Awards Season Catchup: "Blonde" on Netflix

By Abe Friedtanzer

It’s hard to wait to watch a film months after its release and not be at least somewhat affected by what the public thinks about it. To say that the Marilyn Monroe biopic Blonde has not received favorable mentions is an understatement. Still everyone has opinions so it seemed possible that there might be something worthwhile about it, like Ana de Armas’ Golden Globe-nominated performance or the Oscar-shortlisted makeup and hairstyling. Seeing the NC-17 rating and the daunting 2-hour-and-47-minute runtime at the start of the film sets up certain expectations, and, somehow, this film still manages to surprise, and not in a good way.

Blonde opens in black-and-white on a young Norma Jeane Mortensen (Lily Fisher) and her mother Gladys (Julianne Nicholson), who shows Norma a photo of a celebrity she claims is her father. Gladys quickly descends into a manic state, driving her young daughter straight towards a fire while everyone else is running the other way...

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Almost There: Claire Foy in "First Man"

by Cláudio Alves

For a film to get two nominations in the Best Supporting Actress category isn't especially rare. Several titles vie for that double spot this year, though Women Talking appears to be most likely to succeed. Jessie Buckley was nominated for The Lost Daughter last season and feels poised to nab a second consecutive honor, while Claire Foy has the other juiciest role. Moreover, this isn't the first time the British actress made famous by The Crown has been a significant player in the Oscar race. Early in the 2018 awards season, she appeared to be a near-lock for her work in Damien Chazelle's First Man, wherein the actress played a variation on AMPAS' favorite stock character – the stalwart wife to "a great man" of history. 

As Women Talking is gracing theaters with a new buzzy Foy performance and Chazelle's First Man follow-up Babylon is almost upon us, let's look at her work in the Neil Armstrong biopic…

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Almost There: Paul Dano in "Love & Mercy"

by Cláudio Alves

Paul Dano's film career has been awards-adjacent since the very beginning. At seventeen, he won the Best Debut Performance Spirit Award for his work in L.I.E. Five years later, he was one of the stars of Little Miss Sunshine, the first of three Best Picture Oscar nominees in the actor's filmography. Still, though the Academy regularly loves Dano's movies, they have never shown any affection for Dano himself. That might change this year with The Fabelmans, where the actor portrays a fictionalized version of Steven Spielberg's dad in what's bound to be one of the season's biggest award magnets.

To celebrate the actor's achievements and potential first Oscar nomination, let's look back to the last time Dano was on the Academy's radar. In 2015, he almost category frauded his way to a Supporting Actor nomination for his work as Brian Wilson in Bill Pohlad's Love & Mercy…

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TIFF: "The Swimmers"

by Matt St Clair

In an early sequence from The Swimmers, we see both sisters Yusra and Sara Mardini jamming to “Titanium” by Sia. As they’re happily move on the dance floor in slow motion, the camera pans over to the escalating warfare happening in the background. That one scene is perfectly emblematic of the movie’s overall point of view. We watch these two real-life sisters persevere and maintained hope no matter the crises surrounding them... 

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International Oscars: Mexico's finalists and more submission titles

by Nathaniel R

THE HOLE IN THE FENCE

Mexico has chosen their Oscar submission finalist list. We'd do a whole huge post on it but we suspect by the time we did they'd have named their winner and despite divisive reviews thus far we suspect they won't be able to resist sending Iñarritu again. As it stands now they're looking at three films we've already reviewed here at TFE: Alejandro G Iñarritu's Bardo (False Chronicle of a Handful of Truths), Lorenz Vigas' very dark father/son drama The Box, and Joaquin del Paso's allegorical summer camp drama The Hole in the Fence. The other two they're looking at are the sexual drama Nudo Mixteco by Angeles Cruz and the thriller Presencias by Luis Mandoki. Among those filmmakers Inarritu (Biutiful, Amores Perros) and Mandoki (Innocent Voices) have represented Mexico before while Vigas's debut film, the gay drama From Afar, was sent to represent Venezuela in its year.

But that's not all. We now know which films Costa Rica, Czech Republic, Turkey,and Uganda  are submitting. Details after the jump...  

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