Martin Scorsese: Master of the Remake

by Cláudio Alves

As a general rule, remakes don't represent a particularly respected type of film among cinephiles. Concerns about lack of originality abound, as do questions of necessity and the way remakes can lead to the obscuration of older movies. That being said, to characterize every remake as a mercenary minded waste of time isn't fair to the filmmakers involved. Moreover, it can result in the unfair dismissal of interesting cinematic propositions. Remakes can recontextualize past narratives, respond to aesthetics of yore and comment upon them, reinterpret texts and revitalize forgotten styles, deepen pre-established themes or even make us look at a classic through new eyes. They can also highlight the specificities of different artists' visions, exposing how their particularities shape the same raw material. Not all remakes are good, but we can say that about every kind of film project.

Some directors have shown a particular aptitude for this type of project, like Luca Guadagnino with A Bigger Splash and Suspiria. Still, we're not here to talk about that epicurean delight or the transfiguration of Dario Argento's post-Giallo masterpiece. Our subject, today, shall be Martin Scorsese and his mastery of the remake… 

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Nightmare Alley (1947)... and (2021)

by Nathaniel R

Greg Hildebrandt riff on a Nightmare Alley posterThe urge to remake is an arguable scourge on cinema but much of what there is to argue about is who is doing the remaking and why. Oftentime the motivations are corporate cynical "cash grab for lazy audiences who will only look at new things... especially if they sound famliar". When true auteurs go there, though, especially with films that aren't enormously famous, there's more room for debate about intention and possibility and aesthetic necessity. The best possible outcome is that we get two very different equally strong films and the "new" model stirs up more interest and appreciation for the OG.

We hope that will be the case when Guillermo Del Toro finishes Nightmare Alley in... 2021? (Production was halted due to COVID-19). The original Nightmare Alley (1947), is a beautifully shot circus noir that's ripe for both rediscovery and reinterpretation...

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Cast This: Disney's Live-Action Hercules

by Nathaniel R

Disney still has lots of animated features to get through before they've made animated or live-action remakes or spinoffs of each of 'em. Word is they're now developing Hercules (1997) but then they're developing lots of these things to follow Mulan (2020) and Cruella (2021) into movie theaters.

Hopefully Hercules Redux gets some new songs because there aren't a lot as we recall and there's only so much of a score you can build from "Go the Distance". This will live or die based on how funny it is so we hope they lean heavily into its more camp aspects: bodybuilder lead, five muses, flamboyant villain. 

How would you cast this thing? More after the jump...

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First glimpse of "Dune"

by Nathaniel R

If we're already getting the first promotional image of Denis Villeneuve's take on sci-fi literary classic Dune than the movie must still be aiming for its December 18th release date. We find that highly plausible since the movie wrapped its filming in 2019 and movie theaters are going to need some big ticket items when they reopen.  Our friend Boyd Van Hoeij describes Timothée Chalamet's costume like so...

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Night of the Linker

• Los Angeles Times Thoughtful terrific interview with Merrit Wever on HBO's Run and Netflix's Unbelieveable
• Vanity Fair Brad Pitt teamed up with the Property Bros? What?
• Florence Pugh has a message for all the toxic "fans" out there -- it's not your place to comment to bully celebrities about who they love! Hear hear.

Roger Deakins, Broadway woes, Natalie Wood, Disney furloughs, Beetlejuice, Missi Pyle in Ma, and more after the jump...

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