Golden Horse Nominations for 2023

by Nathaniel R

Snow in Midsummer, Marry My Dead Body, and Stonewalling are all up for Best Feature.

Nominations have been announced for the 60th annual Golden Horse Awards. The annual juried event covers the best in Chinese-language cinema. The ceremony will be held on November 25th this year. Stonewalling, Taiwan's Oscar submission Marry My Dead Body, Time Still Turns The Pages, Eye of the Storm, and Snow in Midsummer are all up for the top prize and three of them are streaming. Read on for more about these films and the nominations list...

Click to read more ...

"Breaking Ice", "Promised Land", and "Goodbye Julia" among others join the Best International Feature Film Race

by Nathaniel R

As you read this yours truly is in Italy (visiting with Elisa probably!) but before I hopped on the plane I updated the Best International Feature Film Submission Charts and Prediction/ Overflowing Stats Chart. As of yesterday 74 films have been announced as intended submissions from their home countries. The list usually tops out at 93 films (about 19 to go!) and there's usually one unexpected switcheroo or omission from what was previously announced so we'll see. But here are a handful of highlights from recent announcements...

Click to read more ...

Will the "Loving Vincent" team return to the Oscars via "The Peasants"?

by Nathaniel R

THE PEASANTS

Do you remember that painted animation film Loving Vincent (2017)? It was billed as the world's first fully painted feature film and it went on to an Oscar nomination in the Best Animated Feature category (eventually losing to Pixar's Coco). The married filmmaking team behind that picture have done it again with The Peasants, which is an adaptation of a novel about a peasant girl who causes a scandal by marrying a rich older man. Only three animated films have ever been nominated for Best International Feature Film -- Waltz With Bashir, Flee, and The Missing Picture (sort of) -- and interestingly enough all three of them can be classified as documentaries in addition to being animated. The same isn't true of The Peasants but Poland is submitting this one for the Oscar race...

Click to read more ...

TIFF '23: At the Crossroads of Old and New

by Cláudio Alves

During my days at the festival, I've found TIFF can be a place of great discovery, full of small titles coexisting with big ones, often besting them from a disadvantageous position. Discovery can also exist in the dialogues established between programmed projects, threads of shared ideas and ideals linking works of distinct artists from all over the globe.

Because of its status as Bhutan's Oscar submission and Pawo Choyning Dorji's follow-up to his nominated Lunana, I would always see The Monk and the Gun. However, the conversations it shares with other, less high profile films, were a welcome surprise. Despite their disparate genres (comedy, character study, tragedy) themes of encroaching modernity within traditional communities of mountainous Asian nations echoed back from the Nepalese A Road to a Village and the Mongolian City of Wind...

Click to read more ...

TIFF '23: “Youth (Spring)” brings notes of optimism to Wang Bing’s cinema

by Cláudio Alves

Over a decade ago, Wang Bing’s first film explored the decline of an industrial district, state factories dying away as privately-owned businesses took over the Chinese economy. Since Tie Xi Qu: West of the Tracks, the director has applied the same ‘fly on the wall’ technique to various other projects, each growing in size until his filmography resembles a collection of non-fiction epics. The 2002 picture clocked at over nine hours, edited down from 200 hours of footage. For his most recent endeavor, Wang recorded 2,600 hours of material, deciding to present it as a trilogy named after one of the most exploited demographic in the nation’s industry – Youth. The three-and-a-half-hour Youth (Spring) represents the first chapter in the director’s new opus, introducing new tonalities to his work…

Click to read more ...