Split Decision: "Bugonia"

In the Split Decision series, our writers pair up and face off on an Oscar-nominated movie one loves and the other doesn't. Tonight, ERIC BLUME and CLÁUDIO ALVES discuss Bugonia...

ERIC: Cláudio, a friendship is nothing without honesty, so I'll honor our friendship by saying I've been putting off our conversation on Bugonia, because it's a film that brought me such perverse joy and basic movie-movie satisfaction...and I know you are not a big fan of Lanthimos' aesthetic and style, his partnership with Emma Stone, and some of Stone's key performances.  They all mean a lot to me, so diving into this pit seems a bit challenging. 

But what is the purpose of being a passionate cinephile if you can't dive into the pit, right?  I'll start by saying that I think Bugonia is great, crazy, zany fun, and kept me on the edge of my seat the entire time.  That's just basic-level movie audience talk, but it's true, and I can't say that about a lot of movies, not even a few that I rank higher in my top ten list this year!  Now, proceed, my friend.

CLÁUDIO: For the record, I'm not anti-Lanthimos nor am I anti-Stone…

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The Best Actress Race: Nomination Tracks & Frankenstein Fusion

by Nathaniel R

I should probably switch this up as I've been doing it annually, but I can't resist. I love imagining a Frankenstein-fusion of the parts of all the  BEST ACTRESS nominees.  If you smoosh or stitch Renate, Kate, Emma, Jessie, and Rose together our Best Actress Category Avatar is a mid-career still-ascending brunette star on her second nomination. She's also dabbled in musicals, played Sally Bowles in "Cabaret", and BAFTA recognized her genius before Oscar voters did!  Maybe she has false memories of winning an Oscar but this is only her second nomination. Her director has a proven track record with guiding actresses -- she may have even worked with them before -- to stellar performances. She's a fire sign with earth rising, a wife, a mother of two, and she just turned 40.

The movie she's nominated for is a drama about a young grieving mother struggling to balance her artistic career ambitions, with her obnoxious needy child--- wait, is she Alice from Alice Doesnt Live Here Anymore?. No uh, never mind, the movie is weirder than that. There's a darkly comic subplot about incels and mysterious holes in her ceiling but the main thrust of the narrative is that the most important man in her life (was it her dad or husband? I forget) is perpetually absent, consummed by his own artistic career ambitions, and has no time for her needs! 

See the updated Best Actress chart 
The chart includes a daily poll, "How'd They Get Nominated?" speculation (not meant as judgment -- nobody is nominated on performance alone!), stats, anecdotes, and trivia. 

State of the Race: So about those BAFTA longlists...

by Cláudio Alves

Is I SWEAR this year's little British film that could? Maybe.

The Oscar nominations are ever closer, so it’s time to start finalizing those predictions. And since this year, BAFTA will reveal their lineups after AMPAS, pundits everywhere must make do with the British Academy’s longlists. In the past, they’ve been a good indicator of what the industry’s feeling, and how it differs from the critics who’ve been dominating the awards conversations so far in the season. As expected, One Battle After Another has the most mentions, at 16, closely followed by Hamnet and Sinners with 14 each, Marty Supreme at 13, and both Bugonia and Frankenstein with 12. Still, what’s most surprising and enticing is how BAFTA can go its own way and zig when we expect a zag. Consider their love for Nuremberg, and such local success stories as I Swear and The Ballad of Wallis Island…

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The Golden Globe Nominations are here!

by Eric Blume

ONE BATTLE AFTER ANOTHER leads the pack with nine Globe nominations. | © Warner Bros.

The 83rd Golden Globe nominations were announced this morning, and, despite a few clunkers, I'm going to give a HOT TAKE and say that, overall, these nominations are pretty fantastic. It'll be interesting to see how Oscar voters screw them up! But then, I'll go out on a limb with another HOT TAKE and say that, often, the Globes do better than Oscar wins for Brokeback Mountain, The Social Network, The Power of the Dog, Colin Ferrell, Kodi Smit-McPhee, etc. Let's take a look category by category...

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Venice: Yorgos Lanthimos Returns with "Bugonia"

Elisa Giudici reporting from Venice

The cage match comes first: a ruthless CEO named Michelle (Emma Stone) wakes in a crumbling suburban house, bound and outmaneuvered by Teddy (Jesse Plemons), a low-wage packer with a ponytail, a backyard of beehives, and a head full of conspiracy podcasts. With help from his guileless cousin Don (Aidan Delbis), Teddy gives her three days to lead them to her spaceship before a looming lunar eclipse. Money won’t tempt him; sex won’t distract him—he and Don have even resorted to DIY chemical castration to blunt any “alien” manipulation. The stakes sound absurd, but the menace is real: in Lanthimos’s world, delusion can be methodical, rage can be lucid, and the invisible can prove terrifyingly effective...

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