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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in Carrie (24)

Thursday
Oct302014

Tweets o' the Week

Movie and showbiz tweets that amused / thought provoked most these past several days. Worth retweeting or sharing for you if you're not on twitter... 

 

WANT MORE? Click on for The Gummers, The Zeéeeee, Superhero priapism & "Carrie" hilarity

Click to read more ...

Friday
Aug222014

ALS Ice Bucket Challenge Has Gone Global & Retro Cinematic

Tom Hiddleston after his challengeI know it's for a good cause but we're definitely reaching saturation point for the ALS Ice Bucket Challenge. Soon, like maybe in 5 minutes, it will be over. But ALS is enjoying huge fundraising numbers so good on them for dreaming it up. I hope all these celebrates dousing themselves with freezing water are donating a dollar for every viewing of their videos and vines.

I've avoided sharing any because how would you choose? I mean other than skipping my beloved childhood idol Olivia Newton-John who kind of misses the point, filling her thimble "bucket" of ice with undoubtedly warm pool water before trickling it over her gorgeous blonde head. Let's just say Her Chills Weren't Multiplying. She Was Not Losing Control.

So why am I posting this? To note that this ice bucket madness which was mostly music stars at first has gone global. Here's Chinese superstar Zhang Ziyi doing it below and challenging French actress Sophie Marceau. Her House of Flying Daggers co-star Takeshi Kaneshiro also did one but his is oddly subdued / silent. 

(Other Asian stars getting in on the action include Xiamoing Huang and Li Bingbing who he challenged. He also challenged Fan Bingbing so if "Blink" gets in on the action, I want her to do it in costume. Plz and thx.)

The ice bucket challenge has also gone retro cinematic. Steven Spielberg did it a few days back. But the best one -- or at least the highest budgeted-- is surely The Foo Fighters doing it 1970s Sissy Spacek/Carrie style. I'm just disappointed that they didn't challenge Sissy Spacek, Betty Buckley, and Piper Laurie in the process, you know? though at least Stephen King was name-checked.

If you'd like to donate to ALS to thank them for giving us all this ginormous celebrity wet t-shirt contest you can do so here

 

Wednesday
Jan082014

Link is the New Blog

Salon Laverne Cox (Orange is the New Black) continues to be a great spokesperson for trans people, shutting down Katie Couric's indelicate questions 
HitFix the composers from Frozen working on Bob the Musical for Disney. Sounds like a silly/fun project. 

Gawker Neil Patrick Harris has many margaritas in Mexico. LOL. #12 is my favorite, for the text as much as the picture 
Variety Meryl Streep's ode to Emma Thompson and Walt Disney diss at the NBR gala 

NYFCC Aftermath
Film Society of Lincoln Center has the audio of Harry Belafonte's moving speech in honor of Steve McQueen 
Variety reports on the damage control the critics circle is doing now 
The Carpetbagger on official apologies and Armond White's own denials that he heckled. Since I know people who were there, I know he's lying about other people lying about him.

Julianne Moore & Liv FreundlichFinally...
We never talked about Carrie (2013) after it hit theaters, primarily because I didn't see it. I guess it's on DVD next Tuesday? Up until very recently I had seen everything that Julianne Moore ever made after falling in love with her in [safe]. Yes, even that straight to DVD horror flick with Jonathan Rhys Meyers. I have only met two people in my entire life who love Brian dePalma's Carrie (1976) more than I do: drag superstar Jackie Beat (who told me it was her all time favorite film) and my friend JA at My New Plaid Pants. He finally saw the misbegotten studio cash-in remake and lived to write about it. He predictably hated it but actually found one nice thing to say about Chloe Moretz so that... surprised me. 

The photo to your left is of Julianne and her daughter so you can see that the apple doesn't fall far from the tree and also because theyre so pretty and wouldn't you rather look at that glorious matching set than a still from Carrie (2013)? You're welcome. 

Sunday
Oct202013

Podcast: 12 Years A Slave To Horrors

Nick and Joe join Nathaniel to discuss the Chicago Film Festival where they're catching movies like August: Osage County during the day and falling asleep watching old Oscar broadcasts chez Nick (1991 and 2006 make vital cameo appearances in this 'cast). That's our kind of weekend!

We all share the love for Steve McQueen's amazingly powerful 12 Years a Slave which Nathaniel has just seen a second time. Then we're on to discussing some horror classics which we've been thinking about due to our recent Team Top Ten lists of the best of that genre. Horror films briefly discussed include: Carrie, Rosemary's Baby, The Night of the Living Dead, Carnival of Souls, Misery and Suspiria

You can listen at the bottom of the post or download it on iTunes. Join in the conversation in the comments.

12 Years a Slave to Horror

Sunday
Oct202013

Box Office: Gravity Keeps Hold of Top Spot

It's Amir here, bringing you the weekend's box office report. The Film Experience is taking the revolutionary step of publishing box office headlines that feature no pun this week because Michael C. asked me to. It's a welcome move after last week's cheap shot but hey, we'll be back to normal business next time. Let's look at what the cinema gods have granted us this weekend.

