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Entries in remakes (42)

Monday
Mar302015

TCMFF Wraps with Hollywood History & more Shirley MacLaine

Anne Marie here in Hollywood, reporting on the end of the TCM Classic Film Festival.

The 6th Annual TCM Classic Film Festival came to a close last night after four days. Though the theme of the festival was History According to Hollywood, the diverse programming of the festival showed that not only was TCM celebrating historical events and the films that portrayed them, it was also highlighting the this histories of the films being made, and - most importantly - the shared histories of the audiences that watched them.

It's impossible to cover everything the TCMFF screens (though The Black Maria did try), so instead I attempted to focus on the diversity of the programming. I watched Greta Garbo kiss a woman and renounce her throne for a man in Queen Christina. I watched two Pre-Code Hollywood musicals, Lubitsch's The Smiling Lieutenant and 42nd Street. I saw Elizabeth Taylor and Richard Burton in a Tennessee Williams-penned movie called Boom! that was so bad that it made Lindsay Lohan in Liz and Dick look like Meryl Streep. I saw Christopher Plummer honored twice, but as a result missed Sophia Loren. I had three festival highlights: the French Revolution film noir Reign of Terror, a program of single reel films run using a hand-cranked projector from 1905 (have you seen a short called The Dancing Pig?), and the newly restored 1919 Houdini film The Grim Game, constructed from the only surviving complete print.

But by far, the most valuable asset to TCMFF is its star power. Reader's choice film discussed after the jump...

Click to read more ...

Thursday
Mar052015

Whatever Happened to... NO!

I beg the industry to debunk this rumor immediately. This is Meryl Streep's page at IMDb Pro (I added the magnifying glass) 

 

THIS IS NOT APPROPRIATE ! 

Meryl must be stopped. If it wasn't enough to get her pick of every new role, she wants all the old ones, too? Even a signature role belonging to a fellow member of the Oscar Holy Trinity*? NO! There's no improving on Bette Davis. None. Support new stories and look for an original duet with another fab actress.

 

* If this goes forward, god forbid, I'd so much rather see her in Crawford's role. Let Sissy Spacek torture Meryl for her Oscar sins.

Friday
Jan162015

David Fincher and Gillian Flynn Team Up for 'Strangers On a Train' Remake

Margaret here, recovering from yesterday's Oscars nominations and trying to process some upcoming movie news: David Fincher and Gillian Flynn are remaking Strangers On a Train. David Fincher and Gillian Flynn are remaking Strangers On a Train. 

 

 

There are so many feelings, and I am feeling ALL of them, all at once, right now. Help.
  1. Excitement: David Fincher and Gillian Flynn together again, and so soon!!
  2. Indifference: Ben Affleck is also involved, which, sure.
  3. Anger: A remake of Strangers On a Train? How dare they?? Hitchcock at his best is untouchable and the movie is perfect; no sane human could think it needs updating!
  4. Cautious Optimism: But. Buuuuut. If they're going to do to it, and you can't stop them.. The Flynn and Fincher team is such a great choice. Think of the cold, agonizing tension! Think of the pitch-black comedy! We deserve this.
  5. Confusion: But Strangers on a Train is perfect and I am mad?
  6. Curiosity: Although-- who could play Bruno, the most charming psychopath in movie history? That's going to be really tough to cast....
  7. Anger 2.0:....because, dangit, Robert Walker's performance is unimprovable and it's a fool who walks into that trap. Who's idea was this again?
  8. Begrudging interest: It's been reported that the remake will have a new context: instead of a tennis player and a psychopath who meet on a train and discuss the idea of swapping murders, this one (tentatively called "Strangers") will follow an actor (Affleck) campaigning for an Oscar who ends up on a flight with a wealthy stranger when his private plane breaks down. A fun, meta premise, no?
  9. Amusement: Affleck has been cast in the Farley Granger role which, if you think about it, is sort of a Nick Dunne 2.0; Ben may have found his perfect niche playing morally ambiguous murder-adjacent leading men. 
  10. Incredulity: Wait, when exactly will any of the people involved even have time to make this? Flynn and Fincher are already working on a series together for HBO, and Affleck has the whole Batman enterprise and several directing projects in development. It might be quite a while before we can see this.

How do you feel about this news-- more excited, or disappointed? Who would you cast as Bruno, the murderous charmer?

 

 

Wednesday
Dec172014

A Year with Kate: Love Affair (1994)

Episode 51 of 52: In which In which Katharine Hepburn gives her blessing to Annette Bening and my inner actressexual weeps with joy.

A man and a woman bump into each other on a transatlantic flight. He’s charmed. She’s unimpressed. They both wear impeccably tailored suits. She banters. He flirts. A freak accident lands them on a Russian cruise ship. Their banter gives way to conversation. Their flirtation leads to longing looks and rose-tinted kisses. They both fall in love. But they’re engaged to other people.

