Woof! It's another 'First & Last' game.
Can you guess the movie from its first and last shot?
The answer once you scroll down is after the jump...
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Can you guess the movie from its first and last shot?
The answer once you scroll down is after the jump...
Riding the comedown from the Oscars, Cláudio Alves and Nick Taylor speculate on the remake potential of Best International Film winner, Drive My Car.
CLÁUDIO: April Fools' Day is always a frustrating time to be on Twitter. From nobodies to reputable sources, countless accounts share announcements of fake projects, preposterous stuff that nonetheless feels plausible in our current paradigm. One of those jokey posts reported an American remake of Drive My Car. Though false it rings true; "Foreign" awards season juggernauts are often retrofitted for Hollywood versions. Though they haven't yet seen the light of day, Toni Erdmann, Parasite, and Another Round are all to be remade as English-language features and series.
And yet, outrage couldn't last when someone mentioned a brilliant idea – Oscar Isaac in the Hidetoshi Nishijima role! Maybe because I love great acting, perhaps because I like to imagine Isaac being all sad and hot, my curiosity was piqued. As ever, when the matters of sexy hunks and dream castings arise, I had no choice but to turn to my dear friend Nick Taylor…
As we all found out this past October Marielle Heller is a woman of many, perchance infinite, talents. Since 2015, Heller has been dazzling cinephiles everywhere with her work as a writer/director. The Diary of a Teenage Girl was one of the best American debuts of the decade. If possible, Can You Ever Forgive Me? and A Beautiful Day in the Neighborhood were even better, analyzing complicated real-life personalities with as much humanistic gentility as razor-sharp precision. All that, and we now know that Heller is also an amazing actress. Returning to her first vocation in splendorous fashion, Marielle Heller delivers the best performance in the popular Netflix awards juggernaut The Queen's Gambit…
by Christopher James
After covering Victor/Victoria last week, we got to thinking about that great sub-section of the “gay best friend” trope - The Gay Accomplice. Often a personal friend, the Gay Accomplice loves to come up with big schemes and be at the center of mischief. The friendship between the protagonist and the Gay Accomplice can exist before the scheme, but often times the friendship starts to revolve around their shared grift. Immediately, Richard E. Grant’s recently Oscar nominated performance as Jack Hock in Marielle Heller’s brilliant Can You Ever Forgive Me? lept to mind...
One of my favorite theater going experiences ever was seeing What the Constitution Means to Me off Broadway last fall. Writer/performer Heidi Schreck had such a knack for involving the audience in her exhilarating look at the role of the Constitution in our lives. By the end of the show, it felt like we were working with her in devising a new and more perfect solution. This level of intimacy and audience engagement seemed almost impossible to replicate with the remove of film. Luckily, director extraordinaire Marielle Heller was tasked with recording the production during its final week at the Helen Hayes Theater on Broadway. Heller continues her impressive streak, delivering another hit...