Who will be nominated for Costume Design?

by Nathaniel R

Shirley Kurata's costumes for "Jobu Tupaki" in EVERYTHING EVERYWHERE ALL AT ONCE are great chaotic fun

Let's tackle each Oscar category while there's still wiggle room for all contenders! Last season Best Costume Design was sewn up (sorry!) unusually early in the year when Jenny Beavan's garbage dress unfurled midway through Cruella (2021) in the summer movie season. From then on it was everyone versus Cruella and Beavan came out on top for the third time in her delicious career. The costumes of 2022 haven't really had one showstopping gown to end everyone else's Oscar dreams so it's anyone's guess at this point.

Let's discuss 8 films we think are major threats for those 5 nomination slots and why. It seems natural to start with two films where fashion is a co-lead of sorts...

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Best Actress Predictions and that Michelle Williams kerfuffle

by Nathaniel R

As you have undoubtedly heard by now, Michelle Williams has opted for a Lead Actress campaign for Steven Spielberg's memoir film The Fablemans. This shocked both the armchair and professional pundit community a good percentage of whom had already handed her the Best Supporting Actress statue a week ago. This despite it being a full six months until Oscar night (March 12th) with other movies yet to screen when everyone decided to call it.

Some people are angry because they feel the role is clearly supporting but most seem angry because they thought they had it all figured out already. But opinions vary (like they always do) about what constitutes a leading role versus a supporting one. Consider...

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TIFF prizes: The Fabelmans, Weird Al, Black Ice, and more...

by Nathaniel R

The first wave of the bridge festivals, taking us from summer to the fall film season and thereby kicking off the Oscar race have ended with TIFF wrapping hot on the heels of Venice and Telluride. It's time to update the Oscar charts which we're busy with at the moment and will start posting very soon. While you wait for those updates, here are the winners from TIFF. While TIFF is a non-competitive festival unlike the other "big five" festivals (Sundance, Venice, Canes, Berlin) they do have audience awards as well as a few juries for very specific things, just not the main slate. Their "People's Choice" audience awards get a lot of press partially because the winners often go on to Oscar nominations and sometimes wins.

AUDIENCE AWARDS

PEOPLE'S CHOICE: The Fabelmans (Steven Spielberg)
runners up: Women Talking (Sarah Polley) and Glass Onion: A Knives Out Mystery (Rian Johnson)...

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TIFF Diary #6: Moving On, The Fabelmans, Corsage, Triangle of Sadness

by Baby Clyde

This was gonna be the big one. A day jam-packed full of the most talked about  films of the festival, from some of the world’s most esteemed auteurs. So why was my favourite movie of the day a middling buddy comedy from the director of America Pie?

You'd think it would be impossible to make a light-hearted farce about the trauma of historic sexual abuse but Moving On from director Paul Weitz and starring the legendary duo of Jane Fonda and Lily Tomlin gives it a good go. I’d happily watch these two in anything but to wholly succeed this probably needed a darker, harder edge instead of Grace and Frankie – The Movie which is essentially what we have here. Having said that it’s thoroughly enjoyable. That's not something I can say for the rest of my days viewing...

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Yes No Maybe So: "The Fabelmans" and "Glass Onion"

by Nathaniel R

It's hard to keep up in September with festival premieres, Oscar news, and fresh trailers arriving daily. The strangest thing about September though is how future-oriented everything is. It's not about what people have access to now (theaters start crawling out of their current wasteland Friday) but what they might be talking about in December and January. Which makes September feel like foreplay without pleasure. But October is just around the corner and things get significantly more in-the-moment the further into the last quarter we get. Still trailers have their own kind of anticipatory pleasure. So today let's talk The Fabelmans which is getting raves from the first responders at TIFF...

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