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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in Daniel Day Lewis (24)

Wednesday
Sep032014

Podcast Pt 1: Smackdown Companions & Left Feet: A Love Story

As a companion piece to the Supporting Actress Smackdown, we recorded a companion podcast. In the first half we talk misleading movie posters, Oscar campaigns, the outcome of the smackdown, Jim Sheridan's My Left Foot and Paul Mazursky's Enemies A Love Story and directorial,  acting choices, sexism, and point-of-view storytelling.

You can listen at the bottom of the post or download on iTunes. Continue the conversation in the comments. We'd love to hear your comments on either film, and what your big takeaway from this month's Smackdown was. 

Smackdown Pt 1: My Left Foot Love Story

Friday
Jun202014

My Beautiful Laundrette 

[With Gay Pride festivities happening in various cities in June, we'll take a look back at a few gay classics. Here's Matthew Eng (who you'll remember from a couple of American Hustle pieces) on an Oscar nominated 80s classic - Editor]

Initially envisioned as a low-budget, Channel 4 telefilm, My Beautiful Laundrette cheekily challenged the Western moviegoing market upon its U.K. and U.S. releases in, respectively, 1985 and ’86. It became an out-of-nowhere arthouse hit, all while ironically embracing and blending a distinctive, regional-specific grouping of Thatcher-era South Londoners who fall under social categorizations normally left discrete or disregarded in modern-day moviemaking, both then and now. In the film, Omar (Gordon Warnecke), a young, business-minded Pakistani-Brit, sets out to renovate his uncle’s dreary laundrette into a clothes-cleaning arcade, a luxury laundrette “as big as the Ritz.” To do this, Omar recruits Johnny, his white former classmate and one-time lover, resulting in all the charged, complicated power shifts that would inevitably stem from a South Asian British man employing his former skinhead ex-boyfriend in Thatcherite England.

Arguably the film’s greatest claim to fame is that the smirking, blonde-streaked, and neck-licking Johnny is played by an effortlessly charismatic and impossibly hot Daniel Day-Lewis, the only actor in the cast since allowed to top his work here (not to mention the only one still working, period) and whose strong turn in Laundrette—coupled with his amusingly meek snob in the same year’s Merchant-Ivory export A Room with a View—prompted a prize-winning stateside breakout...

Click to read more ...

Monday
Jun162014

Link On

click to embiggenBacklots on "the happiest marriage in Hollywood" William Haines and Jimmy Shields from the golden age
Coming Soon first image & poster from Dracula Untold starring Luke Evans which opens in October. (I always giggle when "untold" is used in titles or taglines for characters that every man woman and child has heard of.
Buzzfeed great article on Nicholas Sparks, The Notebook, and melodrama
VF Hollywood Mary Steenburgen on joining Orange is the New Black for Season 3 (I think she removed this tweet because I can't find it) 
Jezebel is the Justice League movie really only going to have one female character?
The Film Stage That's "Sir" Daniel Day-Lewis to you 
Guardian interesting read on how social media killed the official websites for new movies 
Coming Soon Frank Grillo optimistic about returning in Captain America 3 despite being kind of burned alive in Winter Soldier
Variety Adrien Brody and John Cusack joining Jackie Chan in Dragon Blade, one of the most expensive Chinese movies ever. They do know those two Americans aren't box office draws, right? 

Captain vs. Legos
You know how I was all excited about Captain America: The Winter Soldier (which I love and saw again this weekend on a whim) becoming the #1 of the year last week? Well, it's already been replaced as The Lego Movie reclaimed the title the same weekend it debuted on DVD. Only $4,000 separate their grosses - ha! That's what you call a photo finish. The good captain isn't on DVD until September but he's also only in about 200 theaters and could easily lose the rest of them next weekend. Not that any of this matters since Hunger Games: Mockingjay Pt 1 and Grace of Mona-(kidding!) have yet to arrive and will easily surpass them.

What is Valka's purpose in How To Train Your Dragon 2?

Today's Must Read
Tasha Robinson at The Dissolve on "Losing Strong Female Characters to the Trinity Syndrome". Why is it that even when filmmakers care enough to craft and introduce a fascinating female hero, they always abandon, undermine or reduce her by the third act? Two current examples are dissected: Valka (Cate Blanchett) in How To Train Your Dragon 2 who gets the whole second act (but for what purpose?) and Rita (Emily Blunt) in Edge of Tomorrow

Thursday
Jun272013

Great Moments in Gayness: "Waiting for Omar"

Team Experience is celebrating Gay Pride Week with their favorite moments in gay cinema. Here's David on a 1986 classic introducing a certain 3 time Oscar winner..Happy Gay Pride Week Everyone!


In my experience, it’s always worth waiting for Omar.”

One of my favourite LGBT movies will always be Stephen Frears’ My Beautiful Laundrette, one of the most important and political British films of the 1980s, but also one that was important to the development of my own sexual identity in the calmer climbs of the mid-2000s. It was the first Film Studies class my school had ever taught, I’d just fallen in love with cinema over the summer, and I was a sixteen-year-old struggling with his ‘different’ sexual feelings – there was basically a lot of late blooming going on. [more]

Click to read more ...

Saturday
Apr272013

Into The... Trainwreck?

For those of you who've had the pleasure of seeing Stephen Sondheim's classic Into the Woods (1986) on stage, you know that, like most of the great composer's once-prolific oeuvre, it is very particularly a Work of Theater. Some artists' skill sets transfer easily between stage, screen, television and literature and so on but others do not. Certain geniuses are so tied to a particular medium they become it; Stephen Sondheim IS Musical Theater. 

But musical theater is different from musical cinema. Naturally compromises will have to be made. The person doing the new compromising is Rob Marshall who Hollywood is still giving the musicals to, presumably because of the huge success of Chicago (2002) and not the floppery of Nine (2009). So yes, compromises must be made...  but they do not have to be made in casting. Many star actors -- if you're forced to cast that way -- have great singing voices. Les Misérables may have botched its casting of Javert (Ugh. Russell Crowe) but elsewhere Tom Hooper seemed to understand that beautiful melodic musical-friendly trained voices were required and could be found in big stars (Hathaway, Hackman, Seyfried) and rising ones (Tveit & Redmayne) and he cast accordingly... except for that bit about letting Helena Bonham-Carter "sing" again post-Sweeney Todd.

Unfortunately Hollywood loves to repeat its mistakes and somehow Sweeney Todd did NOT result in Johnny Depp and Helena Bonham-Carter being lifetime banned from future musicals ...

Click to read more ...