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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Love Affair (1994) - as "A Year With Kate" nears its conclusion

A YEAR WITH KATE... 2 episodes left

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Entries in dogs (35)

Monday
Dec152014

Missi's Oscar Night Memoir

We return you to our celebrity guest-host Missi Pyle... at The Film Exp The Missi Experience. Just one more post after this gorgeously fun memoir. Enjoy - Editor


ME N OSCAR

The 84th Academy Awards. An Oscar Night Memoir
- by Missi Pyle

I just want to take a minute to talk about The Artist. Holy shit. What an incredible experience that was.

Tiny back story. I left LA in 2008. I had married this guy from Montana with a grizzly bear sanctuary. I bought a geodome in the woods in Montana and moved in with said Grizzly man. I truly don't know what I was thinking. I had made some decent money in the previous year and I thought I could act from Montana? (Spoiler! Only Michael Keaton and Jeff Bridges can act from Montana - I wrote a show about it) Anyway, the marriage didn't work out and I ran out of money and came crawling back to LA.

I randomly had auditioned for, gotten the part and shot the film The Artist. It was really an incredible experience. But in my wildest dreams I never imagined the ride it would take me on.

[OSCAR NIGHT AFTER THE JUMP...]

Click to read more ...

Friday
Nov282014

Jose Gives Thanks.

Editor's Note: I asked Team Experience to tell us what they're thankful for this year during the holiday weekend. Here's Jose in the cinematic spirit.

Jose here. This year I’m thankful...

For Hardy with puppies. And Godard with Roxy.
For Keira, Kristen and Kirsten.
For snakes made out of clouds.  
For cruising in French lakes (even with killers on the loose)
For movies about toys that didn’t treat me like a kid.
For Marion x 2. For Joaquin Phoenix x 2. For Chastain x 4 (she doesn't make it seem like bragging either!) 

For Dan Stevens’ abs and killer acting chops (pun intended).
For Shia in the buff.
For Carrie Coon and Jenny Slate (can they play sisters some day?).
For Swedish films about skiing that reminded me how much I love Mike Nichols.
For Broadway actors in movies (I'm looking at you Jefferson Mays in Inherent Vice).
For Edward Norton's tan

For Anne in outer space.
For Nolan growing the balls to acknowledge he makes movies from the heart, not the mind.
For Daft Punk in Eden.
For Snowden in a robe. And Tilda in the snow.
For Emma Watson's U.N. speech and Daniel Radcliffe in Horns.

For TV that makes me forget bad movies and IMAX reminding me how I could never quit the movies (even the bad ones).
For Meryl's daughter, Grace.
For singing Emma Stone
For Colin Farrell's eyebrows, Elizabeth Moss' face, Rosamund Pike’s voice. And Ben Affleck's butt in Gone. xo 

-Jose

 

 

Related: Nathaniel gives thanks

Friday
Oct312014

Review: John Wick

Michael C here 

The screenplay for David Leitch and Chad Stahelski’s John Wick is so simplistic it rises above laziness until it reaches a kind of glorious absurdist joke. What “plot” there is (and I’m typing those quote marks as hard as I can) could be adapted into a book for beginning readers without much stretching:

See John Wick’s wife die. John sad.
John’s wife leaves John dog. John slightly less sad.
See Russian mobster kill John’s dog. John mad.
See John kill. Kill, John, kill!

To gripe about the thinness of the script is to miss the point. A movie like John Wick is all about getting to the good stuff. When the story is pared down to such a degree it’s a giftwrapped opportunity for filmmakers to show off their chops by filling all that empty space with creatively staged mayhem and wild, indulgent detours, two things for which I am always on board. On such occasions, I am more than willing to disengage higher brain function for 100 minutes, lean back in my seat and say “Show me what you got!” silly grin on my face, drool collecting on my popcorn...

Click to read more ...

