César Winners: David Fincher, "The Night of the 12th" and surprise presenter Brad Pitt

by Arnaud Trouve

Brad Pitt and Virginie Efira present the Honorary César to David Fincher

The 48th French César Awards were just held and, as expected, The Night of the 12th was the big winner. It won Best Film, Best Adapted Screenplay, Best Supporting Actor and Best Male Newcomer, just like last year's champion Lost Illusions. Its two additional prizes were for Best Sound and Best Director. Dominik Moll almost broke the record at the Césars for the longest time between two directing wins (he previously won 22 years ago for the thriller With A Friend Like Harry)...

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Best of the 80th Golden Globes. Plus: Complete Winners List

by Nathaniel R

Colman Domingo presenting "Best DIrector" to Steven Spielberg

An awards shows on a Tuesday night? Chaos. But we kinda liked it. As the 80th Golden Globes evening began on the red carpet we learned (among other things) that red was the color of the moment, Jenna Ortega choreographed her own (viral) dance for Wednesday, Letitia Wright's favourite movie is I Tonya (of all things!) and Margot Robbie can cry on cue as precisely as Nelly does in Babylon. The night that followed was hit and miss. The hits were familiar: the palpable joy that so many stars expressed at being back in rooms together, the sight of very enthusiastic and possibly drunk tables (Abbott Elementary, Banshees of Inisherin, The Fabelmans and Everything Everywhere All At Once showcased most prominently), and as ever moving speeches, and even a few stellar presenter “bits”.

There were misses, too, including at least four absent winners (Zendaya, Costner, Seyfried, Blanchett) which always brings the mood down...

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Split Decision: "Babylon"

No two people feel the same exact way about any film. Thus, Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Chris James, Ben Miller and Glenn Dunks duking it out over Babylon.

CHRIS: Hey Glenn and Ben, happy to chat with you on the most talked about/least seen movie of the holiday season. Oscar winner Damien Chazelle's big budget tale, Babylon, opened with $3.6 million over the holiday weekend. I hate to be the person to kick a movie when it's down. It benefits no one for an original auteur project to flop. However, I found Babylon to be an all-out disaster. Its grand scale debauchery grows stale with each passing scene, with nothing ever exuding sexiness or splendor. 

Much could be saved if Chazelle had a clear thesis with the movie, or engaging characters to follow. Unfortunately, Chazelle never quite knows whether to vilify or exalt Hollywood; instead, we just get a confused portrait of the silent era that feels neither real nor heightened. Despite a game performance from Margot Robbie, none of the central three characters jump off the screen because they don't have a strong, propulsive want. They do wild and crazy things, but the movie never bothers giving any of their actions a strong enough motivation. Maybe I'm just being the Grinch of Babylon. What are both of your thoughts on Babylon? Were there any elements that really worked - or didn't - for either of you?

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Oscar Volley: Two locks for Supporting Actor... and then it's wide open?

Here are Chris James and Eric Blume to discuss one of Oscar's trickiest categories, Best Supporting Actor:

ERIC:  Chris, so happy to be reunited with you, this time to discuss the Best Supporting Actor Oscar.  This category is always one of the weirdest and often the worst... I'm still not done being angry that arguably-bad Troy Kotsur beat the genius work of Kodi Smit-McPhee last year.  But that's how this award often goes.  

Let's start with our "locks".  I think we have two:  Brendan Gleeson and Ke Huy Quan.  And that's great news, because they're both splendid performances and either would be one of the best winners in this category for the last decade.  Gleeson is the embodiment of tragicomedy, and Quan finds that perfect note between farce and realism in an incredibly playful piece of acting.  How do you feel about Gleeson and Quan personally, and would you agree they're locks? 

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Yes No Maybe So: "The Fabelmans" and "Glass Onion"

by Nathaniel R

It's hard to keep up in September with festival premieres, Oscar news, and fresh trailers arriving daily. The strangest thing about September though is how future-oriented everything is. It's not about what people have access to now (theaters start crawling out of their current wasteland Friday) but what they might be talking about in December and January. Which makes September feel like foreplay without pleasure. But October is just around the corner and things get significantly more in-the-moment the further into the last quarter we get. Still trailers have their own kind of anticipatory pleasure. So today let's talk The Fabelmans which is getting raves from the first responders at TIFF...

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