The great James Ivory is getting a documentary!

by Nathaniel R

Image credit: Frazer Harrison at Getty ImagesThose of you who have read The Film Experience for a long time know that we're huge fans of 94 year old living legend director James Ivory. I've personally interviewed him (a total dream) and we've done a deep retrospective dive on his 1986 classic A Room With a View. and talked about many of his other films too like Howards End, Call Me By Your Name, and Remains of the Day. Now comes word that this master is getting the biographical documentary feature treatment from Christopher Manning, who previously directed award-winning shorts in the UK. 

The film, currently in production, will be called James Ivory: In Search of Love and Beauty. It follows Ivory's life from his youth to his rise to international acclaim.  

A bit more from the press release...

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Split Decision: "The Fabelmans"

No two people feel the same exact way about any film. Thus, Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Ben Miller and Eurocheese to argue over The Fabelmans

EUROCHEESE: Ben, I've never been a huge Spielberg defender, so here's my chance! I was bound to see The Fabelmans through rose-colored glasses because I saw its glowing reception with Steven Spielberg and John Williams in person at the AFI Festival.  Even so, scene after scene landed with me and I left the theater smiling ear-to-ear. I'm curious to hear what didn't land with you...

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Review: "Whitney Houston: I Wanna Dance With Somebody" Is a Lovable Mess

By: Christopher James

No one loves their cliches more than the biopic genre. However, no music biopic has blown through every cliche with such quick and reckless abandon as Whitney Houston: I Wanna Dance With Somebody. That’s not necessarily an insult.

Few pop culture icons loom as large as Whitney Houston, “The Voice,” who holds the record for seven consecutive number one singles atop the Billboard Top 100. By virtue of also being a modern celebrity, most people have some concept of Houston. Thus, the biopic spends less time educating people on who Whitney Houston is. In fact, it’s a crash course through her Wikipedia. Unfortunately, it misses out on her soul and motivation - what drove Whitney Houston from the biggest star in the world to death at 48?

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Awards Season Catchup: "Blonde" on Netflix

By Abe Friedtanzer

It’s hard to wait to watch a film months after its release and not be at least somewhat affected by what the public thinks about it. To say that the Marilyn Monroe biopic Blonde has not received favorable mentions is an understatement. Still everyone has opinions so it seemed possible that there might be something worthwhile about it, like Ana de Armas’ Golden Globe-nominated performance or the Oscar-shortlisted makeup and hairstyling. Seeing the NC-17 rating and the daunting 2-hour-and-47-minute runtime at the start of the film sets up certain expectations, and, somehow, this film still manages to surprise, and not in a good way.

Blonde opens in black-and-white on a young Norma Jeane Mortensen (Lily Fisher) and her mother Gladys (Julianne Nicholson), who shows Norma a photo of a celebrity she claims is her father. Gladys quickly descends into a manic state, driving her young daughter straight towards a fire while everyone else is running the other way...

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Almost There: Claire Foy in "First Man"

by Cláudio Alves

For a film to get two nominations in the Best Supporting Actress category isn't especially rare. Several titles vie for that double spot this year, though Women Talking appears to be most likely to succeed. Jessie Buckley was nominated for The Lost Daughter last season and feels poised to nab a second consecutive honor, while Claire Foy has the other juiciest role. Moreover, this isn't the first time the British actress made famous by The Crown has been a significant player in the Oscar race. Early in the 2018 awards season, she appeared to be a near-lock for her work in Damien Chazelle's First Man, wherein the actress played a variation on AMPAS' favorite stock character – the stalwart wife to "a great man" of history. 

As Women Talking is gracing theaters with a new buzzy Foy performance and Chazelle's First Man follow-up Babylon is almost upon us, let's look at her work in the Neil Armstrong biopic…

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