TCM Film Fest: Detective & Cop Films - Se7en, The Big Heat, The Mad Miss Manton

by Christopher James

The TCM Film Festival always brings out the stars, and this year was no exception as David Fincher (left) took to the stage for a Q&A before Se7en.

The theme of this year’s TCM Film Festival was “Most Wanted: Crime and Justice in Film.” You know what that means? Lots of cop and detective stories - be they young or old, eager or disillusioned, good or dirty. 

The three films from this programming block I was lucky enough to attend span nearly sixty years, showing how much the crime genre has been pushed. From screwball comedy in the 30s, noir in the 50s and violent nihilism in the 90s, each new era brings with it a new interpretation of the same roles in society.

Throughout the week, I'll be publishing recaps of the films I've seen from the festival, grouped by similar themes or slotted under similar programming categories. To begin, let's take a look at three very dissimilar films that all involve law enforcement unraveling a murder in their respective cities...

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TCM Film Festival: Day Three - Bogey in Africa and Musicals Galore

Christopher James continues his coverage of the 2023 TCM Film Festival. Check in for daily...

If the first two days of the TCM festival were dominated by bad boys fighting the establishment, day 3 was all about the movie musical. Out of the four films I screened today, three were musicals from different eras. It was a fantastic example of the breadth and depth the genre has to offer.

Today was also the day of big stars. For the first screening, Shari Belafonte had a discussion with TCM host and Academy Museum programmer Jacqueline Stewart. Later on in the  same room, Ann-Margret arrived and blew out a birthday cake inspired by her legs. Then, right before a screening of Carmen Jones, legendary film historian Donald Bogle was awarded the Robert Osborne award for achievement in classic film preservation... 

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TCM Film Festival: Day Two - "Cool Hand Luke" and "The Killers"

Christopher James continues his coverage of the 2023 TCM Film Festival. Check in for daily diary entries.

Day two of TCM includes more of the same. More Burt Lancaster, more sweaty and handsome outlaws and plenty of indelible moments. The sun came out, but the stars of yesteryear shined bright on the silver screen. Wanting to feel old today? As part of the Warner Brothers at 100 series, Steven Soderbergh’s 2001 remake Ocean’s Eleven was screened at the festival, with Soderbergh and George Clooney in attendance. Yes, the 2001 remake played at a classic film festival!

There were plenty of high profile screenings today, plus exhibits that took attendees on a journey through WB’s history, Looney Toons at the Oscars and films banned in the South. Once again, we were able to catch a couple of very different stone cold classics...

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TCM Film Festival: Day One - "Airport" and "The Wild One"

by Christopher James

The only thing more disasterous than a gang of bikers or a bomb threat on a plane is light rain in Los Angeles. All joking aside, it's always great to return to the Hollywood and Highland center for another year of the Turner Classic Movies Film Festival.

The festival was kicked off with a red carpet screening of a freshly restored Rio Bravo, with Steven Spielberg, Paul Thomas Anderson and Angie Dickinson as special guests. The opening night film is part of WB's 100 year anniversary, which will be a theme of the weekend with many of the celebrations. Rather than watch Howard Hawks' epic western, I opted to fill a couple other blind spots...

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Doc Corner: The art of restoration at TCM Classic Film Festival

By Glenn Dunks

Do you ever think about what career path you may have chosen in retrospect? You know, the one you would have selected had you been able to make such a life-changing decision after having actually experienced life? Maybe you already have your dream job, but even then—there’s often a niggling part of us that imagines something else. If I could turn back time, I think I would love to have gotten into film restoration and archiving. They are each fascinating professions that play to my niche interests including preservation and exhibition of celluloid, not to mention pretty, curated shelves. (I was the guy who would visit the video store and ensure the cases were in alphabetical order.) What's this go to do with anything though?

I bring this up because playing at this month’s TCM Classic Film Festival (May 6–9) is a new documentary called The Méliès’ Mystery about the efforts to conserve and restore the 520 films by the French pioneer, Georges Méliès. Yes, he of A Trip to the Moon had burned the original print negatives of all his movies as his career faltered at the start of the 1910s. His fairy tale excursions of light and magic were out of vogue and his production house of Star Films, with French and American studios, shut up shop.

Méliès’ story is not new to audiences, of course...

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