Never ever under any circumstances take another 8 year break from the cinema. The reviews for Carol (2015) read at times like an ecstatic mirage, dehydrated desert critics stumbling upon a Haynes-flavored pool. Its weird ½ an actress prize at Cannes, for the unexpected ½ at that, feels somehow fitting given the prismatic way you like to view identity (Velvet Goldmine, I'm Not There, etc).
I can't tell you the joy I felt this morning waking up to the news that you've added a third project (!!!) to your upcoming slate after so much hibernation. Of the two we already knew about a TV series set in a 1970s commune sounds the most promising; it's an underexplored rich topic in terms of time period and political content -- you're counter culture enough to do it justice. The other project, the Untitled Peggy Lee Biopic is a swell idea, too. You're the one filmmaker who is creatively incapable of making a dully traditional biopic (Superstar: The Karen Carpenter Story / I'm Not There) and Miss Peggy Lee lived through all your favorite eras. We already know that its star Reese Witherspoon can sing thanks to her Oscar winning role as June Carter Cash and though we can't quite picture her as one of your muses a la Moore (Far From Heaven / [safe]) or recently Blanchett, we can picture her as a Barbie doll and we know you like those. At any rate, the part is a good fit for her. Peggy has so many classic songs, she was indominatable enough to serve as one of the original inspirations for Miss Piggy and that six decade career / four failed marriages surely contain plentiful dramatic fodder.
But the happiest news may well be the newest. You're planning to adapt Brian Selznick's children's book Wonderstruck for Killer Films??? How wonderful. That bifurcated tale featuring a boy in the Seventies pining for his father and a girl in the Twenties dreaming of an actress should provide ample spark for your formidable creativity.
You're 54 now, Todd. There are only so many years in a life. I'm not telling you to rush through these next projects but please never ever under any circumstances whatsoever take an eight year break from the cinema again in which we only get a remake of something that was already more than wonderful enough to begin with (Mildred Pierce). It was a painful drought.
Your forever fan, xoxo