Oscar History

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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If Beale Street Could Talk

"Thank you ! Did we all read "Giovanni's Room" when we were teens ... and were slightly baffled and taken ?? Now I'm curious .. about this movie" - Martin

"We don’t deserve something this beautiful in 2018..." - Margaret

"I thought it was a terrific, lovely film but with some flaws. I don't think the voiceovers work well in the film and nor was it necessary since the film was already so infused with Baldwin's voice. " - Raul 



Hirokazu Koreeda (Shoplifters)

Ofir Raul Grazier (The Cakemaker)
Jeremiah Zagar (We the Animals)

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Entries in Asian cinema (127)


"Shoplifters" wins the APSA. On its way to an Oscar nod?

by Nathaniel R

Hello awards-enthusiasts! Since Glenn Dunks is returning to his Doc Corner series later today after his annual duties at the Asia Pacific Screen Awards, we realized we'd forgotten to list the winners and it's quite a good batch. Big prizes went to three currently buzzy foreign film Oscar hopefuls: Shoplifters (Japan), Burning (South Korea) and Capernaum (Lebanon). The first two are in theaters now in the US right now and Capernaum opens on December 14th. They're all terrific films and have to be considered very real threats for Oscar nominations. But it's true that that particular category is super competitive so virtually any high profile title might miss the shortlist. [Before we hear who nabbed the 5 nominations on January 22nd, the Academy will narrow that huge 87 film list down to just 9 contenders on December 17th.]

The list of APSA winners along with a few acceptance speeches after the jump...

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Golden Horse Winners (including "Shadow") and Fashions!

by Nathaniel R

Ang Lee and Andy Lau cheering on the winners

The Golden Horse Awards had a truly spread the wealth kind of year with no film dominating - all five of the Best Film nominees won multiple times. Though it didn't win the most statues, the four hour drama Elephant Sitting Still took Best Picture. Zhang Yimou took Best Director for Shadow (reviewed) and the film won three other technical prizes, leading the win tally. It probably helped that Yimou had his long time former muse, the goddess Gong Li, presiding over the jury but you can excuse those Huppert judging Haneke at Cannes style situations when it comes to the greatest director/muse pairings and Gong Li and Zhang Yimou are certainly on the all-time list. If you're unfamiliar with their work together watch any of their eight collaborations -- I'm most partial to Ju Dou or Raise the Red Lantern personally -- and be floored.

Best Actress Gowns!

The winners, a few gifs, and red carpet fashions are after the jump...

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Coming Very Soon: Oscar Submissions "Burning" and "Border"

NYFF/TIFF screenings from Nathaniel R

"My what lovely posters!" he said, as he struggled to decide how to review two pictures that are best seen cold, knowing as little as possible. "But people don't buy tickets / get excited about movies without knowing something," he reasoned with himself about reviewing both South Korea and Sweden's Oscar submissions which are opening in US theaters very soon.

"Okay, okay," the purist in him, responded. "I'll say a little something about each but only if I can limit my discussion to the posters! People absolutely shouldn't watch the trailers." "Deal" his practical self muttered rolling his eyes, having been through this existential crisis of movie blogging numerous times. "Proceed..."

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"Shadow" leads the Golden Horse nominations

Good news for fans of Zhang Yimou. His latest film Shadow, which we quite liked at TIFF, leads the 55th annual Golden Horse nominations which focus on Chinese language cinema. The higher Shadow's profile gets the more eyeballs it will theoretically find once Well Go, releases it in US theaters. It's definitely worth seeing in a movie theater since it's a visual spectacle. China still hasn't named their Oscar submission so we hope it's going to be Shadow which was released at home yesterday, the last day of eligibility for Oscar's Foreign Language Film submission requirements.

Interestingly enough, Hong Kong's Oscar submission Operation Red Sea received NO nominations whatsoever. 

A full list of Golden Horse nominations is after the jump with links to reviews for the few films we've seen...

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NYFF: Long Day's Journey Into Night

Jason Adams reporting from the New York Film Festival

Late in the film version of Six Degrees of Separation Stockard Channing's character, at her wit's end, says, "I will not turn him into an anecdote, it was an experience; how do we hold onto the experience?" That's how I feel about writing up my thoughts on Bi Gan's dream-adjacent Long Day's Journey Into Night. It was an experience. An out of body one, sorta. How do I turn that experience into words?

Luo (Huang Jute, whose handsome face we come to know from every angle) is haunted by what else, a lost woman (played by Lust Caution's Tang Wei, for a time anyway), and he wanders the damp earth and the the even damper underworld and everywhere damp in between trying to find her - trying to hold on to fractions of dreams and memories; who can tell which is which here? It's all fractured - time, space, sound...

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NYFF: A Family Tour

Murtada Elfadl reporting on the New York Film Festival

Early on in A Family Tour a reporter asks the lead character, a Chinese film director exiled in Hong Kong, why she makes political films. She answers that everything she makes is personal. Over the next two hours the film shows us exactly how the political is never separate from the personal.

The film is autobiographical, the director Ying Liang having lived in exile in Hong Kong since making When Night Falls (2012), a sharply critical look at the biased judicial system in China. He has switched the protagonist’s gender so we are following a female director (Gong Zhe) as she travels to a film festival in Taiwan with her husband and small child...

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