The 2021 Emmy Winners + Trivia and Notes

by Nathaniel R

Did you watch the show last night? Despite the monotony of the nominations -- the Television Academy just has to do better and they must install specific juries to determine nominations since people naturally only have a couple handfuls of shows and naturally vote on the series as a whole rather than that season -- it was a night where the wealth was magically spread. At least a little bit...

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Emmy Category Analysis: Will Anya Taylor-Joy Steamroll Her Way to Victory in Competitive Actress Field?

Team Experience is taking a look at episode submissions in major Emmy categories. 

Anya Taylor-Joy has won every precursor, but can she beat new competition like Kate Winslet and Elizabeth Olsen?By: Christopher James

No category is as stacked as Outstanding Lead Actress In A Limited Or Anthology Series Or Movie. From top to bottom, each of the women nominated in the category give awards-worthy performances in projects as different as prestige dramas, gritty rape stories, biopics and Marvel comedies. Last week, we lamented that the corresponding Lead Actor race lacked variety and a clear frontrunner. The story could not be more different in Lead Actress. Though we do have a frontrunner, each person poses some level of threat that makes this an exciting category to watch.

Let’s take a look at the nominees for Outstanding Lead Actress In A Limited Or Anthology Series Or Movie:

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Emmy Analysis: Who will win Outstanding Directing for a Limited Series or TV Movie?

by Cláudio Alves

Like its respective writing category, the Outstanding Directing for a Limited Series or TV Movie Emmy race is a mess of inconsistent rulings. Some shows compete with entire seasons, while others have submitted individual episodes. This is allowed, so that miniseries with different directors per episode can compete. However, this year, I May Destroy You's Sam Miller got two nods through a technicality, making the rule feel superfluous and poorly conceived. Beyond that, the big oddity of the category is the presence of Hamilton's Thomas Kail. While similar projects of filmed theater were deemed TV Specials and are competing in that race, the Disney+ musical somehow got into this lineup. If he wins, Kail will repeat his Tony victory. With that out of the way, let's dive in and explore the nominated works…

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Emmy Analysis: A close race in Outstanding Writing for Limited Series or TV Movie

The Film Experience Team takes a look at the episode submissions for all the major Emmy categories.

by Cláudio Alves 

Unlike the Drama and Comedy writing categories at the Emmys, the Limited Series or TV Movie one can find entire seasons competing against solo episodes or single films. In the recent past, individual chapters of Sherlock and Black Mirror, classified as TV movies, won out against juggernaut series such as Fargo and Big Little Lies. This year, there are no such "movies" nominees. Indeed, despite six slots, only four series are recognized across the board. Wandavision is the nomination leader as well as the only show competing with single episodes instead of seasons. Indeed, with three nods, it thus becomes only the second limited series to score triple writing nods in the same year. The first one was American Crime Story: The People v O.J. Simpson. That Ryan Murphy show won in 2016, despite the threat of vote splitting, and maybe the Disney+ program can do the same. Let's take a look at the nominees…

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Emmy FYC: The writing of "I May Destroy You"

by Cláudio Alves

If loving I May Destroy You was a party, I'd have arrived late, long after most people had left and only a few stragglers remained, sleepily fumbling their way through a dancefloor labyrinth of abandoned bottles and stale sweat. While most of the world was consuming Michaela Coel's staggering tour-de-force June and July last year, I focused my attention on movies and the Emmy-eligible TV for that particular season. Consequently, I only watched I May Destroy You when it came time to vote for the Independent Spirit Awards. I went into it with great expectations that I feared too massive to be met. In the end, I needn't have doubted the show's masterpiece-like quality, its searing power, or visceral confrontation. Even then, I don't think I was fully prepared for how awe-inspiring Coel's writing turned out to be…

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