Cannes Diary #10: Children are the future?

by Elisa Giudici

CLOSE could be a surprise Palme d'Or winner

Today’s schedule was three main competition titles heavy with awards possibility. Two of them look at the world through the eyes of children, their ingenuity being endangered by adults but also by the mere fact of growing up and facing society’s expectations. The other is a political thriller that tries the patience! Let’s dive in...

Click to read more ...

Cannes at Home: Day 7 – Death to Reality!

by Cláudio Alves

Park Chan-wook and David Cronenberg have arrived. Livening up the 75th Cannes Film Festival, the two auteurs debuted new works, prompting many to sing their hosannas in reverent tones. The Film Experience's own Elisa Giudici has declared Decision to Leave the film of the festival, a sentiment shared by many critics who've celebrated the picture's surprising romanticism and Tang Wei's performance. Cronenberg's Crimes of the Future was less ecstatically received, but the reactions are still positive. The verdict is that the film is less shocking than advertised but more elegiac in tone. Nevertheless, as the director predicted, multiple spectators walked out before the end credits rolled.

While anticipating these filmmakers' new offerings, let's remember their past works – Thirst's sicko love story and eXistenZ's visions of a violent future…

Click to read more ...

74th Cannes. Spike Lee's Jury

by Nathaniel R

We've known for well over a year that Spike Lee would be presiding over the competition jury. And last week he became the first Jury President (that we know of) to ever be the poster star of the festival in the year he was jurying. How about that? People will also be excited to hear that the competition jury is majority women but that's not a first. It's actually the third time. Isabelle Huppert led a majority female jury in 2009 (White Ribbon won the Palme that year) and Jane Campion led a majority female jury in 2014 (Winter Sleep won).

LET'S MEET THE JURY...

Click to read more ...

Familiar Faces: Bong Joon Ho Edition

by Nathaniel R 

South Korean auteur Bong Joon Ho has justly received a lot of attention for the brilliant Parasite. But the instant classic wouldn't have caught the fascination of audiences worldwide and the Academy here in the US without that finely honed ensemble navigating its tricky tone and endless talking points. So let's talk Bong Joon Ho's great taste in actors. Were you wondering where you'd seen some of these expressive faces before? Possibly in other films by Bong Joon Ho! Like most of the best auteurs, he likes to reuse actors as if he's running a theater troupe whilst building a great filmography. 

Herewith the 18 actors he's used the most often in his 7 films to date and where else you might have seen them if you're curious...

Click to read more ...

Review: South Korea's Oscar Submission "The Age of Shadows"

Tim here. Age of Shadows is currently making its way around the U.S. art house circuit, giving Americans our change to catch up with one of the biggest hits at the Korean box office this year. It's a historical spy thriller, set during a period of time that I suspect most of us English-speakers haven't thought about much, or at all: the stretch of time from 1910 to the end of World War II when Korea was occupied by Japan.

The film, set in the 1920s, takes as its subject the Korean resistance to Japanese rule, and follows the career of a double agent named Lee Jung-chool (Korean superstar Song Kang-ho), a Korean-born police captain operating under strict Japanese control...

Click to read more ...