HOT TOPICS

NEW ON DVD / BLURAY

Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd 

 

Powered by Squarespace
Comment Fun

COMMENT(s) DU JOUR
Yes No Maybe So: CREED, SECRET IN THEIR EYES, STEVE JOBS

CREED "I'm so here for Michael B. Jordan becoming a bona fide movie star. It'll just take the right project to put him in the public consciousness. Creed looks like it could be it." - Kate

STEVE JOBS "Isnt it too soon for a Jobs biopic?" - Amanda

SECRET IN THEIR EYES "I loved the original -- without the background of the Argentinian dictatorship a huge element of the plot tension gets lost. I wonder how they'll deal with that." - Felix


Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

Subscribe
What'cha Looking For?

Entries in dogs (40)

Monday
Jun012015

Podcast: Two Transatlantic Conversations

This new unconventional episode of the podcast features two guests and two conversations. First Nathaniel calls Australia to check in with Glenn Dunks to see what he's been up to cinematically since leaving NYC. And then a conversation with Guy Lodge in London about his experience at this year's Cannes Film Festival.

Contents

  • 00:01 - 02:30 Intro: Nathaniel (feat. Annie Lennox)
  • 02:26 - 19:15  Glenn From Australia: Mad Max Fury Road, The English Patient, Nicole Kidman in Strangerland, 54 The Director's Cut, Film Preservation
  • 19:16 - Guy from London: Loving Arabian Nights, The Lobster and Todd Haynes' Carol, Cannes Jury Prizes, The AssassinSon of Saul and the Foreign Film race, Maryland, and hating Paolo Sorrentino's Youth

Please to enjoy and continue the conversation in the comments. You can listen at the bottom of this post or download from iTunes tomorrow.  

 

Cannes, London, and Australia

Saturday
May232015

Potential Foreign Oscar Submissions from Cannes

While most of the world obsesses on Eurovision today, we'll stayed obsessed with France. The Cannes festival ends tomorrow with the awards ceremony and the biggies like the Palme D'Or (the overall winner) Best Actress (or 'The Anti-Marion' as it will surely soon be retitled since she's in the mix every single year but never wins) and the Camera D'Or (first film). But until tomorrow afternoon when we hear those honors, we've still got plenty to discuss including potential Oscar submissions (I must soon create those massive foreign submission charts) and the first wave of jury prizes.

UN CERTAIN REGARD
Isabella Rossellini's jury has handed out their prizes with this statement from Rossellini

We, the jury, would like to thank the Festival de Cannes for inviting us to be part of the Jury for Un Certain Regard. The experience of watching nineteen films from twenty-one countries was memorable. It was like taking a flight over our Planet and its inhabitants… Any anthropologist would be envious of us. We would like in particular to thank Thierry Frémaux and his team for their incredible kindness. I cannot refrain from expressing also my personal gratitude to the Festival for having chosen my mother Ingrid Bergman for the poster of the 68th edition of this festival. Mamma seems to hovered over all of us, filmmakers and film lovers, as a guardian angel. Thank you.

Here's a roundup of prizes including many potential Oscar submissions for Best Foreign Language Film...

Click to read more ...

Saturday
May232015

Palm Dog. The Tradition Continues. "Woof Woof"

We're working on collecting fashions and awardage for two final big Cannes posts before tomorrow's closing ceremony awards but this one deserved it own special bone post as appetizer. The most famous recipient of the Palm Dog prize at Cannes is still Uggie from The Artist (2011) but the tradition continues each year and the lucky dogs were honored at the UK Film Centre this year, which is apparently the 15th year of the award.

Palm Dog "Dixie" from Arabian Nights (Portugal). The Canine actor's name is "Lucky" who is a Maltese terrier and poodle mix. Apparently she steals the show in the second half of the six hour (gulp) movie. You can read more about this picture in our We Can't Wait 2015 preview

Grand Jury Prize: "Bob the Dog" from The Lobster (Greece). Bob is played by father and son canine team "Jaro" and "Ryac". It's fitting that two dogs played this role since apparently Bob is a reincarnation of a man's brother in the film!? That film sounds wackier and wackier the more we hear of it though I actually don't want to hear any more before seeing what is surely one of 2015's oddest film experience. This movie from the director of the Oscar-nominated Dogtooth was also featured in our We Can't Wait preview.

Je Suis En Soldat

Palm DogManitarian Award: This special prize went to France's Je Suis En Soldat, which stars Louise Bourgoin and Jean Hugues-Anglade, and is is about dog trafficking in Eastern Europe. The award was given to the film as a way 

...to celebrate the fostering of relations between the human race and men, women, and children's best friend."

THR was mixed on this Un Certain Regard entry 

Other dogs people were rooting for this year that came up empty-handed were the sheepdog from Iceland's Rams, the labrador from China's Mountains May Depart and the rottweiler from Green Room. Congratulations to all the doggies and their trainers.

