It's a good time to be a Josh O'Connor fan

by Cláudio Alves

While Luca Guadagnino's sexy tennis movie is queering up the box office, Alice Rohrwacher's La Chimera is finally out On Digital. In other words, if you're soft for Ratatouille's #1 fan Josh O'Connor, it must feel like everything's coming up roses. And isn't that how it should be? Between the two projects, the up-and-coming British actor shows off his range and then some. In Challengers, he's all dirtbag sleaze, playful in that way naughty kids can be when they know they've gotten away with something. Yet, between provocations, there's vulnerability peeking through, hunger of the stomach and the heart. Contrast with La Chimera, performed primarily in Italian and suffused with quiet heartbreak from start to finish. From burning ardor to morose romanticism, Josh O'Connor excels…

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The CDG loves "Barbie" pink but doesn't care for "The Color Purple"

by Cláudio Alves

Don't be sad, Mr. WONKA. Better luck next time.

Once upon a time, the Costume Designers Guild differed from the Academy on the regular. It wasn't even that long ago when three of the Oscar nominees got nothing from their guild, including winner Jacqueline Durran for Little Women. However, since that year, every Academy lineup has been entirely made from CDG-honored titles. It's hard to tell if the trend will continue, but, at the very least, one can surmise that the absence of a film indicates a lack of broad industry support. So, it's bad news for Wonka and The Color Purple. In the former's case, it's especially galling when you notice it was beaten by such critically lambasted projects as Disney's Haunted Mansion and the first Rebel Moon movie.

From Barbie pink to Crown gold, let's explore the complete list of nominations…

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Emmy Analysis: Drama Supporting Categories

By Abe Friedtanzer

Aubrey Plaza and Theo James in The White Lotus. Photograph by Fabio Lovino/HBO

Sixteen nominees for supporting actor and supporting actress are drawn from a mere four drama series, and two of them netted just a single mention apiece. That’s fourteen bids for two juggernauts from HBO, The White Lotus and Succession. The former is up one nomination from last year while the latter breaks even in these races, but two of its supporting contenders from last year, Kieran Culkin and Sarah Snook, got promoted to the lead race (and may be able to win there). Despite heavy internal competition, I think last year’s winners have a good shot at repeating, but let’s look closely at all the nominees and the episodes they’ve submitted for consideration…

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The Crown: A great cast saves a middling season 5

by Cláudio Alves

The Crown | © Netflix

I've long believed that The Crown is primarily valuable as an acting showcase. In previous years, the third and fourth seasons were examined by this prism here on The Film Experience, so it seems fitting to perpetuate the tradition. It's only appropriate for, if nothing else, the Netflix show is a staunch defender of doing the same over and over again, with as little change as possible - tradition upheld for eternity. And yet, to focus solely on the acting would be a false reading of what is a disappointing fifth chapter. As much as the cast succeeds, the series' foray into the 90s brings about a striking imbalance. Melodrama takes such precedence over History that the results cannot help but lack the grandeur of seasons past…

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The 2021 Emmy Winners + Trivia and Notes

by Nathaniel R

Did you watch the show last night? Despite the monotony of the nominations -- the Television Academy just has to do better and they must install specific juries to determine nominations since people naturally only have a couple handfuls of shows and naturally vote on the series as a whole rather than that season -- it was a night where the wealth was magically spread. At least a little bit...

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