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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

 

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Review: Ready or Not

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Yes Not Maybe So: Bombshell

" I am not liking this trend of portraits of terrible women, like Meghan and Phyliss Schafly, unless it's camp." - Jane

"Miss Charlize is like, "Do I need to remind you guys again who is the baddest bitch around here?." I just can'ttttt! She looks like Megan Kelly's twin -- that makeup work is insanity!!!" - Jono

"if Nicole doesn't wear a bad wig in a movie.....is it really a must see event?" -Chris

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Entries in Katharine Hepburn (83)

Wednesday
Feb202019

4 days until Oscars. More trivia fun.

Four is today's magic number so let's share some Oscar trivia.

Makeup prosthetics for Christian Bale as Dick Cheney (photo from Aida Dombr instagram)

IS ANYONE UP FOR A POSSIBLE FOURTH COMPETITIVE WIN THIS YEAR? 
Why yes, we're so glad you asked. In addition to the previously discussed costume designer Sandy Powell (The Favourite might make it four for that genius), Makeup artist Greg Cannom, who previously won Oscars for The Curious Case of Benjamin Button, Mrs Doubtfire and Bram Stoker's Dracula, might well win his fourth for giving Christian Bale that realistic looking Cheney bald cap and thick neck in Vice. If Cannom wins he becomes the second most awarded makeup artist of all time (after category king Rick Baker -- who appears to have retired? -- who took the Oscar an incredible 7 times). Now, technically, Cannom is already the second most awarded makeup artist but he's currently holding that honor in a tie with another three time winner Ve Neill (she won for Beetlejuice and Ed Wood, as well as Mrs Doubtfire alongside Cannom). Interestingly enough both Cannom and Ve Neill each won Makeup Guild awards this past weekend for Vice and A Star is Born respectively. 

Katharine Hepburn is the only person to ever win 4 acting Oscars... 

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Tuesday
Dec182018

Christmas at TFE: The Lion In Winter

Members of Team Experience have been asked to share their favorite holiday film. Here's Dancin' Dan with his...

AH, Christmas! That special time of year when family gathers around the tree to shower each other with love, presents, and good tidings... and backstabbing, long-held resentments, and petty grievances! Which is exactly why The Lion in Winter is my kind of Christmas movie.

Of course families love each other. That goes without saying. But no family is perfect. For many people (I'm tempted to say everyone, but you never know!), going home for the holidays is a prospect that inspires fear and dread. You may only see these people once or twice a year, and there's only so long that certain things can go unsaid...

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Tuesday
Jul242018

Doc Corner: 'Scotty and the Secret History of Hollywood'

Amy Winehouse died seven years ago today and several years removed from its Oscar win and box office success, Asif Kapadia’s Amy lingers in the public consciousness. A popular work of non-fiction due to its remarkable access to the story of a spiralling genius. For me, however, Amy remains a personal bug bear; an unethical and cruel work of documentary filmmaking that uses the words of its dead subject against her.

It was purely coincidental then that I thought about Amy while watching Matt Tyrnauer’s Scotty and the Secret History of Hollywood. The two films definitely do not share the same world, but this revealing piece of Inside Hollywood muckraking does raise questions about ethics all its own. I admit I got a bit of a salacious thrill out of it, but that doesn’t stop me questioning whether I ought to have.

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Monday
Dec112017

The Furniture: Matte Paintings at the End of an Era

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Over the course of the past year, I’ve done an informal retrospective series on the Best Production Design nominees of 1967. It isn’t an especially “New Hollywood” lineup, despite being the year of “Pictures at a Revolution.” Four of the nominees are lush period pieces, three of them lengthy musicals. They often feel like extravagantly-designed chaos, whirlwinds of sets and props that spin out of control. This is true of both the hilarious brawls of The Taming of the Shrew and the dated, stereotype-laden adventures of Thoroughly Modern Millie. Camelot, the winner, manages to split the difference between Old Hollywood excess and New Hollywood sexuality.

The final two films, both Best Picture nominees, are a bit less of a thrill. Guess Who’s Coming to Dinner and Doctor Dolittle are, respectively, the most realistic and most fantastical of the five nominees. However, despite their differences, they both underline the inadequate end-point of old-school studio design.

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Thursday
Aug102017

Letterman to Bring "In-Depth Conversations" to Netflix

By Seán McGovern

David Letterman has spent enough time growing his beard and is set to return to screens. Letterman is to host a six-show season on Netflix, which will be “in-depth conversations with extraordinary people, and in-the-field segments expressing his curiosity and humor.”

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Tuesday
Dec292015

You Need Serious Hair! 

Kyle back in the house to address a very serious topic: Hair. Caution: Joy hairdo spoilers ahead.

The extent to which certain moments of David O. Russell’s Joy are deliberately soap opera-y is an open question. The movie’s latter scenes, in particular, draw on clichéd images of toughness: pleather jacket, sunglasses, and, of course, newly shorned hair. It seems that nothing says a woman is serious quite like taking matters, i.e., her hair, into her own hands.

I’ll happily debate the merits of having a narrative arc reveal a woman to be a badass—since most already are in my book—but I’d rather hear what some of your favorite DIY hair-cutting scenes are. Here are three of the most dramatic that leap to my mind after the jump...

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