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Alicia Vikander cast as Lara Croft: Tomb Raider
Only supporting actress winners are allowed to play this role!

"What on earth can Alicia bring to this role, and why bother? Good luck." - Tom F

"How long must we wait for Dianne Wiest as Lara Croft!?" - Mike

 

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Entries in documentaries (183)

Thursday
Apr282016

I Cannot Tell a Link

Guardian Glenn on 10 best Australian documentaries ever including Canes Toads (in 3D) a film I saw at Sundance years ago that freaked me right out
The Tracking Board Martin Scorsese might make a George Washington biopic. Hmmm, how does Leonardo DiCaprio look in a white powder wig?
Oscars.org Los Angelenos readers take note. Alan Menken and Angela Lansbury will be taking part in a 25th anniversary screening of Beauty & The Beast on May 9th. You can buy tickets at the link. 
MNPP Jason attends a special Aliens screening and Q&A with Sigourney Weaver (who is still looking incredible) 
Awards Daily thinks Passengers (the sci-fi film starring Chris Pratt & Jennifer Lawrence) could be one of our Best Picture nominees

The Playlist new images from The Neon Demon. Can't wait to see this 
New Yorker Richard Brody provocatively argues that film critics and publications need to move beyond "theatrical release" or "festival" when considering what makes a movie worth writing about
Variety more Cannes news. While we've already discussed the main jury, they've announced the sidebars. All three will be presided over by women (!): Actress Marthe Keller for Un Certain Regard; Director Naomi Kawase for Short Films; Director Catherine Corsini for Camera D'Or
Coming Soon has a new Kubo and the Two Strings trailer if you're interested (my general personal rule of thumb now is to stop after the first teaser or trailer so nothing is spoiled). Laika makes such great movies I don't even need a trailer. I'm always in.
/Film The Jungle Book has a how-they-did-it visual fx reel going around
i09 the X-Men finally get to wear costumes that are a smidgeon like their comic book origins at some point in X-Men Apocalypse (hopefully not just at the end)
Interview talks to programmer Thomas Beard about the current Film Society program 'Queer Cinema Before Stonewall '
FSLC ...and there's a few more days of that program left if you're in NYC

Provocative Thought O' The Day
Uproxx "Are more famous people really dying in 2016 or does it just seem that way?" which delves quite a lot into the 1980s as relevant cultural force

Off Cinema
Drama Desk Awards The nominations are in. Hamilton was eligible last year (since Off Broadway productions factor into these awards) which is why it's not up for anything. The revival of She Loves Me (with two of musical comedy's greatest stars: Laura Benanti & Jane Krakowski) leads all productions with 9 nominations. American Psycho wracked up the most nods for a new musical (well, it's tied with Steve Martin & Edie Brickelle's Bright Star) EXCEPT the big one: Best Musical. Weird, right. That's gotta sting even if the high nomination count isn't any sort of axe to the head for the show. Famous TV & Film actors nominated this year for their stage work include: Jessica Lange, Michael Shannon, Michael C Hall, and Frank Langella. Oscar winner Lupita Nyong'o, who has been much-buzzed for her performance in Eclipsed, was not nominated this morning. Hmmm.

Today's Watch
Chase Whale interviews Key & Peele about their kitten heist movie Keanu. Fun bit.

Tuesday
Apr262016

Doc Corner: Anita Hill, O.J. Simpson and Timothy Conigrave highlight doc and narrative divide

Glenn here. Each Tuesday we bring you reviews and features on documentaries from theatres, festivals, and on demand. This week we're looking at three documentaries and their narrative counterparts.

In the recently aired Confirmation (reviewed right here) about Anita Hill, director Rick Famuyiwa keeps the action to a very strict window of time surrounding the appointment of Judge Clarence Thomas to the US Supreme Court. What could have been a chance to explore the greater issues around Hill’s controversial moment in the spotlight ultimately becomes little more than a re-enactment that even so much as shrugging at committing to a belief that Thomas did or did not do what he was claimed to have done. The film only truly entertains when it goes backstage and peeks behind the Washington curtain of handshaking and decision dealing and by allowing us non Shondaland disciples the chance to watch Kerry Washington at work. The poster suggests "it only takes one voice to change history", but beyond title card lip service at film's end, they never explore this claim.

This isn’t an unfamiliar place for a film about Anita Hill since Freida Lee Mock’s documentary, Anita (2013), also suffered from a similarly narrow focus. Disappointing, really, since Hill and her story are fascinating and still so very relevant today as they were in 1991. [More...]

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Monday
Apr252016

Reporting From The Edge of Oblivion

Team Experience still reporting from the just-wrapped Tribeca Film Festival. Here's Jason on 'Special Correspondents' and the doc 'Obit.'

