Review: Nia DaCosta reinvents Ibsen with "Hedda"

by Cláudio Alves

You might be excused for believing Nia DaCosta has decided to reinvent Hedda Gabler as some sort of retro-styled procedural when her newfangled Ibsen adaptation opens with the familiar noirish scenario of detectives inquiring about a night of revelry, mystery, and violence. Tessa Thompson certainly looks the part of a midcentury femme fatale, all performative insouciance and bedecked in the glamour of a 1950s dressing gown, demure enough to look appropriate yet belying an informality that could read as indecent. It's all a show with Hedda as the director, playwright, and star. Indeed, she's so luminous it's like staring straight at the sun and flirting with blindness. She's the dawn of a new day, and those around her are night, perishing by her light…

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Venice Gowns '22, Round 4

Ooops. We've been neglecting the fashion-watching duties so this is an abridged version of the gowns from the past few days before the closing ceremony (very soon). So who gets your vote for Best Dressed?

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Venice Gowns (and Pants) '22, Round 2

by Nathaniel R

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Tessa Thompson and Jodie Turner-Smith continued to bring the DRAMA (all caps intended) and rising star Taylor Russell (Waves, Bones and All)  joined them in boldness. Meanwhile Maude Apatow went classic, Chloe Sevigny went short, Aimee Lou Wood (Sex Education) was doing a polka dot theme all day including this gown. And last but not least, Timothée Chalamet and Cate Blanchett knew exactly what to wear to keep people talking. So which was your favourite?

Venice Gowns '22, Round 1

by Nathaniel R

Raffey Cassidy, Jury President Julianne Moore, Tessa Thompson, Greta & Noah

Golden Lion winner Deneuve, Jodie Turner-Smith, Cassidy again, Don Cheadle, and HIllary Clinton?

Who was best dressed on the opening night of Venezia 79? It's your choice. Just make one. Vote as often as you'd like.

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FYC: Ruth Negga in "Passing"

by Cláudio Alves

Earlier in the awards season, I became discouraged at the thought that the year's best performance was doomed. Critics didn't rally behind Ruth Negga as I had hoped, and her film, no matter how spellbinding, looked likely to be ignored. Despite such worries the arrival of prominent Oscar precursors and industry awards has revitalized hope. After Globe and SAG nominations, Negga is poised to earn a second Academy Award nomination for her supporting turn as Clare Bellew in Rebecca Hall's cinematic adaptation of Nella Larsen's novel Passing. But of course, even when a nod feels secure, it's never a bad idea to gild the lily and remind folks of an actress's genius…

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