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What did YOU see this weekend?

 

Elle. Basically the same movie as The Piano Teacher but sillier. Huppert is great, but when is she not? -Jonathan

The Edge of Seventeen because I needed something light and fun. So delightful, and anchored by a wonderful Hailee Steinfeld performance. - Marina

 

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Entries in Winona Ryder (32)

Saturday
Jul232016

Ten Favorite Things About Stranger Things

Kieran, here.  There’s something to be said about earnest storytelling in television.  It often comes packaged in projects that are deeply flawed, but somehow those flaws contribute to what make the show a singular experience. Such is the case with Netflix’s “Stranger Things,” which premiered a week ago to much fanfare and online discussion.

Though “Stranger Things,” created by Matt and Ross Duffer very blatantly poaches elements from some very familiar markers it doesn’t resemble anything else on television at the moment. The aforementioned earnestness of this series about supernatural and…well, stranger things happening in 1983 small town Indiana could have easily served as a liability, but becomes one of the show’s greatest strengths. 

All of my defenses were up going into my viewing of “Stranger Things”. 80s-era Spielberg holds little personal resonance as it does for others. I’ve never seen The Goonies. I have a really sensitive gag reflex when it comes to inauthentic portrayals of children in movies and film. I was suspicious in the beginning, but "Stranger Things" won me over...

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Friday
Jul222016

Tweetweek: Garry Marshall, Political Chaos, and Lots of Ghostbusters

Randomness. Sensory overload. Once I started I couldn't stop. Much amusement, a little fright, and beauty after the jump from the world of showbiz and its onlookers...

 

MUCH MORE AFTER THE JUMP...

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Thursday
Jul212016

Pick Your Poison: The Hallmark Homages of Stranger Things

Daniel Crooke here. For the past two weeks, I've walled myself off from any pop cultural offering that doesn't include the letters LGBT while working around the clock at Outfest Los Angeles, our seminal, international queer film festival here in the City of Angels. Naturally the only external filmic force strong enough to infiltrate this border includes the words Winona Ryder. Slay, queen, slay.

I too have taken a long, hungry taste of the ananchronistic (and extra-colorful) Kool-Aid that is Netflix's '80s-set Stranger Things, the sci-fi outing that investigates a humdrum Indiana small town as a local young 'un mysteriously disappears in their midsts without warning. Much has been made of the homage-heavy layers that bake into its Spielbergian, Carpenteresque, Lynchian, and Stephen King-adjacent baklava; although the reason it succeeds beyond the hat-tip recipe can be found within the rich, nitty gritty filling of its heart-achingly true familial dynamics, of which Super 8 would have been smart to expand upon beyond the basic ingredients. So let's take a big bite and revel in its delicious influences. My personal favorite so far - despite Ryder's irresistible parallel to Melinda Dillon's momma bear on a misson from Close Encounters of the Third Kind - goes beyond bicycles and plunges the references to disturbing depths.


Jonathan's secret photo shoot in the woods recalls Blue Velvet's voyeuristic view from the closet; despite their quests for homegrown veracity, neither he nor Jeffrey were invited to the peep shows of a teenage pool party or a transgressive Rossellini-Hopper assault, but they've shown up in the shadows nonetheless. And yet we're still glad to be in on the drama. We've spent some time getting to know the traumatic roots of their curiosity via their displaced family units but these Peeping Toms challenge that sympathy through sensually clandestine invasions of personal space.

Apart from the bedroom posters of The Thing and Evil Dead, which Stranger Things visual reference sets your bicycle afloat?

Thursday
Jul072016

Lukewarm Off the Presses: Woolf, Winona, and La Pfeiffer

Things we forgot to talk about but it's never too late.

Do You Love She Loves Me?
Did any of you manage to catch the Broadway livestream of She Loves Me June 30th? It was the first ever of its kind though I've heard no details on how well it performed (i.e. if we'll see more of them). They've extended the availability to rent it until July 10th on Broadway HD

The Hours 2: The Return of Virginia Woof
Okay not really. Basically everybody committed suicide or got old in The Hours. But recently we got word that Virginia Woolf is coming back to the big screen  in the adaptation of the play Vita & Virginia which is about Woolf's friendship and affair with another female writer. The most delightful part of this news may be that the play and its screenplay adaptation were both written by the actress Dame Eileen Atkins who was in The Hours (she worked in the flower shop in the Streep section). No word on casting but allow me to have a brief fantasy about Nicole Kidman reprising her Oscar-winning role before we hear who got the plum gig. 

Winona is Back
Time Magazine recently published a solid interview with Winona Ryder on the eve of yet another comeback. This time via Stranger Things on Netflix. Of interest is a lengthy response when she's asked about the recent allegations against Johnny Depp. It's definitely the most levelheaded response we've read on any celebrity weighing in on the matter. But then we tend to like levelheaded responses and people who realize that they don't know what happened whatever their assumptions. That kind of response is almost impossible to find online from normal folks and it's also increasingly rare with celebrities.

But the best part of the interview was a question about the current nostalgia rage.

I get asked a lot, ‘What does it feel like to be a ’90s icon?’ And I’m like, ‘You think I sit around and think of myself like that?’ You can’t think about yourself in those ways, because who does that?

...I think because I started so young, I secretly wanted to be older all the time.

The interview is good but even better is that Stranger Things is getting really strong advanced buzz... especially for Winona herself who hasn't had anything work out that well for her showbiz-wise in aeons with the exception of that brief dark flash of Noni fever via her bit part in Oscar favorite Black Swan (2010).

Finally in confusing rumor alerts...
I don't normally share rumors (the internet is way too hung up on speculation when dialogue about things that actually exist is way more healthy/substantial) but I can't let this go without a mention. Remember the news that Jennifer Lawrence's Darren Aronofsky picture (working title Day 6) would co-star Javier Bardem, Domhnall Gleeson, and Michelle Pfeiffer? The story's logline is:

A couple whose relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

Most of the speculation on the internet was that Michelle Pfeiffer was playing Jennifer Lawrence's mother which seemed like a leap in logic -- why would they be related given that logline? A new rumor recently sprung up that the film would be titled Mother. Pass the fainting salts could this mean Pfeiffer was the actual lead -- but no, then that rumor was debunked by Paramount. It's all very confusing and typical internet (shut up everyone!) but any news of a Pfeiffer movie actually making it into production without her bolting is thrilling. And we are apparently getting three of them in relatively short succession, which all sound way more promising than that misfire The Family (2013) which was her last time before cameras. Two are already filmed - HBO's Wizard of Lies, and the indie drama Beat-Up Little Seagull (both due later this year though specific dates aren't announced) and Day 6 the following year unless she bolts from the set mid-production.

Monday
Apr252016

Stage Door: The Crucible w/ Ben Whishaw & Saoirse Ronan

On Monday's (the "dark" night for many shows) Stage Door, we talk theater ...and often its film connections.

Arthur Miller's classic allegory about the Salem witch trials The Crucible is back on Broadway for a limited engagement currently scheduled to run through July. Expect Tony nominations as it's a gripping night of theater with high profile actors like Saoirse Ronan as the vengeful aggressive Abigail, fresh off her Oscar nomination, and acclaimed Brits Ben Whishaw and Sophie Okonedo as the doomed Proctors.

The Crucible has only been adapted to cinema twice, once in French in 1957 and most famously in English in 1996 with Winona Ryder, Daniel Day Lewis and Joan Allen (Oscar-Nominated) in the principle roles. That film was no classic so it's easy for the current production to obliterate it in the mind's eye. But for Joan Allen's utterly brilliant rendering of Goody Proctor. [More...]

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