

(Turning down Thelma & Louise and Silence of the Lambs and now Still Alice which might well give another long Oscar-denied actress the gold? Painful... although it probably wouldn't have gotten anywhere near Oscar with Brett Rattner attached so maybe it was smart for all those A and B+ listers to say no)

04. For a reminder of that movies insanely great cinematography. How Michael Ballhaus lost the Oscar I shall never understand.

03. Because black and white goes with everything.

02. Because this Bridges photo above was not available for purchase. I love it so much because it challenges all of my feelings and perceptions of La Pfeiffer and renders her thoroughly human... in a perfect Not Susie Diamond way.

01 For further vindication: Ain't nobody would ever spent thousands of dollars to get a framed photo of Jessica Tandy on the set of Driving Miss Daisy. Truth bomb.

Tuesday
Aug192014

Tues Top Ten: Hottest Hotties of 1989

Here's abstew to continue our celebration of 1989 as the 'year of the month'. Happy 25th, 1989!

As we look back at 1989 in preparation for the Smackdown, it's important not to forget what the movies have always been about: really attractive people. The Me Decade of the 80's, perhaps the greatest/craziest time in regards to fashion and hairstyles, if they taught us anything at all, it isn't that less is more. Oh, no. More is MORE! More shoulder pads, more eye shadow, more crunchy perms with mall bangs. So let's celebrate the 80's excess with these cinematic hotties of 1989. 

Honorable Mention: Julia Roberts "Blush and Bashful Hottie", Daniel Day-Lewis "Method Actor Hottie", Meg Ryan "I'll Have What She's Having Hottie", Kenneth Branagh "New Shakespearian Hottie", Nicole Kidman "Just An Ozzie Girl On a Boat With Billy Zane Hottie"

10. Sean Connery

You Call This Archeology Hottie

Why Him: The once and eternally forever Bond star proved that even at the age of 59, he could still make the ladies swoon when he played Indiana Jones' father in the number one box office hit of 1989, Indiana Jones and the Last Crusade. Romancing women half his age, and even managing to make a tweed travel suit and bow tie as sexy as one of Bond's tuxes, Connery like a fine aged wine, just got better with age.

Sexiest 1989 Moment: People magazine named the Scot The Sexiest Man Alive for its 1989 cover story. The headline hilariously reads, "Older, balder...and better! Here's one leading man who doesn't need to fake it." No word on exactly what other leading men were faking at the time. And apparently John Goodman was up for the title that year, so...yeah. People magazine - the nation's leading authority of unconventional sex appeal.

9. Rosie Perez
(and 8 more sexpots after the jump)

Click to read more ...

Tuesday
Jul152014

Best Shot: Any Batman Film (1966-2012)

Hit Me With Your Best Shot returns from its June hiatus for a 75th celebration of the masked vigilante with a thing for winged rodents (here's the future schedule - next week is Under the Skin). We asked anyone who wanted to play to pick a theatrically released Batman film (there are 9 of them) and choose its best shot. Here's what the participants saw when they looked at these pictures.

Click on the photos to read the corresponding articles. It's the Same Bat-Time on Same Different Bat Channels. 

BEST SHOTS IN BATMAN FILM FRANCHISE
29 images selected from 9 films by 17 participants

Click to read more ...

Monday
Jul142014

Best Shot: Batman Returns & The Dark Knight

...Or, as I call them: Catwoman (1992) --what? the names not taken since there is no other movie none nuh-uh called this -- and The Joker (2008).

Yes, it's true I intended to watch all 8 Bat Movies before the big event tomorrow night (pick a Bat-Film, any Bat-Film) and select a best shot from each. The idea that I was going to be able to watch eight films, most of them over 2 hours long and write about each of them individually in the space of a week is so ridiculously delusional that maybe I need to be locked up in Arkham Asylum? 

But I knew which shots I would choose from both Batman Returns and The Dark Knight without a rewatch (and that's not common for me). Even while watching the movies the very first time in 1992 and 2008 respectively my amygdalae be all "We likey. This moves us. Never forget!" 

Catwoman (Michelle Pfeiffer shot by Stefan Czapsky)The Joker (Heath Ledger shot by Wally Pfister)

The reasons to love these two shots and pair them are legion. They're twins in every way I can think of and "Holy Split-Zygote!" does the Batman franchise ever love twins.

We're the same, split right down the center.

Two silent images in madhouse conversation.

Both images are solo shots, weird little character-beat reveries within much fussier action punctuated sequences. In fact, in lesser director's and editor's hands it's easy to imagine them left on the cutting room floor altogether as they're more visual grace notes than story beats. Both images are animalistic, the cat doubled playfully and the dog hanging out the car window to feel the breeze, the only thing missing being his tongue. Both images have no dialogue, they're just hypnotic snapshots of two actors at the peak of their gifts lost in their own inspired headspace fully inhabiting fantastical people. Perhaps most impresively, both images happen to reflect their movies and auteurs, too. Tim Burton's Batman films are a mix of pitch-black night, elaborate production design, playful flourishes and cartoonish verve... all accounted for in this image. They don't take place in the real world - notice everything swallowed by darkness behind Catwoman. There is no real world; Gotham is a soundstage. Chris Nolan's Batman films, in contrast, are a mix of late night restlessness, gritty realism, and told with a straight face and dark majesty... all acounted for in this image. The Joker may be otherworldly but he's intruding in ours; Gotham is Chicago, filmed on location.

Finally, and this is no small matter, what Michelle Pfeiffer and Heath Ledger were doing in both of these movies in roles that haven't always inspired actors or even been taken seriously by them is art, pure and simple. These star turns are film-elevating stylized tragicomedy, so highly peculiar that they could have only come from inspired character actors, so mesmerizing that they could have only come from movie stars. This Catwoman and this Joker are filled with such vivid specificity that though these roles which will surely be played by dozens more actors in the next 100 years, they will always belong to Heath and Michelle. 

 

And now... the main event see all the images chosen in the Best Shot party.