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Entries in documentaries (95)

Friday
Aug292014

'Common Threads', and Oscar's History with LGBT Documentaries

Today is Wear It Purple Day, which asks people to simply wear the color purple in support of LGBT equality. It's appropriate then that we continue our celebration of 1989 today with a look at that year's Oscar winner for Best Documentary. Glenn is joined in a conversation by friend of The Film Experience and doco-expert Daniel Walber, writer for Nonfics and Film School Rejects.

Glenn: Daniel, thank you for joining us. While I would obviously love to hear your thoughts on the film, I think I would be just as interested to hear about how well you think Common Threads: Stories from the Quilt sits amongst Oscar's documentary history. So few films about gay issues have even been nominated, yet alone won (the only other winner of its kind is The Times of Harvey Milk, also by Rob Epstein), but does Common Threads hold up as a winner? And furthermore, given just one year later they ignored Paris is Burning, does it strike you as just a case of voters simply going for a subject matter that they felt was Important and Worthy rather than any genuine interest in LGBT issues?

Daniel: That's a fascinating question. I'm not sure a movie with the precise scope and loose style of Paris Is Burning would have appealed to the Academy no matter what it was about. They didn't go for Grey Gardens either. Common Threads was definitely helped by the gravity and capital-I Importance of its subject, but I also think it holds up well as a film. Epstein knows what he’s doing, and this one has just as powerful an emotional arc as Harvey Milk. The device of zooming in on panels of the quilt to introduce stories feels a tad schlocky at first, particularly with the Bobby McFerrin music underneath, but it wasn’t long before I was won over by its genuine affection and understanding for its subjects. Perhaps there’s some consternation that it beat For All Mankind [for the Oscar], which I know still has a great reputation (I haven’t seen it), but I do think Common Threads deserved the attention.

How to Survive a Plague, The Celluloid Closet and Film vs TV after the jump.

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Monday
Aug252014

Balls

I went to a ball.

I got a trophy.

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Friday
Aug012014

Links

Screencrush offers hilarious proof that every superhero movie is called the greatest superhero movie ever. People are easily excitable!
Sight and Sound picks the best documentaries ever by pollling filmmakers: Man With a Movie Camera, Shoah and more...
MBetancourt finishes his Instagram Buffy The Vampire Slayer project. It was awesome. Naturally "Tabula Rasa" was the most popular - but not because it's a great episode

PopBytes I normally dont link to super gossipy things but this Justin Bieber / Orlando Bloom fight is just so bizarre and the coverage keeps getting weirder. I guess...
Gawker
... Leonardo DiCaprio was also there, cheering Orlando on? I mean who wouldn't?
Vox I love Todd Vanderweff but I'm not sure I buy Lucy as a feminist movie, even one that's afraid of feminism as posited
Gawker "I am terrified of Reese Witherspoon and a little bit in love with her"
In Contention Rosewater by Jon Stewart starring Gael Garcia Bernal gets an awards friendly release date

Awards Daily another longer trailer for Birdman. I can't watch this one. I don't want to see one more frame before the actual movie
THR the top 25 film schools?
MNPP talks about that John Waters Isabelle Huppert event

RIP
As you've undoubtedly heard the influential makeup artist Dick Smith who made Linda Blair demonic in The Exorcist (currently discussing) and pushed Marlon Brando into hugely convincing Godfatheriness among other achievements has passed away at 92 years young. Some obits/tributes to read: LA Times, In Contention, EW, and multiple Oscar winner Rick Baker

Friday
Jul182014

Review: Double Linklater with 'Boyhood' and 'Double Play'

Glenn here. Richard Linklater’s Boyhood has been receiving a lot of attention lately. For good reason too, I should say, even if I don’t quite agree that it is the transcendental experience that many others think. (Nor do I think those opinions are invalid, though the rabid if-you-don’t-love-it-you’re-just-wrong brigade started before the film had even premiered outside of festivals). Personally, I had issues with the film's first hour and have wrestled with the quandary of thinking that by making the lead character such an audience cypher it dangles perilously close at times to lacking something (outside of its form, obviously) that is truly unique. Why this boy; why this boyhood? He's almost too saintly, especially when it comes to women and sex, the latter of which the film is shy about. But then I also suspect that not having grown up in America, some of the reverence paid to certain apparent rites of passage didn't quite hit me with the wave of nostalgic emotion that it has others.

In a neat turn of events for fans of Linklater, Boyhood isn't the only chance to spend time with the director in theaters right now

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Tuesday
Jul082014

All That Link

It's been so long since we had a link roundup! You were all partying over the long weekend anyway. But we're back to normal. Please to enjoy these fine, discussable or just fun posts around the web...

Antagony & Ecstasy looks back at Thelma & Louise now that Susan Sarandon is on the road in Tammy's crime spree
VF Jennifer Lawrence meets Emma Watson
Leigh Alexander on internet sexism - the dos and don'ts 
BuzzFeed Matt McGorry and Samira Wiley from Orange is the New Black recreate Matthew McConaughey movie posters. Love.
WSJ Taylor Swift fancies herself a journalist suddenly and writes about the future of fandom, music careers and record sales 
AV Club on that potato salad kickstarter 
Deadline on new controversial strict rules for documentary eligibility at the Oscars. I understand the arguments against the new ruling but I would also like to caution documentarians to think about what they're asking for. The Oscars are larger than your particular craft and they really are supposed to be about CINEMA (i.e. things that play in theaters) so shush. These kinds of rulings may hurt at first but there should be a difference between television and movies. Television has its own awards for you to win if your film is great. Don't be greedy. I do agree with one complaint though: what's fair for docs should also be fair for features so Oscar needs to tighten up its eligibility rules across the board.

Hey, Look

It's the first image of Don Cheadle as Miles Davis in a forthcoming biopic. Filming has just begun. I guess Cheadle hasn't moved to TV for good (i *really* hate House of Lies) but at this point he seems far more likely to win an Emmy than an Oscar. The movie is apparently more about his marriage than his music. The best news about the project by far is that it gives Emayatzy Corinealdi a follow up leading role to her great work in Middle of Nowhere. She plays Miles first wife Francis Taylor.

Bob Fosse and Roy Scheider at Cannes for "All That Jazz"Fosse Fosse Fosse
Sound on Sight has an excellent retrospective of Bob Fosse's astounding but weirdly forgotten cinematic career from Mynt Marsellus. I wish Marsellus hadn't hedged on his ending - Fosse absolutely is equal to the other far more famous auteurs cited (Coppola, Scorsese, Spielberg, etcetera). They are only better remembered / respected I'd argue because they:

a) have comparatively gigantic filmographies
b) are still alive and working twenty-seven years after Fosse's death (Fosse was older than all the other crucial 70s breakout auteurs save Robert Altman and Fosse also died relatively young at only 60)
c) made their best films in genres that are more typically male than the film musical and thus escaped the pervasive destructive sexism that tends to devalue all rich work in more traditionally "feminine" fields like musicals, romances, and melodramas. We see this all the time in film criticism. Still.