Hello, Gorgeous: Best Actress of 2022

A new series by Juan Carlos Ojano

“WHO IS SHE?”, a philosopher named RuPaul once asked.

As with that question, character introductions are vital in storytelling. First impressions are usually given importance right from the page, as those will establish our relationship with said characters. Screenwriters strategize on how they describe a character when they enter the story. Likewise, directors pay attention to how characters enter the story for the first time. Whether those entrances become consistent with the rest of the character or are ultimately subverted as the narrative unfolds even further, they matter a lot. 

Since it is a truth universally acknowledged that Best Actress is perhaps the single most important category in the long history of the Academy Awards, particularly in the lives of its (mostly gay) fans who worship actresses to the ends of the earth, this new series will be focusing on how each of the five Best Actress-nominated performances were introduced in their respective films. Narrative functions, filmmaking decisions, emotional implications, and stray observations included...

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Year in Review: Nathaniel's 'Multiversal' Top Ten List & Personal Prizes

by Nathaniel R

Multiverses were the hot trend in mainstream cinema this year with the MCU banking its whole future on the appeal of mirror dimensions and alternate timelines. If you take the trend less franchise-literal, it was even more omnipresent. Multiple films asked us to consider alternate realities, ahistorical timelines, and the multiplicity of identity through the power of both storytelling and our own imagination. It's through this broad prism that I present my take on the year's best films.

I hope you enjoy though it always bears repeating that "Best" is necessarily subjective; We each occupy our own universes when it comes to these matters. Before the top ten, a bakers dozen of honorable mentions...

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Best Picture in Black-and-White: 2022 Edition

by Cláudio Alves

Remember when Bong Joon-ho and NEON did a special re-release of Parasite in black-and-white? Since then, it's been an awards season tradition to imagine what the Academy's Best Picture nominees would look like devoid of color. This exercise is based chiefly on silly fun since there's more to black-and-white cinema than just turning the saturation dials down. However, it sometimes reveals exciting things about the films at hand. Whose cinematography relies the most on chromatic contrast? What picture would survive the best in monochrome, mayhap even excel? Last year, The Power of the Dog proved a silvery revelation, calling to mind midcentury revisionist westerns. Let's see if this batch of nominees includes a similar success…

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Oscar Volley: Look at that -- Best Picture is actually a good time!

Team Experience has been pairing or tripling up to discuss the Oscar categories. Here's the (presumed) final award of Sunday night with Elisa Giudici, Nathaniel R, and Eric Blume...

NATHANIEL: Hello team. The final category. Best Picture is such a big big topic, 1434 minutes big. Or 24 and a half hours big if you wanted to watch all the films back to back... though, really, why would you? That's a lot of movie and it's also a lot of Movie-Movie since these mostly aren't shy and self-effacing films. With the exception of Women Talking, if all of these movies were at a party together they'd each try to be the life of it. Or at least life-adjacent. Banshees of Inisherin might just gab away in a corner and The Fabelmans might just watch everyone / everything... but quite enthusiastically! 

I picture Avatar The Way of Water arriving first, because it can't be bothered with a schedule and eager to scope out the scene and really become the vibe. TAR will arrive last with a big flourish and bold gestures expecting the party to shape-shift around it. I'm starting with a party-theme because I am willing myself to stay positive...

And also because I confess I really love a full half of these movies (which is rare). I think we all know who is leaving the festivities with the most party favors from that naked gold host but we don't have to start there.

Please enter this party festively and tell me what you think of the room...

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Oscar Volley: Is production design best or most this year?

Team Experience has been pairing up to discuss Oscar categories. Here's Cláudio and Mark talking Best Production Design. Totally my fault that this went up late but enjoy this digestif since we just talked Best Picture - Editor

CLÁUDIO: Since the start of our new era of an expanded Best Picture ballot, it's become harder and harder for movies not nominated for the big category to win elsewhere. Even so, it's not unusual to see one sole production succeeding against the apparent odds, nabbing a couple of prizes in categories dominated by more beloved titles. This year that could be the case for Babylon in Best Production Design. After its BAFTA victory, I'm inclined to predict the Chazelle's polarizing chronicle of Old Hollywood, but the mightiness of Best Picture nominees Avatar: The Way of Water, All Quiet on the Western Front, Elvis, and The Fabelmans looms large over the race...

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