Best International Feature: Chile, Mexico, South Korea

by Cláudio Alves

Nathaniel has recently shared the Best International Feature Contenders List and given us an overview of the stars and directors and stats. Like last year, I'll be reviewing as many of the contenders as I can get my hands on, beyond the reviews already shared here at The Film Experience for the submissions from Czech Republic, Georgia, Guatemala, Ivory Coast, Kenya, Palestine, Romania, Switzerland, Taiwan, and Venezuela. The number of contenders is at an all-time high!

To start our voyage around the world, let's take a look at the submitted films from the last three champions of the category: Chile (2017, A Fantastic Woman), Mexico (2018, Roma), and South Korea (2019, Parasite)… 

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Parasite's Architectural Storytelling

by Cláudio Alves

This year's Oscar nominations weren't particularly rich in surprises, positive or otherwise. Still, there are plenty of things to be ecstatic about like the Best Production Design nomination for Bong Joon-ho's Parasite. It's relatively unusual to see non-anglophone films score nods outside the Best International category and even rarer for the Academy's design branch to recognize excellence in contemporary narratives. Usually, period movies, sci-fi adventures and fantasy extravaganzas are de rigueur choices in these categories. However, the Korean masterpiece turned awards season juggernaut was able to overcome whatever prejudices the Academy might have and score a very deserved nod for the work of production designer Ha-jun Lee and set decorator Won-woo Cho.

With that in mind, let's celebrate this miracle of design, an essential element for a film about class in which social hierarchies are materialized in architecture…

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The Miraculous Power of a Perfect Montage

by Cláudio Alves

Sometimes you can forget why you love cinema so much. The world gets you down and it's like nothing can bring you up to the light, rolling clouds of cinematic mediocrity make it even difficult to remember there was a light to start with. Before you know it, going to the movies is more like a chore than a pleasure. If you give in to despondency, those belabored affirmations of the death of cinema may start to ring true. But are they?

No. We know this because even in the darkest times, there are small miracles that prove cinema is alive and thriving. Parasite is one of those miracles.

Allow me to elaborate on a bit of recent personal history. At the beginning of last summer, after hitting an emotional roadblock and getting to a point I couldn't function anymore, I finally looked for professional help...

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How Had I Never Seen... "Memories of Murder" and "The Host"

In this Team Experience series, contributors catch up with gaps in their film history. Here's Cláudio Alves...

With Parasite making history and Bong Joon-ho more celebrated than ever, it's a good time for me to watch the two films that propelled the Korean director to his first waves of international success. I had never seen 2003's Memories of Murder and 2006's The Host so I was eager to correct that. 

The first film is based upon real events, telling a story of police investigation and serial killing, while the second is a sort of South Korean answer to Godzilla's prismatic view of national trauma as monster movie hijinks. Not unexpectedly, I found myself in awe of both pictures…

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Asian Film Award Nominees: "Legend of the Demon Cat" and More...

by Nathaniel R

Legend of the Demon Cat

It's difficult to keep track of the cream of the crop of Asian cinema because there are so many different bodies handing out prizes and so many of the major international awards bodies ignore that region altogether. One of the youngest of the Asian awards bodies is the bluntly titled "Asian Film Awards" which have only been operating since 2007. Their nomination leader this year is a film called Legend of the Demon Cat from Chen Kaige (who is most famous stateside for his 1993 arthouse smash and Oscar nominee Farewell My Concubine from 1993) but his latest isn't actually up for the top category, instead heavily dominating the tech fields. The film has not yet been released in the States.  Since these awards are based out of Hong Kong their nominees skew heavily towards Chinese productions...

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