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Entries in biopics (298)

Monday
Mar042024

Split Decision: “Maestro”

No two people feel the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of this year’s Oscar movies. Here's Nathaniel Rogers and Cláudio Alves on Maestro...

NATHANIEL: Being on the defensive about a movie you love is always confusing. The internet has been throwing darts at Bradley Cooper's compelling and curious Maestro for months now and I will say that I'm glad to not be 'perpetually online' as I once was. For the most part I've been able to enjoy Maestro in piece. Until now in the "split decision" series. Haha. I first saw Maestro at the Paris Theater which is a famous old single-screen theater in Manhattan (the last of its kind here!) and located roughly in between Bernstein's two main NYC residences (The Dakota to the west and Park Avenue to the East). The theater was packed with older folks who knew who Leonard Bernstein was. I went with a group of friends who were visiting for Thanksgiving, two of whom are classical music-obsessed. It was the ideal venue and situation in which to see a flamboyant handsome old-school biopic about a 20th century giant who I was already an enormous fan of. I consider West Side Story the greatest musical ever written and Candide, Wonderful Town, and On the Town, all hold distinct pleasant memories for me from multiple periods in my life as a musical theater aficionado.

I bring this up because personal history and context of the moviegoing experience totally affects people's opinions on movies whether they'll admit to it or not. So, before this conversation I watched the first half of Maestro again as a refresher to make sure I wasn't overly influenced by that very memorable happy first viewing. I still love it on second viewing at home in a far less ideal setting…

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Monday
Jan292024

Almost There: Penélope Cruz in "Ferrari"

by Cláudio Alves

To celebrate the return of the Almost There series, let's consider the season's buzziest turns, starting with a contender who came close to her third Best Supporting Actress nomination and fifth overall nod. She's won before, for Vicky Cristina Barcelona, in a much different register than the one she's exploring in this latest bid for gold. Of course, I'm talking about Spanish superstar Penélope Cruz, who molded her natural accent into some vaguely Italian sound to play Laura Ferrari in Michael Mann's long-gestating biopic project. It's an immense performance, primordial in its power and classical in construction. Devastated and devastating, she's grief incarnate…

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Monday
Dec042023

Oscar Volley: Best Makeup is the Battle of the Biopics

Team Experience will be discussing each Oscar category as we head into the precursors. Here's Nathaniel and Cláudio to discuss Makeup & Hairstyling...

At the moment, MAESTRO looks like our undisputed frontrunner.

NATHANIEL: Dearest Cláudio, it falls on you and I to kick off this year's pre-nomination Oscar volleys. Best Makeup and Hairstyling is up first. So please picture me in heavy old age makeup with some crazy wig atop my bald head. Also, I have green skin (I'm covering as many films as possible in my look). The dark circles under my eyes are not a makeup effect in honor of Lily Gladstone's suffering Mollie Burkhardt -- that's unfortunately just my face! I'm doing too much in my look because like many other craft categories, Makeup is often a race for "Most" rather than "Best"; when we get phenomenal winners it's usually because they are accidentally both of those things at once! I always wish the "Hairstyling" part would get more attention since that would complicate predictions. 

I want to start with an unexpected question before we get to things we're rooting for (however unlikely) and actual predictions…

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Tuesday
Nov142023

An AI Biopic? No, Thank You!

by Cláudio Alves

Warner has released a proof of concept image showing what the animation will look like.

With the SAG strike over and a new three-year contract in sight for actors, it felt like we could all breathe a sigh of relief over the current Hollywood AI takeover. Not forever, but a temporary reprieve nevertheless. Well, guess what? There's no rest for the cinephile, for a new nightmare is upon us. The Warner Music Group has partnered with the Edith Piaf estate to create an AI-based biopic, running for 90 minutes and mixing archival future with animation. Over it all, a feat of technological necromancy will have the legendary French singer narrate her own story or the corporate-approved facsimile of it.

The execs behind the travesty speak of authenticity, but I only see mercenary intent. It's anti-art, sickening in the worst way…

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Saturday
Nov112023

Luca Guadagnino has dropped another project

by Cláudio Alves

Back when Luca Guadagnino first announced his plans to remake Suspiria, many were skeptical – me included. Why would we need a new take on the material when Argento's 1977 classic is such a candy-colored masterpiece? It turns out that Guadagnino was idiosyncratic enough to get away with it, proposing such a distinct vision that comparing it to the other movie feels beside the point. Hence, when the director told the world he'd helm a Scarface remake from a Coen Bros. script, the consensus was more hopeful than before. Well, that picture is officially off of Guadagnino's schedule, joining the ranks of many a dropped project…

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