Previous Cannes-related news

 

Friday
Mar272015

Interview: 'White God' Director Kornél Mundruczó on Twisting Genre, Working with Canine Actors and Opera

Jose here. Kornél Mundruczó’s White God opens with one of the most memorable scenes in recent films, as we see a the desolate streets of Budapest in the aftermath of a canine uprising which has forced all the citizens to stay inside their homes. All except one, a little girl (Zsófia Psotta) trying to find her beloved dog, who unbeknownst to her, is actually the leader of this revolution. While the film has been compared to Rise of the Planet of the ApesWhite God in fact has more in common with two 1960s classics: Spartacus and The Birds, which makes sense considering that Mundruczó has made a career out of paying homage to classic Hollywood films, while injecting them with darker political undertones.

The film was a sensation at the 2014 Cannes Film Festival, and was Hungary’s official submission for the Academy Awards; it could also very well become Mundruczó’s international breakthrough. On the eve of the film’s Stateside premiere I talked to the filmmaker about his career so far, the struggles of working under extreme circumstances and his love for opera.

JOSE: I thought the film was entertaining in a conventional thriller sense, but it was also such a powerful allegory for the rise of right-wing racism in Europe. How were you able to achieve a balance between the two?

KORNÉL MUNDRUCZÓIt was really personal, when I started to work on this movie I was really touched by the situation of the dogs inside Budapest. I went to a dog pound, for different reasons, not as a filmmaker, and I was so touched. Sometimes something just steps on your soul, and that’s what this felt like, I felt such a shame, I was in shock, I was part of a system that was supporting this. I wanted to talk about it and I believe that democracy is talking about things, so I decided I wanted to make a movie about one dog in Budapest. When we were developing the script, it was obvious that this was also a great allegory for what is the illness of our society. But this wasn’t something premeditated, I never thought “I want to shoot a metaphor”, I just wanted to tell this story.

Has there been a difference in how the film is received in countries like Spain and Greece which have seen powerful social uprisings in recent years?

Totally huge difference, I have no clue how it will be received in the US, but I feel that there are Eastern souls and Western souls, in France for example, they identified with the major society, but when people saw the movie in Mexico they felt “we are the dogs”. In Eastern Europe, we also felt we were the dogs. We have also had a lot of success in Turkey, which is very curious, since I had no connections with this country at all, but we’ve had lots of comments from there.

Click to read more ...

Tuesday
Feb102015

50½ Thoughts on 101 Dalmatians

Woof! To celebrate the first time release of Disney's beloved One Hundred and One Dalmatians on Digital HD, Blu-ray™ Combo Pack today (it's also available on Disney Movies Anywhere and On-Demand starting now) here's a classic from the Film Experience Vaults. It was first published for the beloved classic's 50th anniversary in 2011. But it'll be new to many of you! We suspect that 101 thoughts would have tried your patience too much but perhaps you could share the article with 3½ friends if you enjoy it, or leave 1½ comments behind before you go. The more the merrier, you know. And doesn't this wonderful movie wag its plentiful tail at that very motto?!

01 The first charming thing is its sketchy, spotty, doggy opening credit sequence. It's a prime candidate for "Art of the Title Sequence" ... I wonder if they've ever done it?

02 The movie was released in the early 60s and takes place in London. I can't think of another animated Disney feature off the top of my head that's this British but then,  "The British Invasion" was just around the corner so maybe America's Anglophilimaniac phase was already in the air in the late 50s when Disney started storyboarding this feature?

03 If you've been keeping up with your animation the past several years you probably see an immediate resemblance to the palette and cityscapes for Sylvain Chomet's The Illusionist.

(Read the full post - that Devil woman is coming right up)

Click to read more ...

Monday
Dec152014

Missi's Oscar Night Memoir

We return you to our celebrity guest-host Missi Pyle... at The Film Exp The Missi Experience. Just one more post after this gorgeously fun memoir. Enjoy - Editor


ME N OSCAR

The 84th Academy Awards. An Oscar Night Memoir
- by Missi Pyle

I just want to take a minute to talk about The Artist. Holy shit. What an incredible experience that was.

Tiny back story. I left LA in 2008. I had married this guy from Montana with a grizzly bear sanctuary. I bought a geodome in the woods in Montana and moved in with said Grizzly man. I truly don't know what I was thinking. I had made some decent money in the previous year and I thought I could act from Montana? (Spoiler! Only Michael Keaton and Jeff Bridges can act from Montana - I wrote a show about it) Anyway, the marriage didn't work out and I ran out of money and came crawling back to LA.

I randomly had auditioned for, gotten the part and shot the film The Artist. It was really an incredible experience. But in my wildest dreams I never imagined the ride it would take me on.

[OSCAR NIGHT AFTER THE JUMP...]

Click to read more ...