Abe Gives Thanks 2020

A few volunteer members of Team Experience will be giving thanks this holiday week. Here's Abe Friedtanzer

This year has had its share of disappointments, but there’s plenty to celebrate personally and cinematically. I’m fortunate to have great weather in Los Angeles where I can spend time outdoors on a regular basis. It’s also been exciting to write much more frequently for The Film Experience and to interact with contributors and readers who were mostly willing to forgive my lukewarm attitude towards Schitt’s Creek. Here are ten movie/TV-related reasons I’d like to give thanks:

• Parasite winning Best Picture. I predicted 1917 but couldn’t have been more thrilled to see a stat-busting international triumph. It’s also the first time since The Departed that my #1 film of the year was also chosen by Oscar.

• The Sundance Film Festival happened completely as normal. For my seventh time in Park City, Utah, I got to see 41 films and enjoy sitting in the front row in crowded theaters for five movies in a row per day for a week straight. Little did I know that January would be my last visit to a movie theater...

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Sundance: Benh Zeitlin returns with "Wendy"

by  Abe Fried-Tanzer

Eight years ago, director Benh Zeitlin, just twenty-nine at the time, brought his debut feature Beasts of the Southern Wild to Sundance, where it took home the Grand Jury Dramatic Prize. It went on to score four Oscar nominations, including one for Best Picture and a bid for directing for Zeitlin. Since then, he has produced a few projects, but now marks the much-anticipated release of his second effort behind the camera.

Wendy is a creative retelling of the Peter Pan story, with Wendy (Devin France) and her twin brothers (Gage and Gavin Naquin) helping their single mother at the diner where she works and watching excitedly as trains go by their windows every night...

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FYC: Five Best Documentary Tech Achievements of 2017

A special edition of the Doc Corner column by Glenn Dunks this week...

Documentaries are unsurprisingly scantly recognised outside of their own category. Steve James’ Hoop Dreams scored a still one-of-a-kind nomination for Best Editing in 1994, and the Best Original Song category has become a place for aging rock stars (and J. Ralph!) to get recognition for their work in documentaries. Yet outside of these rare occurrences, documentaries are almost never considered to be in genuine contention.

Considering the volume of documentaries being produced (170 eligible titles in 2017 alone!), it shouldn’t be unreasonably to expect that many are pushing the documentary medium to places that would have been unfathomable two decades prior. Those changes can be through form thanks to technological advancements giving filmmakers an ability to make docs as technically proficient as anything else no matter the budget. Or they can come through structure and narrative, allowing contemporary audiences that are hip to new ways of telling stories to experience something through the wonders of streaming that would have once struggled in experimental arthouses of downtown Manhattan.

So in lieu of a personal Oscar doc ballot (mine would include only one from the 15-wide shortlist), here are five For Your Considerations for achievements outside of the Documentary Feature category itself...

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No Sophomore Slump?

Here’s Murtada with casting news for three directors’ sophomore efforts after the critical success of their debuts.

Insane chemistry retread?

DAMIEN CHAZELLE
While everyone is talking about Miles Teller and how maybe he was fired from La La Land, the new movie from his Whiplash (2014) director Damien Chazelle, that movie has been adding cast members. It's got a rather charming cast all told. Joining Emma Stone and Ryan Gosling in lead and J.K. Simmons and Ex Machina’s Sonoya Mizuno in support, are John Legend (Selma) and Rosemarie Dewitt (Rachel Getting Married).

The movie is about an aspiring actress (Stone) and a musician (Gosling) falling in love while trying to make it in LA. Legend’s role is unknown but we assume his talents as an Oscar winning songwriter will be used in some capacity in addition to his acting. DeWitt will reportedly play Gosling’s sister. Can you spot any family resemblance?

TOM FORD
Yesterday Michael Shannon and  Aaron Taylor Johnson were announced as the latest additions to Tom Ford’s Nocturnal Animals joining Jake Gyllenhaal and Amy Adams. There were reports a few months ago that Joaquin Phoenix was being considered for a part, which we'll assume is the one Shannon has now taken. Plot details are sketchy on this one beyond the fact that it’s based on Austin Wright’s 1993 novel Tony And Susan, and it involves two interlocking stories. One story is maybe a fictional one within the other. Ford has written the script and could have veered a bit from the book. Any readers of the book that can shed some light on the plot?

Will he find someone as talented as Quvenzhane Wallis?

BENH ZEITLIN
And  Benh Zeitlin is finally following up Beasts of the Southern Wild (2012). Reports appeared online that he has put up a casting call for child actors to appear in his new movie Wendy. Filming will take place in Antigua and the story is about “a young girl who gets kidnapped onto a hidden ecosystem where a tribal war is raging over a form of pollen that breaks the relationship between aging and time.” Hmmm, sound similar to Beasts, no? Other reports say it's loosely based on the Peter Pan myth.

Expect to see these three intriguing projects in 2016. Have they jumped to the top of your most anticipated lists?

Who Will Make The Movies Of The Future?

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JA from MNPP here - have y'all seen The New York Times' list of 20 Young Directors To Watch? I only stumbled upon it with the news that Beasts of the Southern Wild director Benh Zeitlin tells them what his next movie's going to be about therein, and seeing as how I'm not a Beasts of the Southern Wild fan that was a strange way for me to come upon it, especially when there are names therein I'm much more interested in.

My personal favorite picks of theirs would be Sarah Polley (who I fell in love with in The Sweet Hereafter and then really fell in love with, like squared, in Go, and then you just keep on multiplying that love every single time she does anything - I think me and her and our love affair are pretty much at infinity about now here in the wake of Stories We Tell), Yorgos Lanthimos (Dogtooth is what the inside of my head looks like, which yeah, I know, steer clear), Andrew Haigh and Na Hong-jin (both Chaser and The Yellow Sea gave me straight up heart palpitations), but I must admit there are several names I'm not familiar with - which is awesome! I'm always up for some learnin', and excited to check the less familiar folks out. Who do you love? And who do you think's missing? I'm personally sad to see a lack of genre moviemakers - whither Ti West?

But who knows - maybe some of these folks will end up making their way onto TFE's next list of our favorite directors of the 21st Century. Sarah Polley's already there!