Do you ever watch a scene and just feel terrible for the actor being forced to deliver the dialogue they're being forced to deliver? There's a scene in Special Correspondents - a triviality that played Tribeca just before debuting on Netflix later this week, starring Ricky Gervais (who wrote and directed) and Eric Bana as a pair of journalists faking their war reports from the comfort of a Queens attic - that had me feeling just awful for one of its actors. 

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Tuesday
Apr192016

Doc Corner: Nostalgia for the (Cinema) Light

Glenn here. Each Tuesday we bring you reviews and features on documentaries from theatres, festivals, and on demand. This week we're highlighting Nostalgia for the Light.

Nostalgia seeps through Peter Flynn’s sophomore film, The Dying of the Light. For good reason one might say. Like many of a certain generation who were too young to appreciate the glory of the mechanics of film projection when it was as common as day and night, I sometimes sound like a fetishist when it comes to talking about the flicker of celluloid as it whirs through its paces on its way to being projected onto the big screen.

Flynn, it would appear, is the same. His first film, Blazing the Trail: The O’Kalems in Ireland, was about people behind the camera in the 1910s, but his newest film is about the people behind the projector – the men and (infrequently) women who were in charge of spinning and threading the celluloid from reel to reel of film through projectors and onto cinema screens. (more after the jump)

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Wednesday
Apr132016

HBO’s LGBT History: Larry Kramer in Love and Anger (2015)

Manuel is working his way through all the LGBT-themed HBO productions.

Last week we looked at the recent doc Mapplethorpe: Look at the Pictures which works as a nice primer on the famed photographer and, as is par for the course for films on gay icons from a certain era, as a portrait of a man working tirelessly to make the most of his ever winnowing time: Mapplethorpe died at age 42 of AIDS complications. We’re not going too far afield this week, as we’re focusing on a documentary on “America’s angriest AIDS activist” in Jean Carlomusto’s Larry Kramer in Love and Anger.

Kramer should be familiar to you. We’ve previously encountered him and talked about his righteous anger when we talked about The Normal Heart, and by that point he had already made HBO appearances in The Out List, Vito, and Outrage. That enough should be a reminder that there’s no way of talking about American gay rights activism of the last three decades without talking about Larry Kramer. Carlomusto’s film expediently moves through Kramer’s biography; from his time at Columbia Pictures, to Women in Love and Faggots, through the Gay Men’s Health Crisis group and The Normal Heart to ACT UP and his latest health scares and marriage...

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Tuesday
Apr122016

Doc Corner: IMAX in the Age of VOD

Glenn here. Each Tuesday we bring you reviews and features on documentaries from theatres, festivals, and on demand. This week we take a look at IMAX and question why such a documentary-friendly medium hasn't taken advantage of the marketplace.

A funny thing happened in the arthouse cinemas across my home country of Australia this weekend: Aleksandr Sokurov’s Russian Ark was re-released into theatres. It had been a hit in 2002, but it’s still odd to see a 14-year-old Russian art film pop up around the nation for no other reason than, I suspect, to throw some (very elegant and aristocratic) shade at the recently-released Victoria.

I bring this up because I recently visited my local IMAX. The proper IMAX with screens that stands as tall as multi-storey buildings, and not whatever fauxMAX imitations have popped up across American multiplexes. [more...]

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Wednesday
Apr062016

HBO’s LGBT History: Mapplethorpe: Look at the Pictures (2016)

Manuel is working his way through all the LGBT-themed HBO productions.

Last week we talked about race in HBO’s LGBT properties while briefly discussing Dee Rees’s Bessie. If there’s one thing media in general (but gay media in particular) needs to work on is intersectionality: ay attempt, for example, at framing the gay rights movement as “the new civil rights” movement not only suggests the plight of black people in America has been “won” but it refuses to understand how they intersect in sometimes very troubling ways. This week we're jumping on HBO's most recent release, Mapplethorpe: Look at the Pictures, which aired just this past Monday and which I got to see last week in the big screen. Not only is the doc wonderful, featuring candid interviews with those who knew (and posed for!) him, but it dovetails nicely with these issues of sex and race that we keep discussing.

The film borrows its subtitle from the famous words Jesse Helms used during a congressional hearing about Mapplethorpe's "pornographic" pictures: "Look at the pictures!" he implored, arguing that one couldn't deny the fact that they were not art. Cannily, this HBO documentary lets us admire plenty of Mapplethorpe's pictures—I didn’t count but the doc is exhaustive, showing us hundreds of photographs, scanned and offered up to us for close inspection. 

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