Luca Guadagnino has dropped another project

by Cláudio Alves

Back when Luca Guadagnino first announced his plans to remake Suspiria, many were skeptical – me included. Why would we need a new take on the material when Argento's 1977 classic is such a candy-colored masterpiece? It turns out that Guadagnino was idiosyncratic enough to get away with it, proposing such a distinct vision that comparing it to the other movie feels beside the point. Hence, when the director told the world he'd helm a Scarface remake from a Coen Bros. script, the consensus was more hopeful than before. Well, that picture is officially off of Guadagnino's schedule, joining the ranks of many a dropped project…

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TV: "Succession" Course-Corrects With Third Episode of Final Season

By Christopher James

Some episodes of TV are above and beyond the show’s they’re housed in. Season four, episode three of Succession raised an already strong show to new heights. A twist early enough in the episode sets the final season in a new direction and gives Emmy-ready tapes for its crew of actors.

In full honesty, I was working on an article about Succession jumping the shark. A once dynamic series which captivated audiences and critics was just spinning its wheels tossing business jargon and curses into an incomprehensible word salad. Much of season three featured the Roy clan rehashing more of the same. However, episode three of the new season is flooring. 

SPOILERS TO IMMEDIATELY FOLLOW...

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More Thoughts on "The White Lotus: Sicily"

SPOILER ALERT:  DO NOT READ UNLESS YOU HAVE VIEWED ALL SEVEN EPISODES.

by Eric Blume 

One of the things that separates The White Lotus from many other TV programs, which are usually divided amongst several writers and directors, is that the show has a very, very specific point-of-view.  Even though other great television series (Succession, Severance, etc.) have a unified tone and the individual episodes are kept in harmony by the showrunner, it’s a different thing to have the same person actually writing and directing every episode.  Mike White views the universe and views characters comically.  He sees the world as an outsider does, with an arched eye towards human behavior, and he sees people as funny and full of contradictions.  He also lends to White Lotus a truly gay sensibility, in terms of the way he frames his actors, the way he films male and female bodies, and the way his empathy shifts between characters in a roundelay of surprising reveals, each character granted grace notes, psychology, and humanity... 

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White Lotus Season 2 - Mike White Sticks The Landing

By: Christopher James

Season two of HBO’s Emmy winning anthology series The White Lotus ended with a bang on Sunday night. This season brought a new cast of characters to the Sicily location of the White Lotus hotel chain, save for Jennifer Coolidge reprising her role as Tanya, a depressed heiress, from season one. Much like season one, the season begins with a dead body. This time discovered by the deliciously flighty Daphne, played by season MVP Meghann Fahy. While season one was a rumination on class, season two was more of an Aperol Spritz - it was a delectable piece of sexy fun dramatizing the ways sex is used for social and economic currency. The season finale wrapped up all of the storylines, including that mysterious death, in an episode packed with sex, intrigue and its own fair bit of filler. 

Major Spoilers Ahead. Don’t read further if you have not seen the final episode.

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Ranking the Woodward/Newman Collaborations

by Cláudio Alves

Last month, Ethan Hawke's documentary series The Last Movie Stars premiered on HBO. Chronicling the lives of Joanne Woodward and Paul Newman, the show is a precious consideration of the couples' legacy as artists, celebrities, teachers, and private people whose love endures beyond the threshold of death. Rather than being an idealized portrait, it's a program that acknowledges its subjects' thorny complexities, emerging as a humanistic jewel that's essential viewing whether or not you're a fan of its starry duo. Inspired by The Last Movie Stars, I spent a good part of August exploring many of the movies mentioned in the doc.

Specifically, I watched every single project Woodward and Newman made together, including those where one was working behind the camera. Here's a personal ranking of those 17 titles… 

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