Best International Film: Poland's "The Peasants" & the Philippines' "The Missing"

by Cláudio Alves

As Guillermo del Toro loves to remind us, animation is cinema. It's not a genre but a medium with its own particularities and styles, distinct idioms, and formal grammar. This year, some countries have taken these values to heart, selecting animated works to represent them at the Oscars. Curiously, two of them offer original ways to consider Rotoscoping as an animation practice, defying those who dismiss such films as lesser. They are Poland's The Peasants, from the same team behind Loving Vincent, and The Missing from the Philippines. Between painterly ravishment and digital befuddlement, these filmmakers take Rotoscope cinema to its limits and beyond…

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Interview: 'The Missing' director Carl Joseph Papa and actor Gio Gahol on making Oscar history for the Philippines

by Juan Carlos Ojano

Carlo Aquino and Dolly de Leon.

Carl Joseph Papa's Oscar submission The Missing (original title: Iti Mapukpukaw)  centers on a mouthless young man whose life is rocked when a familiar alien returns to his life. In telling this deeply personal story using animation, Papa examines the long-term effects of childhood trauma on people and how far kindness could go in helping them in reclaiming their voice. The Missing is the Philippines' official submission for Best International Feature Film at the 96th Academy Awards, becoming the country's first animated feature film to represent the country (out of 33 submissions). Out of the eight countries that submitted for the category's first competitive year in 1956, only the Philippines is yet to be nominated.

In this in-depth discussion, writer-director Carl Joseph Papa and actor Gio Gahol tackle the taboo topic of childhood sexual abuse in the country, pulling off the feat of shooting the film within four days, the artists that inspired them in their craft, and working with BAFTA nominee Dolly de Leon (Triangle of Sadness)...

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First & Last 004

We're bringing back one of our greatest hits like an aging band on tour.
CAN YOU GUESS THE MOVIE FROM ITS FIRST AND LAST SHOT?

The answer and a note on the film are after the jump. But try to guess in your head before clicking to see the answer...

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The Power of the Underdog: Dolly de Leon and the Filipino of 2022

by Juan Carlos Ojano

WARNING: This article contains mild spoilers on Triangle of Sadness.

2022 has been a year unlike any other for the Philippines. The past year brought an unprecedented amount of Filipino actors to the international film scene. Leading the pack is Dolly de Leon as yacht cleaner Abigail in the Palme d’Or-winning satire Triangle of Sadness. As Abigail, de Leon showed the feisty resolve of an underdog waiting to be unleashed after a disruption in the social order. Together with other films this year discussing class divide like The Menu and Glass Onion, Triangle of Sadness struck a chord with audiences. With a slew of critics’ groups mentions, Dolly de Leon has enters the current Oscar nomination voting period strong: An LAFCA win, a Golden Globe nomination (a first for a Filipina), and a longlist mention at the BAFTAs. Any attention is much needed given a crowded Supporting Actress field.

But De Leon is not the only Filipino actor who enjoyed the spotlight this past year... 

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Directors Guild of The Philippines speaks out on their absence in the Oscar race.

Academy members who volunteer for the nominating committees on Best International Feature Film are currently choosing their favourites from the available 93 films. Voting on this first round closes on the 15th but one country that won't be honored this season, no matter how voting goes, is The Philippines. They didn't submit. That's unusual for them. 

The absence of The Philippines from Oscar voting has prompted a hand-wringing statement from the Directors Guild of the Philippines which reads as follows...

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