The Baeksang Art Awards

by Nathaniel R

THE KING'S WARDEN won three prizes and is a huge hit in South Korea.

You might remember last year that we discussed that South Korea has a robust film awards calendar, with the first awards show of each year in May! I'm sharing it despite being well over a month llate because my number one film of 2025 No Other Choice took the big prize. The Baeksang Arts Awards do more than film -- they're an all around arts awards so they also honor theater and television. Eligibilty runs from April through March each year so it's a mix of late 2025 and early 2026 entertainments. As for the films some were eligible for last year's Oscar submission (No Other Choice prevailed obviously) and some are eligible to become South Korea's Oscar submission this year... though a lot of their competition has not yet opened.

The movie winners and nominations (and where you can watch them) --and a short epilogue on theater and tv -- are after the jump if you're interested...

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Cannes: "Hope" is Korea's Biggest Swing Yet Toward the Box Office Canon

by Elisa Giudici

There’s something genuinely startling about seeing the sprawling sci-fi epic Hope in Competition at Cannes. Not because genre films are unwelcome on the Croisette anymore; that battle has largely been wo. The surprise is that Na Hong-jin’s film embraces blockbuster language so wholeheartedly. This is not elevated horror masquerading as arthouse cinema, nor a restrained science-fiction allegory carefully calibrated for festival audiences. Hope is loud, enormous, messy, violent, and frequently exhilarating entertainment. It's a film with giant creatures, extended chase sequences, exploding buildings, machine guns, and a level of visual maximalism that feels almost aggressively unconcerned with prestige filmmaking etiquette...

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Husband & Wife Winners at The Blue Dragons!

by Nathaniel R

Son Ye Jin and Hyun Bin win BEST ACTRESS and BEST ACTOR at the Blue Dragon Awards. IMG SRC

We told you about the nominations at South Korea's Blue Dragon Awards earlier this month. As expected given its hefty nomination tally, Park Chan Wook's genius Oscar submission No Other Choice (opening on Christmas day in US theaters) took home Best Picture and Best Director among other prizes. The film also won Best Actress for Son Ye Jin. Its internationally successful leading man Lee Byung Hun lost Best Actor but we can't be too sad about it as he has dozens of acting trophies already.  In a fun twist of fate, though, he lost Best Actor to his screen wife Son Ye Jin's real life husband Byun Hin (Harbin - streaming on Hulu). "Husband and Wife Best Actor and Best Actress Wins?!?" Yep. how wild is that? That's something that's never happened at the Oscars as much as we wish it would have long before our Oscar time with Liz & Dick for Who's Afraid of Virginia Woolf? (1966). 

After the jump all the winners and a few more comments...

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"No Other Choice" Deserves its Blue Dragon / Gotham nods!

by Nathaniel R

Byung Hun Lee in "No Other Choice" from CJ ENM / NEON

I had the pleasure of seeing No Other Choice by Park Chan wook shortly before its three well deserved Gotham nominations. I was especially happy to see Lee Byung-hun nominated for Best Lead Performance. I recognize that he has an uphill battle ahead of him for Best Actor Oscar consideration but if it were a merit based contest alone he'd be a shoo-in. At least he's worked in Hollywood regularly so he won't have the 'no one knows them' campaign problem some overseas stars encounter when they do award-worthy performance. Still, we know that the acting branch is quite resistant to Asian actors even when they're in an actual Best Picture powerhouse-- Everything Everywhere All At Once being the miracle exception -- and that's such a pity. The star is truly inspired here with a continuously surprising performance full of physical comedy, emotional undertows, and tonal command.  I can safely guarantee you that far less deserving performances are bound to suck up a lot of oxygen in the forthcoming awards race.

Frankly, I will be furious if No Other Choice isn't (at least) Oscar nominated in Best International Feature Film at the Oscars. No Other Choice won't be a lock but it has a shot...

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TIFF 50: "Steve" and "The Ugly" waste no time

by Cláudio Alves

Following festival coverages can be a frustrating business for the common cinephile. As someone who's often on the other side of this dynamic, reading about films that are months or even years away from general release may induce all manner of negative feelings. Think of envy or the put-upon disinterest of someone who's set on divesting eagerness and spare himself the dissatisfaction that comes with it. For those who feel the same way as The Film Experience continues to house this prolonged TIFF 50 rundown, here are two titles for which you won't have to wait too long… or at all. And to make things more interesting, both films share the meta-cinematic intrusion of documentary crews into their narratives. Now, there's a double feature for you.

After its world premiere in Toronto, Steve, Tim Mielants' follow-up to Small Things Like These, is already on limited release. And then there is Yeon Sang-ho's The Ugly, a Korean drama that arrives in US theaters next week…

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