What's the Best Concert Film?

by Cláudio Alves

With Taylor Swift: The Eras Tour coming to theaters today and Renaissance: A Film by Beyoncé set to arrive in December, 2023 could signal the return of the concert film in full force. At the very least, both projects are bound to break records. Swift's movie is already on the way to becoming the most profitable concert film in history, close to surpassing Michael Jackson's This Is It just with advance ticket sales. Hopefully, this triumph will be reflected in the picture's quality, though, with such titles, success is measured more in terms of the artists' popularity than the piece's cinematic verve. Still, it'd be erroneous to dismiss concert films for this reason – there are many masterpieces to be found in the non-fiction subgenre. 

So, dear reader, what's your favorite concert film? My pick is after the jump…

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Queer Lisboa '23: Sweden's "Opponent" and other festival highlights

by Cláudio Alves

Soon after completing my Toronto Film Festival Coverage, it was time to dive into another fest experience. This turn, it was closer to home, Queer Lisboa being the oldest running film festival in the Portuguese capital, now on its 27th edition. This year, it offered a program rich in stories of marginalized identities and desires, with a particular emphasis on art intent on decolonizing our collective thought and promoting a more progressive view on the labor and lives of sex workers. There was even something for the awards nuts among us – Sweden's official Oscar submission for the 96th Academy Awards, Opponent.

To mark the occasion, let's dive into a selection of titles, starting with that Scandinavian drama, winner of a Jury Special Mention and the Audience Award…

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7 More Films (Some Surprises) Join the International Oscar Race

by Nathaniel R

While Denmark and Germany have been Oscar's two favourite countries in the past 20 or so years, they weren't always the biggest draws. Four traditionally powerhouse countries in the International Oscar Race -- France, Italy, Sweden, and Spain -- haven't had as much consistent pull of late but underestimate them at your own peril. All four have now announced their horses for the Oscars so it's an exciting week for news in this category. And they weren't the only countries to share their golden news this week. The charts are updated but let's talk about 7 of the new submissions... 

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TIFF '23: “Youth (Spring)” brings notes of optimism to Wang Bing’s cinema

by Cláudio Alves

Over a decade ago, Wang Bing’s first film explored the decline of an industrial district, state factories dying away as privately-owned businesses took over the Chinese economy. Since Tie Xi Qu: West of the Tracks, the director has applied the same ‘fly on the wall’ technique to various other projects, each growing in size until his filmography resembles a collection of non-fiction epics. The 2002 picture clocked at over nine hours, edited down from 200 hours of footage. For his most recent endeavor, Wang recorded 2,600 hours of material, deciding to present it as a trilogy named after one of the most exploited demographic in the nation’s industry – Youth. The three-and-a-half-hour Youth (Spring) represents the first chapter in the director’s new opus, introducing new tonalities to his work…

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TIFF '23: "Pictures of Ghosts" Sings a City Symphony

by Cláudio Alves

When I walk around Lisbon, I often pass by places that once were cinemas, temples of art and communion left abandoned or transformed for new commercial purposes. There's a big one that got bought by an Evangelical church years ago, its screening room turned auditorium for religious spectacle. I've witnessed some of these changes, but many had already happened by the time I found myself alone in the city. My parents' memories and souvenirs tell the stories of a metropolis I never knew, invoking ghostly cinemas I wish I had seen. Lisbon is a graveyard for a moribund culture, the moving image surviving in a few palaces that persist, raging against the dying of the light.

While watching Kleber Mendonça Filho's Pictures of Ghosts, I couldn't help but translate its reflections to my beloved Lisbon. I imagine most cinephiles will do the same for their homes. It's an identification that shouldn't betray the Brazilian master's intent, which is deeply personal. But in specificity, the universal resides...

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