"Kokuho" dominates the 49th Japan Academy Prize nominations

by Nathaniel R

KOKUHO is nominated across the board with Japan's Academy

While many other countries film awards operate on different time tables Japan and France, like the US, are calendar year with nominations in January and awards ceremonies in February or March. The French César nominations are a week away but Japan announced yesterday. They requiretwo continuous weeks in theaters for eligibility (the Oscars are less theatrical-focused *sigh* with only one week required). While Japan is inarguably the most successful Asian country at the Oscars, outside of anime (which Oscar ignores), Korean and Chinese cinema are more popular with US moviegoers with regular crossover hits. We've always wondered why there's that disconnect between the Oscars and arthouse moviegoers. But that's a larger and more complex topic. For now, let's look at the nominees for the 49th edition of Japan's Academy prizes. Japan's eye candy spectacle and Oscar finalist Kokuho received 17 (*gulp*) nominations with eight (*gulp x 2*) nominations happening within the 5 acting categories alone. We don't know if that's a record but it sounds like one. Kokuho has been so popular in release in Japan that it is already the highest grossing live-action Japanese film of all time there.

Nominees, commentary, and some history after the jump...

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Best of 2025: Bi Gan dreams the death and “Resurrection” of cinema

by Cláudio Alves

Before dropping my top ten of 2025, sometime near the end of the season, there are a bunch of excellent films that have gone unreviewed at TFE. Let’s fix that…

With Warner Bros. for sale and Netflix as its most likely buyer, cinephiles worldwide are despairing over the future of the theatrical experience. As monopolies keep forming stateside, Hollywood seems bound to reach a breaking point any time soon, and the effects are already being felt beyond borders. And then there’s AI and a rising devaluing of human artistry, the production of content above all else. That said, to speak of the end feels premature, foolish even. Even if the mainstream American movie industry as we know it ceases to be, cinema is bigger than that. Indeed, it’s an art form still in its infancy, still transforming and coming into itself. If death is coming, it manifests as transformation and, in metamorphosis, there’s longevity that beckons hope. So, stop doomscrolling and hold tight to what you love, be it the medium itself or the communion of sitting in a dark room with others, facing the collective dream projected on a bright wall.

There’s a way to accept the pain of change without giving in to despair, to believe, to honor, to delight in the miracle of the moving image without falling into grief. Chinese wunderkind Bi Gan's latest, Resurrection, embodies such notions in ways few films have done. As it regards the past, it speaks to the present and the mystery of a future none of us can yet grasp. With equal parts adoration and sorrow, intellect and earnestness, sadness and a strange strain of fatalistic optimism, this multi-chaptered odyssey through the human senses whispers and screams: Cinema is dead. Long live cinema…

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Husband & Wife Winners at The Blue Dragons!

by Nathaniel R

Son Ye Jin and Hyun Bin win BEST ACTRESS and BEST ACTOR at the Blue Dragon Awards. IMG SRC

We told you about the nominations at South Korea's Blue Dragon Awards earlier this month. As expected given its hefty nomination tally, Park Chan Wook's genius Oscar submission No Other Choice (opening on Christmas day in US theaters) took home Best Picture and Best Director among other prizes. The film also won Best Actress for Son Ye Jin. Its internationally successful leading man Lee Byung Hun lost Best Actor but we can't be too sad about it as he has dozens of acting trophies already.  In a fun twist of fate, though, he lost Best Actor to his screen wife Son Ye Jin's real life husband Byun Hin (Harbin - streaming on Hulu). "Husband and Wife Best Actor and Best Actress Wins?!?" Yep. how wild is that? That's something that's never happened at the Oscars as much as we wish it would have long before our Oscar time with Liz & Dick for Who's Afraid of Virginia Woolf? (1966). 

After the jump all the winners and a few more comments...

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Golden Horse Awards 2025

by Nathaniel R

Oscar winner Ang Lee (Brokeback Mountain) with Golden Horse Best Director Jun Li (Queerpanorama). They both won Best Director prizes for gay dramas!

I don't know why I torture myself covering the Golden Horse Awards each year as there are so many films I'm never able to see (or forget about by the time they do become available stateside). Neverthless the Taiwanese awards are among my favourite races to follow in international cinema. I hope to catch up with four of the winners in particular: A Foggy Tale, Queerpanorama, Mother Bhumi, and Lucky Lu. The ceremony was held on November 22nd. Here are the nominations and wins for their 62nd annual edition with some commentary and some random trivia including a Chappel Roan connection (How very random!)...

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"No Other Choice" Deserves its Blue Dragon / Gotham nods!

by Nathaniel R

Byung Hun Lee in "No Other Choice" from CJ ENM / NEON

I had the pleasure of seeing No Other Choice by Park Chan wook shortly before its three well deserved Gotham nominations. I was especially happy to see Lee Byung-hun nominated for Best Lead Performance. I recognize that he has an uphill battle ahead of him for Best Actor Oscar consideration but if it were a merit based contest alone he'd be a shoo-in. At least he's worked in Hollywood regularly so he won't have the 'no one knows them' campaign problem some overseas stars encounter when they do award-worthy performance. Still, we know that the acting branch is quite resistant to Asian actors even when they're in an actual Best Picture powerhouse-- Everything Everywhere All At Once being the miracle exception -- and that's such a pity. The star is truly inspired here with a continuously surprising performance full of physical comedy, emotional undertows, and tonal command.  I can safely guarantee you that far less deserving performances are bound to suck up a lot of oxygen in the forthcoming awards race.

Frankly, I will be furious if No Other Choice isn't (at least) Oscar nominated in Best International Feature Film at the Oscars. No Other Choice won't be a lock but it has a shot...

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