Saturday
Oct182014

Foreign Oscar Watch: White God

With London and Chicago Fests ongoing, a few reports from each to cover more Oscar Submissions for Best Foreign Language Film. Here's our London friend David on Hungary's Oscar submission.

Let me start off, if you'll forgive me, by citing that oldest and meanest of acting adages: the one about never working with children or animals. That seems to be in the heads of every adult we see on-screen in White God, for every single one of them, without exception, treats an animal or a child badly in one way or another. Fortunately for the audience, the film is on their side. Violently so; be mean to a dog in White God and you'll be lucky if you don't get your bloody throat ripped out.

After a prelude in which Lili (Zsófia Psotta) is pursued through a deserted city by a hoard of dogs in what can only be described as a scene from the dogocalypse, we flashback to see what brought the poor girl to this point. Her mother's off abroad for three months, so Lili is being unloaded on her father, Daniel (Sandor Zsoter), a much older man whom neither woman seems to have a particularly sparkling relationship with. He certainly doesn't have much time for Lili, and even less for her beloved dog, Hagen; after a visit from the authorities demanding he pay the requisite fees for a mixed-breed dog, Dad abandons Hagen on the side of a road.

Cue the swelling orchestral score as the devoted mutt bounds hopelessly after Lili's weeping face, and we're left wondering if this is a Hungarian remake of Homeward Bound. Before long, an adorably bedraggled canine sidekick latches onto Hagen, and their escapades eluding the dog catchers could have come straight from the annals of Disney animation. The Hungarian streets of White Godare a shade harsher, and just as Daniel's financial restraints have depleted his compassion, so Hagen finds himself in even more degraded climbs, sold to a man looking for a return to the dog fighting ring; 'this one's still got a heart' the man says, before proceeding to grind that puppyish love out of Hagen - now, obviously, named Max - in a brutal training montage that recalls the brilliant confrontational realism of Amores perros.

As Hagen progresses towards realising the eventual canine collective, Lili is making her own journey, a more generic coming of age story where her own engagement with society's dangerous trappings is tested. Tellingly, the film heavily features her role in a school orchestra, and the resulting orchestral score provides the film with some fittingly grandiose accompaniment for the astonishing dog choreography in the film's bravura final act. It's in these last stretches that White God really makes its mark, a genuinely tense, delectably absurd climax that leaves the Hungarian streets cowering. Narrative notes collide with daring exuberance, but writer-director Kornél Mundruczó is careful to include sobering notes of the reality lingering behind the theatrics.

White God screened as part of the 58th BFI London Film Festival.


21 of 83 Oscar Foreign Submissions Reviewed: AfghanistanArgentina, Australia, Belgium, Brazil, Canada, Cuba, France, Germany, HungaryIceland, Israel, ItalyLatvia, Mauritania, Norway, PolandPortugalSweden, Switzerland and Venezuela and The Foreign Oscar Charts

Friday
Oct172014

What I have linked, I have linked.

Popwatch Julianne Moore tribute coming in January at the Museum of the Moving Image - let the coronation mark begin
In Contention Pedro Pascal for Ben-Hur and portrayals of Pontius Pilate on the screen
Salon what Gone Girl and Amazon's Transparent have in common
Interview talks to David Cronenberg
iTunes You can buy Norte: The End of History, The four hour acclaimed Philippines Oscar submission on iTunes now if you'd like.
Vulture talks to Kim Dickens from Gone Girl on claims that the movie is misogynist 

 

