The CDG loves "Barbie" pink but doesn't care for "The Color Purple"

by Cláudio Alves

Don't be sad, Mr. WONKA. Better luck next time.

Once upon a time, the Costume Designers Guild differed from the Academy on the regular. It wasn't even that long ago when three of the Oscar nominees got nothing from their guild, including winner Jacqueline Durran for Little Women. However, since that year, every Academy lineup has been entirely made from CDG-honored titles. It's hard to tell if the trend will continue, but, at the very least, one can surmise that the absence of a film indicates a lack of broad industry support. So, it's bad news for Wonka and The Color Purple. In the former's case, it's especially galling when you notice it was beaten by such critically lambasted projects as Disney's Haunted Mansion and the first Rebel Moon movie.

From Barbie pink to Crown gold, let's explore the complete list of nominations…

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Who's the Diane Warren of Every Category?

by Cláudio Alves

Another year, another Diane Warren campaign to finally get herself that Oscar. She's already got an Honorary Award, but the competitive prize eludes her. This year, the songwriter's best bets are Flamin' Hot and 80 for Brady, though Warren also penned an original tune for My Big Fat Greek Wedding 3. After she got a in for the virtually unreleased Tell It Like a Woman, anything's possible.

This got me thinking about the other people the Academy nominated constantly without ever giving them the win. Who's the Diane Warren in the categories beyond Best Original Song? Trying to answer that question, I dove deep into Oscar history, counting who's the most honored person who never won their respective race for gold. I focused on feature films and living artists, those who still have a chance to win or increase their record. Like Warren, some names are back in contention this season. From Picture to Documentary, here they are...

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Best Costume Design is all about Big Hats

by Cláudio Alves

It's always interesting to find links between otherwise disconnected pictures, whether in the context of a film festival or just the calendar year. Sometimes, the awards season can suggest interesting threads uniting films by virtue of competition-born comparison. Note that one need not be very intellectual about this, and it's always good to have some fun about the race. This year, for example, I couldn't help but notice how three of our likely nomination leaders are bedecked in exuberant millinery, with Killers of the Flower Moon taking the cake as 2023's best hat movie. Or, at the very least, 2023's most hats movie.

And, as we all know, when it comes to the Academy, "most" often trumps "best." Not that Jacqueline West is locked to win Best Costume Design for the Scorsese movie. After all, even in hat terms alone, there's stiff competition from Barbie and Oppenheimer…

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Review: "Killers of the Flower Moon" is a Monument of Sorrow

by Cláudio Alves

Killers of the Flower Moon starts in death, but not of flesh or person. The Frontier is no more, the West has been won, and the Track of Tears travailed when the Osage tribe gathers to mourn a way of life. Their traditions, their beliefs, their language are moving into the twilight, so they bury a sacred pipe and give themselves a symbol to weep over and express unsurmountable grief. As if listening to the lament, the earth responds. Black oil bursts from the ground, a geyser of wealth for the People from the Middle Waters brought to this Oklahoma barrenness after settlers pushed them asunder and away from the Great Plains. A pittance place once thought worthless reveals itself a treasure, and, overnight, the Osage Nation becomes the richest per capita population in the world.

So starts Martin Scorsese's latest opus, a title that, even within the context of his hallowed filmography, feels like a monumental achievement…

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CDG Award winners: 'Dune' and 'Cruella' to fight it out at the Oscars

by Nathaniel R

Andrew Garfield accepting his prize

The Costume Design Guild Awards were held last night. Teary Andrew Garfield received the Spotlight Award and said costume designers were his favourite to collaborate with. Producers Amy Pascal and Rachel O'Connor where honored as Distinguished Collaborators and Sharen Davis received the Career Achievement Award. The late Anthony Powell was also inducted into the CDG Hall of Fame by Glenn Close in a prerecorded segment. The Costume Designers Guild divvies their annual prizes up into Contemporary, Fantasy, and Period which means that three films get to share honors. This year they went for Coming 2 America, Dune, and Cruella... the latter two are also competing for the Oscar. Winners and comments after the jump... 

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