"Grass Widow" in Mildred Pierce (2011)
It's time for the Monday Monologue. How many of you caught Mildred Pierce (2011) last night on HBO? Todd Hayne's adaptation of the novel, previously adapted in the 40s, is a five hour affair. We can't say much as to quality yet as we're only ⅓ through (or thereabouts). Let it suffice to say for now that the new version is much different which we're immediately grateful for; no one needs a replacement of the terrific 1945 Joan Crawford noir.
My two favorite things about the first hours were the supporting players: Mare Winningham was tart perfection as Ida the head waitress at the diner where Mildred finds work and Melissa Leo adding to her noteworthy run as Mildred's know-it-all neighbor Lucy. Both actressses were deliciously in period; you could shove them right into a 30s movie and gobble them up with delight alongside a slice of Pierce pie.
Early in the first hour, Lucy gets a showcase bit where she schools Mildred on the complexities of dating when your marriage has broken up. She tells Mildred, who is looking anything but red hot with floured hands and apron-covered, that men now view her differently.