The MET Gala meets the Movies

by Cláudio Alves

MIDSOMMAR (2018) Ari AsterThis Spring, the Costume Institute at the MET is putting on an exhibition titled "Sleeping Beauties: Reawakening Fashion." It's all about garments that, through the passage of time, have degraded or become too fragile to wear and exhibit by traditional means. They are slumbering, but through technological wizardry and museum magic, one hopes to breathe new life into them. From pepper ghosts to glass coffins, replicas, and immersive soundscapes, the MET will deliver visions of the fashioned ephemeral cataloged through an appeal to nature. The exhibit has three elemental parts– earth, air, and water –underlining the connective tissue between the pieces and the natural world, where decay is an essential part of existence. In some ways, it's a look at notions of impermanence through fashion.

Fittingly, this year's MET Gala has a dress code defined as "The Garden of Time," a novel by J.G. Ballard that considers similar themes. However, because stylists and celebrities are literal to a fault, this has resulted in florals and flowers as far as the eye can see – the red carpet turned into a Midsommar cosplay convention. If you're dissatisfied with the offer, why not scratch that sartorial itch through cinema? Here are some possibilities…

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Star Wars: Charting Queen Amidala's Style

by Cláudio Alves

You never forget your first, or so they say. In this case, it's one's first costume obsession. Mine, to be precise. It came to be in 1999 when I was five years old, and my dad took me to see Star Wars: Episode I – The Phantom Menace. Like many men of his generation, he was a fan of George Lucas's space fantasy, eager to share that love with his kid. It started with the original trilogy on VHS tapes and then came the movie event of the season. Though many hated the prequel, we two didn't share that feeling. Indeed, little Cláudio was besotted.

Sure, the lightsaber duels were memorable and the score was stirring, the CGI was out of this world and Ewan McGregor left such an impression I went as Obi-wan Kenobi to the following year's Carnival. But what most shook me was Queen Amidala, played by Natalie Portman bedecked in Trisha Biggar's costumes…

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Scarlett O'Hara's Best Looks

by Cláudio Alves

Since 1939, Gone with the Wind has been re-released countless times in American theaters. This year, it's enjoying another of those on April 7th, 8th, and 10th to celebrate the picture's 85th anniversary. While defined by gross politics and a nostalgic view of the Confederacy that was already cause for contestation by some in the 1930s, it endures as a symbol of Old Hollywood craftsmanship at its peak. Indeed, it's difficult to think of a production that better exemplifies the sheer ambition of the studio system, its grandeur, and stunning spectacle. Technical ingenuity abounds, as does an eye for powerful imagery. It's so beautiful that some of its shots endure as cultural artifacts, even when divorced from their origin.

Today, I want to celebrate one aspect of its splendor near and dear to my heart – the costumes by Walter Plunkett. Specifically, I've given Scarlett O'Hara the same treatment Bella Baxter got, and ranked her ten best looks…

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Bella Baxter's Best Looks: A "Poor Things" Top Ten

by Cláudio Alves

The last time an Emma Stone movie won the Best Costume Design Oscar, I ranked her character's many looks. So, it seems appropriate to do the same this year. Once, there was Cruella, but now, one has Poor Things' Bella Baxter to consider. 

Breaking the trend of repeat winners and legendary designers finally getting their due, Holly Waddington is a relative newcomer to the costume design big leagues, even though she has worked with names like Sandy Powell and Jacqueline Durran during her tenure in Angels Costume House. Training her craft in that famed establishment, the designer specialized in period costuming, though she's hardly a stickler for historical accuracy. Bored by exact recreation, the artist prefers to play with anachronism, making her a perfect fit for Yorgos Lanthimos' cinema. Indeed, she met the director through Tony McNamara after she costumes The Great's pilot, another take on period regality with a wacky twist…

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Drag Race RuCap: “See You Next Wednesday”

Like last year, Nick Taylor and Cláudio Alves are following and recapping RuPaul’s Drag Race season sixteen…

In design challenges, these two are unbeatable. They're dressmaking monsters!

CLÁUDIO: Another design challenge! What’s this, season 3? 

Regardless of repetition, it’s time for this year’s batch of queens to refamiliarize themselves with the sewing machines, for Drag Race has devised a challenge to celebrate Neo-Goth style. But of course, it’s closer to a Tim Burton lovefest, complete with Wednesday references and whatnot. Indeed, as much as I appreciated Kaia Gerber’s presence on the panel, MTV should have found a way to nab Colleen Atwood as the episode’s Extra Special Guest Judge - now there’s someone who knows how to make magic happen with black fabrics and a spooky outline. But maybe I’m getting ahead of myself...

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