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William Holden in Picnic

"I find Holden has a more earthy sex appeal in his early roles, you could kick your shoes off and put them on his lap and he wouldn't flinch." - Mark

"My mother's favorite actor. His dance with Kim Novak is an unforgettable movie moment." -Jaragon

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Entries in High School Movies (49)

Sunday
Mar182018

Review: Love Simon

Stepping in briefly from vacation to celebrate Love, Simon. This review was originally published in Nathaniel's column at Towleroad.

Vanilla is a delicious flavor. Especially if you’re in the right mood for it. Loving vanilla doesn’t mean you can’t love more daring or less common flavors. But you deserve a good scoop of vanilla on occasion. The best thing that can be said of Love, Simon — and this is stronger praise than it sounds — is that it’s very vanilla. Imagine a cross between classic rom-coms like Sleepless in Seattle and Never Been Kissed and then just flip it a teensy-tiny bit until it’s gay. Not queer, mind you; we’re going for vanilla.

Love, Simon, the new film directed by gay TV power-producer Greg Berlanti (Flash, RiverdaleBrothers & Sisters, etcetera), is based on the novel “Simon vs. The Homo-Sapiens Agenda”. Though the novel’s title (I haven’t read it) suggests something less pro-heteronormativity, the film version is quite happy with assimilation. The only thing about Simon (Jurassic World’s Nick Robinson) that “reads” as gay or at all discomfited by his suburban nuclear family life is his inner monologue in which he tells us about his “huge-ass secret”...

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Wednesday
Feb212018

Podcast: Pre Oscar Grab-All 

The gang gets back together as Oscar approaches. Nathaniel RNick DavisKatey Rich, and Joe Reid discuss what they've been watching as they prep for Oscar night. How many movies do YOU still have left to see? (Or are you not a completist?)

Index (41 minutes)
00:01 What we still haven't seen
02:30 Loving Vincent & Animated Feature
08:40 Andrey Zvyagintsev's Loveless, Russia's nominee
12:00 Short Film categories
15:00 A Fantastic Woman & Foreign Film
20:00 Acting Categories
23:00 Lady Bird, actressy movies, messy trivia
29:30 Preferential ballot theories
33:00 Director/Pic splits and The Shape of Water
37:00 Who will present Best Picture?
38:30 RED ALERT: NICK IS GOING TO THE OSCARS !!!
40:30 The End

You can listen to the podcast here at the bottom of the post or download from iTunesContinue the conversations in the comments, won't you? 

Grab-All Oscar Talk

Friday
Dec222017

FYC: Lucas Hedges in "Lady Bird" 

By Spencer Coile 

Lucas Hedges arrived last year with his performance in Kenneth Lonergan's Manchester by the Sea. His portrayal of Patrick Chandler, a 16 year-old dealing with the loss of his father, was quickly lauded and showered with awards attention -- including a Supporting Actor Oscar nomination. He was only 20 at the time!

Now, Hedges is having another banner year with notable SAG nominated ensemble work in Lady Bird and Three Billboards Outside Ebbing, Missouri. While both films are prime Oscar consideration across the board, Hedges' work is being severely overlooked -- particularly his performance as Danny O'Neill in Lady Bird... 

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Thursday
Dec072017

Blueprints: "Juno"

This week Juno celebrated its tenth anniversary, so Jorge takes a look at how Diablo Cody’s iconic dialogue was inflicted with meaning by the cast.

Juno first hit theaters ten years ago as a low budget indie hopeful. It ended its run as a major box office hit and Oscar favorite. It was the movie that put Ellen Page on the map, boosted Jason Reitman’s career, and gave us arguably the definitive Jennifer Garner performance. 

Screenwriter Diablo Cody won the Oscar for her debut screenplay, and she instantly became a recognizable name, the way many directors but few writers are. And not without merit. One of Juno’s biggest legacy is its quick-witted, snarky dialogue that, many times since then, has tried to be replicated...

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Thursday
Oct192017

Blueprints: "Mean Girls"

Hi everyone, Jorge here. Welcome to the first installment of Blueprints, a new weekly series where we'll discuss the relationship between the pages of a script and the finalized cinematic products. To start things off, an audience-favorite and one of the most quotable films of all time.

 

Tina Fey’s cult-classic satire on teenage girlhood, cliques, and cheese fries has quickly become an indispensable presence inside the ranks of Most Quotable Films lists. Behind-the-scenes recognition has fallen more on the writer than on director Mark Waters (brother of Heathers’ helmer Daniel Waters; for those keeping tabs on your clique movies). Almost every single line has become a chant for people to drop on each other, so much that Quote-Along screenings of the film have become widely popular.

But what is it about Mean Girls that made it not only memorable, but practically irresistible to mouth along to?

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