Oscar Volleys: Best Actress or Jessie Buckley vs. the World

The Oscar Volleys are back! Tonight, it's time for Nathaniel Rogers, Cláudio Alves and Eric Blume to discuss the Best Actress race...

Nathaniel's last Best Actress predictions, from November 11.

NATHANIEL: Hello, my fellow lovers of all things actressing! I have been tearing through screeners and at the movie theater a lot this past week  (missing festivals is deadly when it comes to keeping up). So, I want to start this Best Actress volley by saying that I'm just now coming back down to earth after watching two movies, nearly back-to-back, that are about "performance," even when they're not directly about Acting. They were Sentimental Value (in a packed theater) and Hedda (at home, streaming). Renate Reinsve and Tessa Thompson are both gifted with the kind of "bring everything you got" roles that I'm sure a lot of actors would kill for…

Click to read more ...

Cannes Diary 05: "Die My Love" - A Tale of Two Comebacks

by Elisa Giudici

Die My Love was poised to mark two significant female comebacks, both artists seeking a powerful resurgence. One fully succeeded; the other, decidedly, did not, though pinpointing exactly what went wrong with the latter isn't straightforward.

Let's start with the winning bet: Jennifer Lawrence. After Causeway and No Hard Feelings (films that showcased good performances but had limited media impact), Lawrence has made a comeback worthy of her marquee name. Her performance here is a strong contender for festival awards and, looking ahead, could go far, especially since MUBI has acquired the film for international distribution...

Click to read more ...

Let's play the Recasting Game! JLaw Edition

by Cláudio Alves

Here, at the Film Experience, we value the readers' input, good or bad, be it the sharing of a divergent opinion or even suggestions for future posts. Consider how Juan Carlos Ojano's latest Hello Gorgeous piece, about the 2012 Best Actress nominees, led many to discuss the contenders' broad careers, way beyond those five specific turns and those same characters' introductions. Longtime reader and commenter Mr Ripley79 even speculated that we could do a whole post on Jennifer Lawrence's three Oscar-nominated David O. Russell films. Specifically, one about her miscasting – mostly due to the actress' age – and who could have played those roles instead. So, here we are. Let's play the recasting game…

Click to read more ...

Hello, Gorgeous: Best Actress of 2012

A series by Juan Carlos Ojano

Romantic drama, political thriller, romantic dramedy, disaster drama, and fantasy comprise the vast span of genres that this year’s nominees appear in. This difference is also reflected in the varying acting styles and demands of these performances. And yet, for their character introductions, each performer is working with some sort of disruption. Whether reflected in the film’s narrative or simply on the formalistic construction of their scenes, each entrance highlights the force that their characters will be in their respective stories.

Are you ready? The year is 2012...

Click to read more ...

Hello, Gorgeous: Best Actress of 2015

A new series by Juan Carlos Ojano

In this year’s group of nominees - more than any other year I have covered so far - the given space during their introductory moments is incredibly important in establishing the character and their place within the story. Whether it is set in the past or the present, the stories where these characters are situated are framed through the visual juxtaposition of the character and their location a few shots into the film. While that is the unifying theme among these women, they also dabble into different variations of perspective, filmmaking styles, and acting registers. This makes for a dynamic comparison of their first impressions.

Are you ready? The year is 2015...

Click to read more ...