Venice: "Scarlet" is an ambitious misstep

Elisa Giudici reporting from Venice

With Scarlet, Mamoru Hosoda takes his boldest swing yet, and lands his weakest film. Even compared with his early commercial outings (Digimon, One Piece), this latest work is a misfire: ambitious in scope, but undone by confused storytelling and uneven execution. The premise fuses Shakespeare and isekai. The film opens in 16th-century Denmark, where Scarlet, daughter of a murdered king, vows revenge against her uncle Claudius, who has seized the throne. Before she can act, Claudius poisons her, and the story pivots into the logic of isekai: Scarlet awakens in a strange afterlife populated by dragons and people from different eras, suspended in time. Death here is permanent, raising the stakes but also exposing how little sense the world makes...

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International Oscar Update: A Boat Load of Official Contenders

by Nathaniel R

We have now reached the season where it's hard to keep up with all the updates and it will keep on being this way throughout September. Nevertheless I'm at least keeping the submission charts up to date. At this writing twenty-five countries have selected their official contender for Best International Feature Film. We can safely expect another 60 or so countries to submit by the deadline of October 1. In terms of participation the category peaked at 97 contenders back in 2020 and has been dipping slightly since and has returned to 2010 numbers (the high 80s).

After the jump the "new" announcements since our last update are in bold and I've highlighted one new contender per chart for fun...

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Interview: 'The Missing' director Carl Joseph Papa and actor Gio Gahol on making Oscar history for the Philippines

by Juan Carlos Ojano

Carlo Aquino and Dolly de Leon.

Carl Joseph Papa's Oscar submission The Missing (original title: Iti Mapukpukaw)  centers on a mouthless young man whose life is rocked when a familiar alien returns to his life. In telling this deeply personal story using animation, Papa examines the long-term effects of childhood trauma on people and how far kindness could go in helping them in reclaiming their voice. The Missing is the Philippines' official submission for Best International Feature Film at the 96th Academy Awards, becoming the country's first animated feature film to represent the country (out of 33 submissions). Out of the eight countries that submitted for the category's first competitive year in 1956, only the Philippines is yet to be nominated.

In this in-depth discussion, writer-director Carl Joseph Papa and actor Gio Gahol tackle the taboo topic of childhood sexual abuse in the country, pulling off the feat of shooting the film within four days, the artists that inspired them in their craft, and working with BAFTA nominee Dolly de Leon (Triangle of Sadness)...

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A Glimpse at Oscar's Nominated Animated Shorts

by Chris Feil

Is this an off year for the Animated Short category? It’s (shamefully) my first year to catch the entire lineup, but unfortunately that seems to be the general response. If you check out the films in theatres you will also be treated to a few of the shortlisted contenders, but the package sadly doesn’t include the delightful In A Heartbeat. Even if this is also the least exciting lineup of the three Short categories this year, there are still delights to be found in this category, with animation styles the run the full spectrum from hand-drawn to computer generated to stop motion animation. Let’s look at the nominees...

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Hertzfeldt's Return to "World of Tomorrow"

Chris here. Even the most niche of cinema is getting sequelized these days. Remember Don Hertzfeldt's masterwork animated short World of Tomorrow? Of course you do. The mini-major was an unforgettable science-fiction mix of rudimentary and complex visuals with equal bits silliness and profundity, and gained as much popularity as any short film in recent memory. Well we'll get to revisit Emily Prime for Hertzfeldt's follow-up, World of Tomorrow Episode Two: The Burden of Other People's Thoughts.

Hertzfeldt has been teasing the new short on Twitter for a few months and it played Fantastic Fest to equally high praise as its predecessor. Could this mean that Hertzfeldt could be back in the Oscar shorts race again after losing two years ago? The bigger question might actually be found in the film's not-so-short title: is Hertzfeldt planning an entire saga on Emily Prime or is "episode" simply a cheeky word choice? 

Based on a new teaser, the filmmaker will be delivering on more hypnotic visuals and melancholy wit that made the first so very special. Take a look at what is in store - and if you haven't seen World of Tomorrow yet, it's still on Netflix. Hello Again, Emily!