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Entries in Jane Fonda (58)

Wednesday
Aug242016

1984: Year of the Heroic Farm Wife

As we look back at 1984, please welcome new contributor John Guerin to talk about a famous Oscar triple...

In 1984, 60% of the Best Actress category was farm wives

In May 1985, after scoring Oscar nominations for playing distressed farmwives in Country and The River, Jessica Lange and Sissy Spacek testified before the U.S. House of Representatives and urged senators to help aid farmers during a devastating agricultural crisis. After a toxic combination of faulty economic policies, mounting debts, high interest rates, and a declining Midwest population, American farmers were experiencing financial hardship unseen since the Great Depression. Both Country and The River offer visions of farm families under such pressures, pitting family and community against unyielding forces of nature and government.

Can you remember the last time an actress testified before Congress after starring in a politically-minded film?

Click to read more ...

Monday
Aug012016

Podcast/Smackdown Pt 1: "Julia" & "The Goodbye Girl"

As a companion piece to yesterday's Smackdown, a two-part podcast. In the first installment Mark Harris, Guy Lodge, Nick Davis, Sara Black McCulloch, and Nathaniel R discuss 1977's Oscar race, Jane Fonda & Vanessa Redgrave's friendship, Neil Simon's quippy writing, and more...

Part One. Index (41 minutes)
00:01 Intros, 1977 Memories, Annie Hall vs Star Wars
05:55 "getting" movies and Oscar-watching before the internet
09:09 Julia and Jane Fonda's curious "supporting" lead
16:23 Gender in Julia, Vanessa Redgrave's politics, and queer subtext
29:45 Child acting and difficult language in The Goodbye Girl
35:45 The influx of divorce/single parenting movies in the 70s
39:14 Nick's family memory of The Goodbye Girl

You can listen to the podcast here or download from iTunes. Continue the conversations in the comments, won't you?  

Smackdown 77. Part One. Julia

Tuesday
Jul262016

Golden Globes 77. A Look Back

Editors Note: Nathaniel is running behind on the Cinematography Special - but don't miss yesterday's installment or Tim's huge ongoing post at Antagony & Ecstasy so we'll resume tomorrow night. In the meantime enjoy Eric's look back at the Globes in '77, since its our Year of the Month.

Peter O'Toole with Globe winners Jane Fonda (Julia), Richard Burton (Equus), and Marsha Mason (The Goodbye Girl)

Globe/Oscar comparisons are always fun to see because though the  groups have different sensibilities, inevitable industry hype influences both. Yet the Globes are rarely revisited outside of their years since Oscar is the one people obsess on when they look back, "the one that matters" as it were. Let's correct that as we gaze at 1977... 

Click to read more ...

Tuesday
Jul262016

Doc Corner: 'Women He's Undressed' Reveals Hollywood Couture

Glenn here. Each Tuesday we bring you reviews and features on documentaries from theatres, festivals, and on demand.

Gillian Armstrong is nearly as prolific as a documentarian as she is a dramatic filmmaker. While the likes of her “Seven Years On” series (an Australian 7 Up), her Bob Dylan concert doc Hard to Handle, or the true crime murder mystery of an interior design queen in Unfolding Florence aren’t as well-known as her collaborations with Judy Davis, Cate Blanchett, Mel Gibson, and Winona Ryder, they are eclectic and passionate works nonetheless. As she said in her interview with Jose last year at Toronto, “there’s a different art to making documentaries” and unlike many other directors who split their time between mediums, her documentaries do feel distinctly unique from her other work and yet equally essential.

Her latest non-fiction work is Women He’s Undressed, a peek behind the velvet curtain at Orry-Kelly, a costume designer from Hollywood’s golden age. Armstrong posits that he is a virtual unknown – a claim a deliciously acidic Ann Roth, one of the doc’s more entertaining talking heads, doesn’t have a bar of – including in his home country of Australia. What we do know is that he was gay, secretly dated Cary Grant, Bette Davis was fiercely loyal to him, and that he had a hand in some the greatest films of all time from Casablanca to 42nd Street, An American in Paris to The Letter and many more. You don’t win three Academy Awards without being a little bit special!

[Jane Fonda, Marilyn Monroe's breasts and more...]

Click to read more ...

Friday
Jul152016

Beauty Break: Vintage 1977 - Magazine Covers

Liz, and Liza and Halston, Oh my!

Reminder. At the end of the month the Smackdown returns with a look at the Supporting Actress Race of 1977 (The Turning Point, Julia, Close Encounters, The Goodbye Girl, and Looking for Mr Goodbar so get to watching so you can vote!).

To get you in the mid to late 1970s mood, if you lived through them, or just to engage your curiousity if you didn't, a collection of magazine covers from the year in question. Naturally we'll start with two Best Actress winners and then hit the general collections of showbiz covers...

Click to read more ...

Monday
Feb012016

Vanity Fair's 2016 Hollywood Issue Cover - A Close Look

Someone's been paying attention to every single media firestorm in Hollywood this past year from ageism to equal pay to diversity. Gracing this year's cover of Vanity Fair's Hollywood Issue is political showbiz icon Jane Fonda (2 Oscars), the inspirational crusading awesomeness of Viola Davis (1 phantom Oscar -- well, everyone knows she deserved it!), "the world is round people" diva Cate Blanchett (2 Oscars), and equal-pay-demander Jennifer Lawrence (1 Oscar).

VF's "Hollywood Issue" tradition is one of the key attractions in the showbiz circus of Oscar season. Though the covers aren't tied thematically to the Oscars they usually include current nominees. The primary form is a "predict the future superstars" covers in which they lean into the young in-demand crop who are having good years. The less common form is a survey of A listers and legends and a few people that scream "now"  and that's the type we got this year. And girl, it's a beauty.

The only real gripe is that even when the media is actually trying to express diversity (presumably to "help" Hollywood though the media, including this Vanity Fair cover tradition, has its own problems in that arena) they are still thinking in binaries of black and white. Why not include an Asian or Latina actress or let Ellen Page have a place on the cover again since she's still headlining films and working hard to stay in the game after coming out? 

Let's take a closer look after the jump...

Click to read more ...