"Make Way for Tomorrow" across film history

by Cláudio Alves

"Thanks, but you gave it to me for the wrong picture." 

Those were Leo McCarey's words upon winning the Best Director Oscar of 1937. His victory was for the screwball classic The Awful Truth, though the filmmaker would have preferred if the honor had been bestowed upon another of his films. In 1937, McCarey not only directed one of Old Hollywood's most beloved comedies, but he also helmed one of its most devastating tearjerkers. According to Orson Welles, Make Way for Tomorrow could make a stone cry…

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Almost There: Nathan Lane in "The Birdcage"

by Cláudio Alves

For as long as queer narratives have attracted prestige and awards buzz, straight actors have earned praise for playing LGBTQ+ characters. They're often complimented for being brave, risky, for putting their careers on the line in pursuit of some grand artistic merit. Even in 2020, once you move away from the festival circuit and regard more mainstream productions, it's hard to find actual queer actors portraying these roles. Ammonite and Supernova are just the latest examples of this trend. This isn't to say that cishet actors can't be great at playing queer roles, but we'd like some variety, especially in the context of Oscars.

Back in 1996, AMPAS had a good opportunity to honor a gay actor playing a gay role. Nathan Lane, who admittedly wasn't out yet, was in contention for a Best Supporting Actor nomination for his work in Mike Nichols' The Birdcage…

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How Mulan got the Rey Palpatine Treatment

by Ginny O'Keefe

After I watched Mulan (2020), the lackluster live-action remake of the beloved 1998 animated movie, I couldn’t help but be reminded of the bitterness and anger I felt after watching The Rise of Skywalker back in December. The feelings of disappointment and resentment were incredibly familiar, all stemming from the fact that both Mulan (2020) and The Rise of Skywalker (2019) refute the idea that a hero can be anyone and come from anywhere. This is where both films ultimately fail their two female leads. 

In the original animated film, Mulan is an ordinary girl who feels incredibly out of place and cannot seem to do right by her family or the deeply ingrained misogynistic society that surrounds her. She has no fighting skills, no hunger for war, no royal heritage, no outstanding measure of beauty. She has nothing that could suggest she is “special” besides her brave and kind heart...

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Yes No Maybe So: Death on the Nile (2020)

Please welcome new contributor Josh Bierman...

The trailer for Death on the Nile, Kenneth Branagh’s latest Agatha Christie remake, arrived recently and we haven't discussed. Do we think this will be better than his previous venture Murder on the Orient Express or is it another vanity project? Let’s take a look...

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Yes No Maybe So: Rebecca (2020)

I don't have the strength for a full Yes No Maybe So so it's BYO...YNMS  time in the comments!

But briefly, let's say. Yes: Kristin Scott Thomas looks promising (though is that her shouting at the end because that sounds like... too much ; Maybe So: The title font is kind of pretty with its understated flourishes; No: Why? As previously stated.