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Entries in remakes (152)

Saturday
Nov112023

Luca Guadagnino has dropped another project

by Cláudio Alves

Back when Luca Guadagnino first announced his plans to remake Suspiria, many were skeptical – me included. Why would we need a new take on the material when Argento's 1977 classic is such a candy-colored masterpiece? It turns out that Guadagnino was idiosyncratic enough to get away with it, proposing such a distinct vision that comparing it to the other movie feels beside the point. Hence, when the director told the world he'd helm a Scarface remake from a Coen Bros. script, the consensus was more hopeful than before. Well, that picture is officially off of Guadagnino's schedule, joining the ranks of many a dropped project…

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Thursday
Nov092023

This isn't your mother's "Mean Girls"

by Cláudio Alves

Maybe this trailer deserves the "Yes, No, Maybe So" treatment, but why do all that work when the answer is a resounding NO? Though the musical of Mean Girls isn't an especially well-regarded Broadway property, there was some hope regarding its transfer to the screen. That was before it kept getting delayed until landing on the dumping ground of January 2024. Everything's pointing to it being a disaster, and the first trailer only accentuates those doubts rather than dispelling them. And no, it's not just because it's so eager to make the original audience for Tina Fey's teen comedy feel as old as Methuselah…

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Thursday
Jan192023

Split Decision: "All Quiet on the Western Front"

No two people feel the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of each of the awards movies this year. Here’s Eric Blume and Cláudio Alves on Germany's Oscar contender.

ERIC:  Claudio, let's get down and dirty on Edward Berger's All Quiet on the Western Front.  I'm in camp "love" and I think you're in camp "don't love"?  The only real dissent I've heard from folks is that "it says nothing new about war" (which I look forward to addressing).  But let's start with overall impressions of the film.

CLÁUDIO:  Well, it's adapting a seminal anti-war novel – maybe THE anti-war novel pre-WWII – already made into a Best Picture Oscar winner before. So it's not like it had much hope of saying something new about its subject. Nevertheless, Edward Berger and company bring plenty of "new things" to the narrative presented in the literary work and its previous adaptations, so there's that...

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Wednesday
Dec282022

Review: Hanks Makes 'A Man Called Otto' Watchable

By Christopher James

The practice of remaking international films for an English language audience is a lazy process. Though we sometimes get a stray hit like Scorsese’s The Departed, too often we see a film’s teeth and charm whittled down to nothing (see Oldboy, Downhill, Ghost in the Shell to name a few). A Man Called Otto isn't an abject artistic failure like some of those, but it doesn't bring anything new to its Swedish counterpart, A Man Called Ove. It doesn't feel quite like a Google translate job (most of the American-ized changes work), but definitely only exists because it feels US audiences are unlikely to seek out the Swedish original.

You may think you’ve seen a curmudgeon before, but you haven’t met Otto (Tom Hanks). Every morning he makes his rounds, which includes cleaning up his small neighborhood development, closing the gate on his street and sneering at every smiling “idiot” he comes into contact with...

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Thursday
Aug252022

Yes No Maybe So: That other "Pinocchio"

by Nathaniel R

Pinocchio is everywhere. It's a cyclical thing that happens with a lot of "public domain" characters who are essentially free IP for storytellers. Consider that in the 21st century alone Pinocchio has appeared --take a deep breath the list is long-- as a supporting character multiple films in the Shrek franchise, as a character in a TV musical (Geppetto), as the subject of two live action adaptations (interesting enough both were Italian films) and three animated adaptations (from Canada, Italy, and Russia). Next up in the next several months he'll be the lead in a new video game (only hot and 20something this time), and have two more feature-length adaptations of his story. We've already seen the trailer for the Guillermo del Toro's stop motion version of the story which arrives in December. Now we get the trailer to the live action (with lots of CG characters) version from director Robert Zemeckis which will be on Disney+ beginning September 8th.

A Yes No Maybe So™ breakdown after the jump...

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