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Entries in Quvenzhané Wallis (20)

Thursday
Jan072016

Interview: Affonso Gonçalves and the Art of Editing Great Actresses

Affonso Gonçalves with this ACE win for editing True Detective (2014)Affonso Gonçalves is a man that every actress lover ought to both thank and envy. Over the course of his career in TV and film he has been privvy to a consisently vivid series of strong and sometimes downright iconic performances by several of our greatest actress. He's helped shape the way we see them, too.

His career began in earnest with as an assisant editor on Todd Solondz's cult hit about a nerdy teenager Dawn Weiner in Welcome to the Dollhouse (1995) and soon thereafter he was editing multiple films for Ira Sachs and other independent minded directors. In the 20 years since his debut he's edited performances by Tilda Swinton (Only Lovers Left Alive), Kate Winslet (Mildred Pierce), Kerry Washington (Night Catches Us), Michelle Williams (The Hawk is Dying), Kim Basinger (The Door in the Floor), and  Patricia Clarkson (Married Life). More famously he's edited two star-making young performances that went on to be Oscar nominated for Best Actress in Jennifer Lawrence in Winter's Bone (2010) and Quvenzhané Wallis in Beasts of the Southern Wild (2012). Next week he'll likely be able to add two more Oscar nominated performances to his editing triumphs with Cate Blanchett & Rooney Mara's duet in Carol.

I had the pleasure recently of grilling him about watching and shaping these Best Actress performances in Winter's Bone, Beasts of the Southern Wild and Carol. Here's our conversation (edited for length and clarity) with very mild Carol spoilers if you haven't yet seen it. The film opens in additional theaters this weekend. More after the jump...

Click to read more ...

Friday
Sep182015

Tim's Toons: Kahlil Gibran's The Prophet

Tim here. To the right kind of viewer (e.g. the kind writing this review), Kahlil Gibran's The Prophet is THE animated event of 2015. Which does not, unfortunately, turn out to mean that it is THE best animated film of 2015, or even in the running for that title. But let us not accentuate the negative; it's still a special and enormously idiosyncratic little movie, and its failures are honorable.

The film is a long-simmering passion project for producer Salma Hayek, one of the many ardent fans to accrue to Gibran's 1923 English-language collection of essays (Gibran was Lebanese, as was Hayek's grandfather). When, exactly, she decided that the adaptation needed to be done in animation is anyone's guess, but it was exactly the right choice: the book consists primarily of a series of spiritual lessons in the form of prose poetry, with the ghost of a narrative connecting them. The film by necessity fleshes out that narrative considerably and literalizes it, but the meat of the film is still those essays: eight out of Gibran's original 26, each handed off to a different luminary in the world of international animation.

Those eight sequences are easily the best reason to see The Prophet.

Click to read more ...

Friday
Aug072015

No Sophomore Slump?

Here’s Murtada with casting news for three directors’ sophomore efforts after the critical success of their debuts.

Insane chemistry retread?

DAMIEN CHAZELLE
While everyone is talking about Miles Teller and how maybe he was fired from La La Land, the new movie from his Whiplash (2014) director Damien Chazelle, that movie has been adding cast members. It's got a rather charming cast all told. Joining Emma Stone and Ryan Gosling in lead and J.K. Simmons and Ex Machina’s Sonoya Mizuno in support, are John Legend (Selma) and Rosemarie Dewitt (Rachel Getting Married).

The movie is about an aspiring actress (Stone) and a musician (Gosling) falling in love while trying to make it in LA. Legend’s role is unknown but we assume his talents as an Oscar winning songwriter will be used in some capacity in addition to his acting. DeWitt will reportedly play Gosling’s sister. Can you spot any family resemblance?

TOM FORD
Yesterday Michael Shannon and  Aaron Taylor Johnson were announced as the latest additions to Tom Ford’s Nocturnal Animals joining Jake Gyllenhaal and Amy Adams. There were reports a few months ago that Joaquin Phoenix was being considered for a part, which we'll assume is the one Shannon has now taken. Plot details are sketchy on this one beyond the fact that it’s based on Austin Wright’s 1993 novel Tony And Susan, and it involves two interlocking stories. One story is maybe a fictional one within the other. Ford has written the script and could have veered a bit from the book. Any readers of the book that can shed some light on the plot?

Will he find someone as talented as Quvenzhane Wallis?

BENH ZEITLIN
And  Benh Zeitlin is finally following up Beasts of the Southern Wild (2012). Reports appeared online that he has put up a casting call for child actors to appear in his new movie Wendy. Filming will take place in Antigua and the story is about “a young girl who gets kidnapped onto a hidden ecosystem where a tribal war is raging over a form of pollen that breaks the relationship between aging and time.” Hmmm, sound similar to Beasts, no? Other reports say it's loosely based on the Peter Pan myth.

Expect to see these three intriguing projects in 2016. Have they jumped to the top of your most anticipated lists?

 


Thursday
Oct022014

Another Lead Role for Quvenzhané Wallis

Margaret here to talk about what's new with everyone's favorite collector of puppy purses: Quvenzhané Wallis is on a roll. Her breakout performance in Beasts of the Southern Wild could have easily put her in the pantheon of one-hit wonder child actors, but the way she's been lining up projects makes that look unlikely. Now 11 years old, Little Q is two months out from the release of her first big studio film in the musical Annie which, with the Columbia promotional muscle behind it, might make her a real star. She has also just signed on to star in an adaptation of best-selling middle grade novel "Counting by 7s."

In the Holly Goldberg Sloan story, Quvenzhané will play a 12-year-old genius named Willow Chase who loses her adoptive parents in a car crash and has to push past her grief to find a new community of support. Said Quvenzhané to Deadline:

I am honored to play the role of Willow in 'Counting by 7s'. I love the message behind the story. I am excited to be a part of it and to see it come to life." 

Other upcoming projects for the busy young Oscar-nominee include voice work in an adaptation of Kahlil Gibran's The Prophet, and Fathers and Daughters, where she will star alongside Jane Fonda, Octavia Spencer, and Russell Crowe.

Even if none of these particular jobs ends up being earth-shattering, this steady work is heartening for those of us rooting for her to grow into a full-fledged acting career. At the very least we're in for some incredibly charming press tours. Is it foolish to hope that there's another Hushpuppy-level performance in her future?

Who'da man?

Thursday
Mar062014

Yes, No, Maybe So: "Annie" and Kneejerk Musical Reactions

"How many 'Tomorrow's until Annie comes out?"
"293, kids!"

Quvenzhané Wallis stars as little orphan "Annie"

That means we just need to get through 294 days of internet hyperbole BEFORE ANYONE SEES IT about how the new Annie (the third filmed version after a 1982 feature and a 1999 telefilm) is the worst thing that ever existed and musicals suck and it's going to kill everyone's career... Give me strength! BUT in fairness to whatever social media hatred happened (I only saw a little but I'm assuming there was more since I wasn't online much last night) the new trailer which is embedded at the end of the post, does ring alarm bells.

Here's the thing. I realize that my own kneejerk defensiveness/love for any and all new musicals before I see them, is, in some ways exactly like the internet's kneejerk distrust/hatred of any and all new musicals before they see them. Both reactions have less basis in reality than in indoctrination. But the reason my indoctrination is superior (heh) is because its self-indoctrination - a connosieur's faith in his own taste and in the possibilites of the genre and not lazy long-since disproven cultural indoctrination that this genre is over or passé. I can blather about this peculiar problem for HOURS but I should probably spare you and we'll get back to "Annie".

After the jump we'll discuss the pros, cons, and "which column do I put this in" beats from the trailer. 

Click to read more ...