Entries in Jennifer Lawrence (131)
Or so says its director. Speaking to Entertainment Weekly, Morten Tyldum (The Imitation Game) tried to build up hype for his December release starring Jennifer Lawrence and Chris Pratt:
Every generation has its love story. I feel like this is it.
There are certainly similarities with Titanic. Passengers is about two, well passengers, aboard a spaceship who accidentally wake up from an iduced time suspension, 90 years into a 120 year trip. Everyone else on board is still asleep when they discover that the ship is in danger. They try to save themselves and everyone else while falling in love. Sound familiar?
Lawrence and Pratt are arguably the two biggest movie stars in their age groups, so a commercial hit is expected. But will they capture the zeitgeist like Kate and Leo? Tyldum certainly hopes so. We will find out on December 21.
Remember that time when everyone was excited about the prospect of a female Expendables even though that action series wasn't any good in the first place? We were guilty, too. But the prospect of an all female version of another Oceans 11, not THAT sounds worthy of premature fandom.
There's one in the works right now with Sandra Bullock & Cate Blanchett headlining a la Clooney & Pitt.
The film is currently being referred to as Oceans Ocho suggesting the team of thieves is only 8 women wide this time and maybe it's taking place in some Spanish-friendly locale? We wish it were using the working title of Oceans Veinticuatro because more actresses hollaaaaa.
There are already rumors zooming around about other possible co-stars like Jennifer Lawrence (because that one needs more franchise. smh) and Gillian Anderson (a far more intriguing proposition) but nothing is set in stone since we're still talking casting and pre-production.
We need six more actresses to work with Bullock and Blanchett. Who would you have them be and why?
Remember that the first two iterations of this franchise had a wide range of stardom-levels, ages, and personalities so follow suit with your suggestions. Let's make it extra enticing!
Jason from MNPP here with this week's edition of "Beauty vs Beast" - I think I must have had fever of the brain (to the lay-person that's called Kopfgeschlagen) last week because somehow I didn't take advantage of the 25th anniversary of one of my most favorite comedies of ever, Michael Hoffmann's Soapdish, the fizzy slapstick tale of backstage shenanigans at a daytime soap opera full of narcissistic psychopaths. Somewhere in the late 90s I wore out my VHS I watched this movie so many times - Soapdish is one you could stand me in front of a crowd, tell me to go, and I could perform the entire thing from start to finish, from crawdad butts to Tawny the Tweety-Bird Couturie.
The cast is to a tee in top form - even semi-cameos like Carrie Fisher's classic bitch Betsy Faye Sharon leave impressions so sharp I can summon up their character-names on command. But it's the poisonous rivalry between show queen Celeste Talbert (Sally Field) and "Nurse Nan" Montana Moorehead (Cathy Moriarty) that gives this Soap its eternal dishiness...
PREVIOUSLY With what could turn out to be her final X-Men movie we took the opportunity to say goodbye to Jennifer Lawrence's two blockbuster turns, and Katniss carried the day to the tune of about 80% of your vote - said Tom:
"I thought she was quite good in First Class (and looked great in that mod costuming). But it seems that her heart was always more focused on Katniss than Mystique. She openly expressed that she doesn't really wish to return to the role. She never seemed bored as Katniss, a complaint often lodged at her in regards to her X-Men performance."
Jason from MNPP here hoping everyone here in the States had a good holiday weekend and outside the States then just a plain good weekend, period -- I spent a good three hours (including something like half an hour of trailers) of my weekend in the theater watching the new X-Men movie, as did a few of you (not enough to make the studio happy though) and I gotta say I agree with Nat's take on it - mediocre stuff that needed to embrace its silliness more often. I'd love for just one superhero movie to be about something other than superpowers being the worst burden in all the world, ya know?
Anyway I found myself thinking a lot about Jennifer Lawrence during and after the film - god she seemed miserable, didn't she? She delivered her lines with all the passion of a smurf cadaver. That said I wouldn't be surprised if they could coerce her, with dollars, to revisit Mystique in the future... but for the time being at least she has no contractual obligations to her two big franchises. If she chose to from here on out she could make nothing but David O. Russell movies. (Imagine...) So let's look back at what was.
PREVIOUSLY It was Cillian Murphy against Rachel McAdams in a random Red Eye revisit last week, and it was Bay Breezes for everybody - McAdams' flight-bound final girl took just over 60% of the vote. Said Derreck:
"Team Lisa because she was quick and resourceful. They had the oddest chemistry going on to the point where if he wasn't all terroristy, it would have been nice if they went out for a drink at the end of the movie. But you know, murder and all tends to get in the way of that. Always the years, always the love, always the murder."
This review was originally published in Nathaniel's column at Towleroad
If you experience extreme deja vu at the movie’s this weekend, don’t panic – that’s just how summer movies play. Take X-MEN APOCALYPSE for example. The sixth film in the X-Men franchise will feel very familiar if you’ve seen any X-pictures before. And maybe even if you haven’t. So let us begin (again) with a short detour.
Oscar Isaac is the internet’s current boyfriend and an amazing actor and as is required by the law of desire he’s in everything now. He was used sparingly but potently in The Force Awakens last Christmas as dashing pilot Poe Dameron and he’s in theaters again in a much larger role as the big bad of X-Men Apocalypse...
"The Furniture" is our weekly series on Production Design. Here's Daniel Walber on Joy, now available on DVD and Bluray
It seems impossible that production designer Judy Becker has only received a single Oscar nomination, if not supremely unfair as well. At the very least, she should have snagged a second nomination for Carol. Her resume includes such diverse triumphs as We Need to Talk About Kevin, Brokeback Mountain, Shame and I’m Not There, as well as a neat early credit as a set dresser on Spike Lee’s Malcolm X. And so it seems totally appropriate that Becker is the first production designer to merit a repeat appearance in 'The Furniture'.
Becker’s most fruitful collaboration has been with David O. Russell. She's worked on every one of his features since The Fighter and she earned her lone Oscar nomination for American Hustle. Her sets for Joy, particularly the charismatic QVC studio at the film’s core, are among the best design work of last year. They also make quite a one-two punch with Carol, Becker showing a remarkable affinity for the stylistic underpinnings of American shopping. [More...]