Three Little Links

• The Guardian - an excellent profile of Pedro Almodóvar by Xan Brooks
• /Film Daveed Diggs to play Sebastian in the live-action Little Mermaid. But Sebastian is a crab so this is probably not fully live-action but half and half style.
• Vulture - 15 essential Judy Garland performances. Solid list with some strong points made, though I think dead wrong about why Zellweger is awards worthy in Judy (as noted on the podcast I liked her performance quite a bit but what’s missing is exactly what’s cited here as the chief strength, the capturing of Judy’s once in a century kind of talent.

De Laurentiis Pt 4: T'was beauty that... ooh, look King Kong

This week at TFE we're celebrating the centennial of one of cinema’s most prolific and legendary producers, Dino De Laurentiis.  Here's Nathaniel R with a film that made the producer even more globally famous.

Dino de Laurentiis with "a new star" Jessica Lange

It's easy to see the retro but continuing appeal of King Kong to filmmakers. The legendary Beauty & Beast story is always about the movies themselves. An actress is the damsel in distress, the plot catalyst character is a movie director, the supersized monster is the myth being made. Along the way the story intending to be told by the showbiz cast of characters radically changes but the movie still manages to be about putting on a show. It's just another kind of show altogether after they meet Kong. The story, or, more accurately, the need to reboot it over and over again, is a great metaphor for the amoral churning of Hollywood as Capitalistic Machine. In most versions of King Kong, you dispose of the talent just as the show ends. Death to Kong! (Long live New Kong!)

While De Laurentiis was not actually a director, he was enough of a character in showbiz to often feel like the man behind the curtain instead of the man calling the shots on set (Directed by who?). Such was the case with his remake of King Kong (1976)...

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Review: The Lion King (2019)

by Tim Brayton

The refrain echoing through many of the negative reviews of Disney's new remake of The Lion King – and even a few of the not-as-enthusiastic positive reviews – has been that the film is "pointless." Which, yeah, it is: a scene-by-scene, line-by-line, and frequently shot-by-shot remake of the 1994 classic that is weaker on essentially every possible point of comparison. The only reason to watch the new film while the 1994 film exists is because the new one is in theaters and thus is bigger.

So let's not belabor that. Instead, let's try, as much as possible, to take the film on its on terms. Let's pretend, if we possibly can, that this is a brand new story told using cutting-edge technology, and freed from the shackles of memory and nostalgia. Sad to say, even if that might mean that The Lion King isn't pointless, it's still not very good...

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The Lion King's Leftovers

What did you see this weekend? Disney's photorealistic animated remake of the animated classic was all the rage as audiences stampeded to theaters like a herd of wildebeests. Though the numbers below are just estimates it's accounting for about 72% of the nation's box office. Insanity. Next time you hear someone complaining about 'Hollywood running out of ideas' check how many of Disney's recent remakes they've seen before taking them seriously.

Weekend Box Office Estimates July 19th-21st  🔺 = New or Expanding / ★ = Highly Recommended
W I D E	PLATFORM / SPECIALTY TITLES
The Lion King	The Farewell
1 🔺 The Lion King  $185 *new*	1 🔺 The Farewell $1.1 (cum. $1.6) REVIEW, INTERVIEW ★

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Mulan Teases. Maleficent Flies Again.

by Nathaniel R

It isn't enough for Disney that they have the top four box office hits of the year thus far (Endgame, Captain Marvel, Aladdin, and Toy Story 4) with The Lion King still on the way to make it a top five. No, they'd now like to remind you that they still have movies coming in 2019 and will also be dominating 2020. In the past 24 hours or so Maleficent: Mistress of Evil got another trailer and Mulan delivered its first teaser and poster. That's all after the jump...

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