It's October and you guessed it, there's a mediocre remake of a horror classic playing at a theatre near you. Having not seen Carrie, I technically have no right to judgement in public, but sometimes you just have to let your trusted critics speak for you and this film follows in the footsteps of many a mediocre horror remake. The third place debut - though at a not entirely awful $17m - means most of you haven't seen it either, but if it is better than reviews and numbers suggest, let me know in the comments and I'll make the trip.

BOX OFFICE
01 GRAVITY $31 (cum. $170.5) Cinematography Oscar & Sandy B??? & Review
02 CAPTAIN PHILLIPS $17.3 (cum. $53.3) Podcast & Tom Hanks For All Ages
03 CARRIE $17 *new* 
04 CLOUDY WITH CHANCE OF MEATBALLS $10.1 (cum. $93.1)
05 ESCAPE PLAN $9.8 *new*
06 PRISONERS $2 (cum. $57.2) Podcast & Review
07 ENOUGH SAID $1.8 (cum. $10.7) Podcast
08 THE FIFTH ESTATE $1.7 *new*
09 RUNNER RUNNER $1.6 (cum. $17.5)
10 INSIDIOUS CHAPTER 2 $1.5 (cum. $80.9)

Gravity is now the 10th biggest grosser of 2013

The real story here is that Gravity and Captain Phillips held on to the top two spots with very respectable small drops. Word of mouth is strong for both films so they will remain hovering around the top again next week. The real questions at this point are whether it is entirely impossible for Gravity to beat competition from The Counselor and Bad Grandpa to stay at number one, and whether Captain Phillips can cruise to above $100m - I'm sorry; just couldn't help it.

The weekend had two other wide releases: Escape Plan, which banked on aged muscle men with immense amounts of plastic surgery to appeal to younger men and understandably failed; and The Fifth Estate, which banked on the public's interest in a topic that remains too fresh and too painful to be dramatized, no matter how uncanny the resemblance of its star to the whistle blower in question; this one had an even rougher ride.

Those of you lucky enough to live near one of the 19 theaters playing the film had the chance to see Steve McQueen's superb new film, 12 Years a Slave, and judging by the per screen average ($50.5k), quite a lot of people took advantage of that opportunity before the film goes wide next week. In even more limited release, Robert Redford's All Is Lost and Daniel Radcliffe's Kill Your Darlings both opened to satisfactory per screen averages, though neither managed to sneak into the top twenty.

Anyway, enough about America now, and a bit about me. I caught up with the environment-themed documentary Watermark (GORGEOUS, well-intentioned and a bit dull), Iranian classic Kandahar (schematic, well-intentioned and a bit dull) and Captain Phillips (intense, Hanks on fire). Now enough about me and a bit about you: what did you watch this weekend?

Wednesday
Oct092013

Link Flood

Slant Gravity, IMAX, and the horrors of front row seating
The Guardian a Carrie promotion stunt here in NYC. Imagine seeing this in real life.
The Verge the original teaser trailer to Star Wars is curiously light on Han Solo
Variety Destin Cretton, hot off the empathetic and special Short Term 12 may direct Glass Castle based on the bestseller with Jennifer Lawrence in the starring role
Deejay Italia Cher on Italian television calls Madonna a "magic bitch"

My New Plaid Pants Bubble Boy and Prisoners? Twins!
Boy Culture Josh Hutcherson is "mostly" straight
CHUD undeterred by those Prometheus reviews, Ridley Scott is moving ahead with Blade Runner 2 and may bring Harrison Ford along with him
/Film Darren Aronofsky promises huge complicated visual effects for his biblical epic Noah ... does that mean Matthew Libatique can finally win a cinematography Oscar? (that question is inspired by this recent divisive post on Gravity)
/Variety Toni Collette romantic comedy Lucky Them gets a distributor. This is how massive the TIFF selection  is each year. I did not even know that Toni, one of my very favorite actors, even had a movie playing there!

Finally, /Film shares the shortlists for the new Fantastic Four cast. The weird thing is that though I like nearly every actor and actress mentioned I think most of them are pretty terrible choices for those roles. Except for maybe Margo Robbie as Sue Storm. Interesting that her career is suddenly hot after a failed tv show (Pan Am). It's gotta be buzz about her sexcapades in The Wolf of Wall Street, right? I think my problem in picturing a successful Fantastic Four movie is that that comic book property has, like Wonder Woman, a retro feel. I don't mean that as a bad thing but Hollywood definitely does and they're always worry about how to young down that type of property. But that doesn't work. Some things are just "square" you know, to use an antiquated term. They need to think more along the lines of that bang-up job Marvel did interpreting Captain America for the 21st century by rooting him first so boldly in the early 20th century where he feels so natural.