If the opening to Love Affair sounds familiar, that’s because it is. It’s not a Tracy/Hepburn comedy, nor a Bogie/Bacall noir. In fact, it’s a remake of a remake, told first in 1939 (Love Affair starring Irene Dunne and Charles Boyer), then in 1957 (An Affair to Remember starring Cary Grant and Deborah Kerr), and later canonized in Nora Ephron’s 1989 film Sleepless in Seattle. The third version of Love Affair keeps the story intact: Terry McKay (Annette Bening) and Mike Gambril (Warren Beatty) start an affair on a cruise and promise to meet in three months at the top of the Empire State Building.

Surprisingly, the 1994 film is an even more old fashioned than its progenitors. The first two movies hold the whiff of scandal, but in his remake, Warren Beatty set out to make a simple romantic film with his new wife, Annette Bening. He even cast Katharine Hepburn, Hollywood legend, as the wisdom-spouting aunt. And while Kate only has one scene, her influence is felt throughout the film, because this is a film that is all about its stars.

Click to read more ...

Tuesday
Nov252014

Cast This! Steve McQueen's Actressful Gangster Movie 'Widows'

The story: three armed robbers are killed during a planned heist, leaving behind three widows. Under pressure from the police and rivals to their late husbands' crime business, they team up to carry out the robbery themselves, enlisting another widow in the process. CEO of New Regency Brad Wilson, who financed 12 Years and will be producing again on this project, said it will be McQueen's "own version of a gangster film..[it] gives him the commercial jumping-off point, but then allows him to twist it into a Steve McQueen film."

Now, doesn't that just make you say "Oooooh"?

The film will take place in a modern-day American city instead of in the U.K., and will likely end up with a different title, but promises to be a showcase for four actressing talents. The plan is to be in pre-production by year's end.

Naturally, our question here at TFE is who should play the widows? Detailed character information is frustratingly scarce, but the parts are Dolly (the woman they turn to leadership), Shirley, Linda, and the addition to their group is Bella. The property has been dramatized three times with two British series (one in the 80s and one in the 90s) and an American mini in 2002 with Mercedes Reuhl & Rosie Perez. Did any of you see the latter?

My picks would be Michelle Pfeiffer for Dolly (Married to the Mob, you guys!), with Rosario Dawson, Jenny Slate, and Lupita Nyong'o filling out the rest of the team.

Make a case for your dream cast in the comments!

Saturday
Oct182014

Links: Monty, Misty, Michael, More...

Gurus of Gold The new charts. Yes, I need to update the Oscar charts. I'll get started tomorrow!
The Black Maria for his 94th birthday - "Montgomery Clift: The Lost Poet of Omaha"
Serpentine Magazine Pretty Boys & Pathos: The Men of Classic Hollywood
To Be Continued Keith Uhlich on the single takes in American Horror Story, Birdman and Gone Girl
Guardian Scarlett Johansson to star in a live action remake of animated classic Ghost in the Shell 
In Contention let's give Michael Keaton the Oscar

LAFCA will honor Gena Rowlands with their career achievement award this January
CHUD has very mixed feelings on The Book of Life but h-a-t-e-s the soundtrack
The Wrap Actress Misty Upham (Frozen River, August: Osage County) found dead. Initial reports suggest suicide but...
Juliette Lewis (and others who knew her) don't fully believe it and are demanding an investigation
Words & Film thinks St. Vincent is being misrepresented with that dismissive "weepie" brush. But what's wrong with a weepie? 
Deadline Black and White with Kevin Costner & Octavia Spencer to get an Oscar qualifying run
Zap 2 It has a cool feature on three of the freak in American Horror Story: Freakshow 
NPR on Dear White People 

Just 4 Fun
Pointer Pointer another perfect internet time waster
Vulture Anne Rice, Amazon Reviewer 

 

Tuesday
Jun172014

Scooby Doo? Now They've Gone Too Far!

In what is unmistakably a sign of the apocalypse, Warner Bros is prepping a reboot of Scooby-Doo which was live action'ed in the long long ago era of 2002, the same year that spawned the original Spider-Man already two-years replaced to no one's advantage. We already know that Tomb Raider will happen sooner rather than later. What's next from the early Aughts? Red Dragon, which was itself a do-over of Manhunter (1986)? 8 Mile starring Macklemore? Stuart Little? Panic Room? Legally Blonde? Oceans 11 with an all new cast of younger cool? Charlies Angels? 

The most depressing thing about the do-over craze isn't that it exists exactly since the movies have always tried to repeat successes. But that it did not replace sequels. Several franchises from the nineties and early aughts are STILL producing sequels (Fast & Furious, The Bourne Identity, X-Men, Mission Impossible, etcetera). You can't have both, Hollywood. We'll have nothing new ever. Blargh!