Awards Daily new trailer for Unbroken. I feel like there've been a lot of these
i09 compares Battlestar Galactica to Outlander given that they're from the same series creator Ron Moore
Criterion is releasing the classic The Bitter Tears of Petra Von Kant on blu-ray. Rainer Werner Fassbinder's movies are not available enough so this is great news
The Hollywood Reporter Clowns of America International (that's a real thing) is pissed about AHS: Freakshow's Twisty the Clown. In related news how come y'all didn't comment on the last AHS post. You led me to believe you were watching it!
Screen Daily Jane Campion developing a second season of Top of the Lake
Latino Review Actress Elizabeth Peña (Jacobs Ladder, La Bamba, Modern Family) has passed away at 55 
Towleroad Ezra Miller feels like surprise casting to me as The Flash in DC/WB''s superhero universe (unrelated: I'm enjoying the CW TV show of the same name thus far. It isn't great but it's light & fun, unlike Arrow which bored me silly)
Towleroad gays on television from ABC's hypersexual connivers & neutered comics to the wider queerness of premium and cable channels
Playbill that stage musical version of American Psycho is still happening and is now looking at fall 2015 on Broadway 

Awwww...
Times one thousand.

It's a teaser for the new Disney short Feast. This short apparently tells the life story of a Boston Terrier solely through his meals. It'll play before Big Hero 6 and we may be looking at a serious Best Animated Short Oscar contender. 

The Divas...
It's way too early to be thinking about Christmas but if you're an early shopper please know that Glen Hanson, an illustrator I just love, has designed a Liza Minnelli holiday ornament. Thanks to Boy Culture for the heads up. The proceeds go to Broadway Cares / Equity Fights AIDS.  If you want one you purchase here.

In other Broadway news, a special tribute to Elaine Stritch is coming on November 17th with performances by (are you sitting down) Patti Lupone, Betty Buckley, Christine Ebersole, Michael Feinstein, and my personal favorite of the theatrical divas of a certain age, Bernadette Peters

So who is singing what? They're keeping that a secret naturally.  

Monday
Sep152014

Box Office Report - No Good Dolphin Tale

Margaret here, back to report on another quiet weekend at the box office. Powered by the considerable force of charisma that Idris Elba and Taraji P. Henson supply, home-invasion thriller No Good Deed topped the box office with close to 25 million. In second place is the family film Dolphin Tale 2, which took in decent dollars despite an aggressively bland marketing campaign and the fact that the first one was barely a hit. Guardians of the Galaxy dropped only 22% to third place, and is now the first movie since Frozen to pass $300 million domestically. The Year of Chris Pratt continues.

WEEKEND BOX OFFICE

01 NO GOOD DEED $24.5 *new*
02 DOLPHIN TALE 2 $16.6 *new*
03 GUARDIANS OF THE GALAXY $8.0 (cum. $305.9)  Review
04 ...NINJA TURTLES $4.8 (cum. $181.0) remember the animated one?
05 LET'S BE COPS $4.3 (cum. $72.9)
06 THE DROP $4.2 *new*

The stealth success story here is Let's Be Cops, which, despite abysmal reviews and release in one of the worst cultural climates for an irresponsible-cop-comedy, is limping towards $75 million and a significant profit margin thanks to weak competition and a shoestring budget.

On the limited side, Dennis Lehane-penned crime drama The Drop outstripped its projected haul with $4.2 million from less than 1,000 screens. Such is the magnetic pull of a scruffy Tom Hardy snuggling a pit bull puppy, to say nothing of the chance to see James Gandolfini's final performance. 

Other notable limited releases include the Bill Hader/Kristen Wiig tragicomedy The Skeleton Twins, which brought in an impressive per-screen average and is well on its way to crossing the important indie-film benchmark of $1 million, and The Disappearance of Eleanor Rigby: Them, which is getting an unenthusiastic critical response and middling ticket sales. Perhaps audiences are holding out for the Him and Her twofer instead.

Now that we've hit mid-September there are finally some festival hits and critical darlings trickling out into theaters (which admittedly mostly serves those of us in the country's three or four largest cities). I saw The Drop, in which Tom Hardy was absolutely wonderful and Dennis Lehane was entirely Dennis Lehane. What did you see in theaters this weekend?  Are any of you at festivals getting sneak peeks at TFE's most anticipated? Who wants to talk about Tom Hardy's mesmerizing Brooklyn accent or that baby pit bull?